Showing posts with label wiccan magic. Show all posts
Showing posts with label wiccan magic. Show all posts

Course Of Alchemy

Course Of Alchemy Cover

Book: Course Of Alchemy by Jose Luis Ramos

Dear student of Alchemy. The fact that you receive this unit it implies that you have assimilated the teachings of the previous one and overcome with success the test of corresponding evaluation. For it, I allow me to talk to you with the trust and the opening own among siblings of the sacred order of the Alchemy. Although you have not received the Initiation that, in an indelible way, it transforms you into a Philosopher by the Fire, when having discovered the Initial Matter (true key to accede to the Work), have you learned the philosophical principles that govern our Road and have you manifested your determination of continuing, you have reached a knowledge that it have been denied along the times to many investigators and erudites. On the other hand, Internet is, at the present time, the translation of the old medieval zoco, where there is of everything (good and bad) and anyone can enter and to expose its " goods ". The page of GAP is one more among so many others which it mix the Alchemy with the Magic, the Astrology and all type of esoterisms (there are serious pages, but they are few...) and the possible visitors don't have trial elements to be able to appreciate the seriousness of our offer. Also, the net is full with places " free " and all that you gets paid, still that it is moderate, it always sounds to suspect... For everything it, we reiterate our congratulation to you and we wish you a fortunate Road whose unavoidable difficulties have begun to overcome.

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Visualization In Medieval Alchemy

Visualization In Medieval Alchemy Cover

Book: Visualization In Medieval Alchemy by Barbara Obrist

This paper explores major trends in visualization of medieval theories of natural and artificial transformation of substances in relation to their philosophical and theological bases. The function of pictorial forms is analyzed in terms of the prevailing conceptions of science and methods of transmitting knowledge. The documents under examination date from the thirteenth to the fifteenth century. In these, pictorial representations include lists and tables, geometrical figures, depictions of furnaces and apparatus, and figurative elements mainly from the vegetable and animal realms. An effort is made to trace the earliest evidence of these differing pictorial types.

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Black Powder Or Blackpowder Or Gunpowder

Black Powder Or Blackpowder Or Gunpowder Cover What is the composition of black powder ? The French call it either poudre a canon (gunpowder) or poudre noire (blackpowder). The loose powder was called serpentine. The name black powder is of relatively recent origin, as it appeared only after other explosives were devised which lacked the black luster of free carbon. Obviously, the stuff wasn't called gunpowder before the gun was invented, around 1313. The invention of the gun is often credited to brother Berthold Schwarz (Schwartz), a Franciscan friar from Freiburg with a bogus last name ("Black" in German) indicating his interest in alchemy, the black art; the real name of "Black Bert" was most probably Constantine Anelzin. He "invented" gunpowder only in the sense that he found a new use for old serpentine and thus made the new name meaningful. Black powder was the first explosive ever devised, and it remained the only one for centuries. It is composed of the following three solid ingredients: * Saltpeter: KNO3 niter (or, more rarely, NaNO3 Chilean nitrate). * Sulphur: S. ["sulfur" and "sulphur" are equally acceptable spellings] * Carbon: C. Often in the impure form of charcoal from wood (willow). However, simply mixing the ingredients produces only inferior meal powder... To obtain what's now considered proper black powder, the ingedients must be "incorporated" in a damp state. This allows the application of great pressure to form a dense cake, ultimately broken down into dry grains. This process is called corning, and it was first introduced in France in 1429. Early forms of blackpowder may have existed in China around AD 700, using crude recipes calling for equal weights of the three components... Such mixtures would only burn violently without exploding... Also, explosion cannot occur if raw saltpeter is used, and the refining of saltpeter is not mentioned before 1240 in a book on military technology by the Syrian scholar Hassan Al-Rammah, entitled al-furusiyya wa al-manasib al-harbiyya. The first Chinese author to describe an explosive formula was apparently Huo Lung Ching, in 1412. In a six-page tract entitled Liber Ignium ("Book of Fires"), Marcus Graecus [an otherwise unknown author, possibly a fictitious one] describes 35 incendiary recipes, including a formula which was once standard for English blackpowder: [...] 1 lb of native sulfur, 2 lb of linden or willow charcoal, 6 lb of saltpeter, which three things are very finely powdered on a marble slab. The latin version of this pamphlet did not appear before 1280 or 1300 and may have originated around that time, although the claim has been made that it was an expanded translation by Spaniards of a more ancient Arabic text (dated AD 848) and/or a Greek version that did not include the last four formulas... Roger Bacon (c.1214-1292) investigated black powder before 1249, when he devised the recipe he communicated in 1268: 40% more saltpeter than either sulphur or carbon (7:5:5 formula by weight). However, the first unmistakable blackpowder explosive composition is the "German formula" (4:1:1) proposed by Albertus Magnus (c.1200-1280). The English standard formula around 1350 called for less sulphur and more charcoal (6:1:2). The most commonly quoted modern gunpowder composition seems to date from around 1800 and calls for 75% saltpeter (niter) oxidizer, with 10% sulfur (S) and 15% charcoal (C). The potassium sulphide solid residue forms a thick white smoke, capable of obscuring entire battlefields. Newer propellants leave little or no such residue when properly exploded. They are thus collectively known as smokeless powders. The simplest idea for a smokeless dark powder is called ammonpulver (AP) and involves ammonium nitrate (AN) with 10% to 20% charcoal, although the stoichiometry of the following reactions translates into only 7% to 13% carbon, by weight: 2 NH4NO3 + C-CO2 + 4 H2O + 2 N2 + 629.6 kJ (874.4 cal/g) NH4NO3 + C-CO + 2 H2O + N2 + 228.6 kJ (593.5 cal/g) Other smokeless powders of historical interest include the following propellants: * Guncotton, or nitrocellulose (also known as pyropowder, pyrocellulose, trinitrocellulose and cellulose nitrate) invented in 1845 by the Swiss chemist Christian Schonbein (1799-1869). * Poudre B (flakes of nitrocellulose gelatinized with ether and alcohol) invented in 1884 by Paul Vieille (1854-1934) for the 1886 Lebel rifle. * Ballistite (nitrocellulose and nitroglycerin, with diphenylamine stabilizer) invented by the Swedish industrialist Alfred Nobel (1833-1896) in 1887. Sir James Dewar (1842-1923) * Cordite N (nitroguanidine, nitrocellulose, and nitroglycerin) invented by Frederick Augustus Abel and James Dewar in 1889. Sulfurless powder (12.93% carbon) would yield 772.6 cal/g, with 60% smoke: 4 KNO3 + 5 C-2 K2CO3 + 3 CO2 + 2 N2 + 1501.4 kJ It takes 92.9 g of this mix to release a mole of gas, whereas only 67.6 g of black powder would suffice (as sulfur prevents the wasteful production of carbonate).

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Alchemical Poetry Alchemy By Sara Teasdale

Alchemical Poetry Alchemy By Sara Teasdale Cover I lift my heart as spring lifts up A yellow daisy to the rain; My heart will be a lovely cup Altho' it holds but pain. For I shall learn from flower and leaf That color every drop they hold, To change the lifeless wine of grief To living gold.

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Alchemical Ritual

Alchemical Ritual Cover Although the alchemist, who represented the religious bent of his profession, has been viewed as a priest, the identity of his congregation remains unknown. The sources, reading somewhat like tracts of edification, transmit no detail. Some have sensed in the texts evidence of the existence of a loosely structured brotherhood. Others, above all Festugiere (1950, pp. 427–428), took the alchemical devotion (like the Hermetic) to be a cult adhered to by individuals or groups who practiced the “sacred art” and came under the spell of the mystic beliefs inherent in their work. Those nonpractitioners of alchemy who felt attracted were possibly members of the intelligentsia drawn to that particular version of modish Gnosticism. The code that the devotee observed had various specific features. They concern the transmission of the creed, first to him and then from him, and the way of life expected of a spiritual father.

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Edward Kelley Biography

Edward Kelley Biography Cover Edward Kelley or Kelly, also known as Edward Talbot (August 1, 1555 - 1597) was a convicted criminal and self-declared spirit medium who worked with John Dee in his magical investigations. Besides the 'ability' to summon spirits or angels on a crystal ball, which John Dee so valued, Kelley also claimed to possess the secret of transmuting base metals into gold. Legends began to surround Kelley shortly after his death. His flamboyant biography, and his relative notoriety among English-speaking historians (chiefly because of his association with Dee) may have made him the source for the folklorical image of the alchemist-charlatan. Birth and Early Career A horoscope drawn up by Dee indicates that Kelley was born in Worcester on August 1, 1555. Kelley's early life is obscure, but most accounts say that he first worked as an apothecary's apprentice. He may have studied at Oxford under the name of Talbot; whether or not he attended university, Kelley was educated and knew Latin and possibly some Greek. According to several accounts, Kelley was pilloried in Lancaster for forgery or counterfeiting. With Dee in England Kelley approached John Dee in 1582, initially under the name Edward Talbot. Dee had already been trying to contact angels with the help of a "scryer" or crystal-gazer, but he had not been successful. Kelley professed the ability to do so, and impressed Dee with his first trial. Kelley became Dee's regular scryer. Dee and Kelley devoted huge amounts of time and energy in these "spiritual conferences." From 1582 to 1589, Kelley's life was closely tied to Dee's. About a year after entering into Dee's service, Kelley appeared with an alchemical book (The Book of Dunstan) and a quantity of a red powder which, Kelley claimed, he and a certain John Blokley had been led to by a "spiritual creature" at Northwick Hill. (Accounts of Kelley's finding the book and the powder in the ruins of Glastonbury Abbey were first published by Elias Ashmole, but are contradicted by Dee's diaries.) With the powder (whose secret was presumably hidden in the book) Kelley believed he could prepare a red "tincture" which would allow him to transmute base metals into gold. He reportedly demonstrated its power a few times over the years, including in Bohemia (present Czech Republic) where he and Dee resided for many years. With Dee in the Continent In 1583, Dee became acquainted with Prince Albert Lasky, a Polish nobleman interested in alchemy. Dee, along with Kelley and their families, accompanied Lasky to the Continent. Dee sought the patronage of Emperor Rudolf II in Prague and King Stefan of Poland; Dee apparently failed to impress either monarch. Dee and Kelley lived a nomadic life in Central Europe. They continued with their spiritual conferences, though Kelley was more interested in alchemy than in scrying.In 1586, Kelley and Dee found the patronage of the wealthy Bohemian count Vilem Rozmberk. They settled in the town of Trebon and continued their researches. In 1587, Kelley revealed to Dee that the angels had ordered them to share everything they had including their wives. It has been speculated that this was a way for Kelley to end the fruitless spiritual conferences so that he could concentrate on alchemy, which, under the patronage of Rozmberk was beginning to make Kelley wealthy. Dee, anguished by the order of the angels, subsequently broke off the spiritual conferences even though he did share his (beautiful) wife. He did not see Kelley again after 1588, and returned to England the following year. Apogee and fall By 1590, Kelley was living an opulent life. He received several estates and large sums of money from Rozmberk. He convinced many influential people that he was able to produce gold. Rudolf made Kelley a "Baron of the Kingdom," but eventually he tired of waiting for results. Rudolf had Kelley arrested in May of 1591 and imprisoned in Krivoklat Castle (Purglitz in German) outside Prague. Rudolf apparently never doubted Kelley's ability to produce gold on a large scale, and hoped that imprisonment would induce him to cooperate. Rudolf may also have feared that Kelley would return to England. Around 1594, Kelley agreed to cooperate and produce gold; he was released and restored to his former status. Again he failed to produce, and was again imprisoned, this time in Hnevin Castle in Most. Kelley died in 1597 at the age of forty-two. A tradition has him dying while trying to escape: the story goes that he used an insufficiently long rope to lower himself from a tower, fell and broke his leg, and died from his injuries.

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Alchemical Poetry The Holy Longing

Alchemical Poetry The Holy Longing Cover Tell a wise person, or else keep silent, Because the mass man will mock it right away, I praise what is truly alive, What longs to be burned to death. In the calm of the love-nights, Where you were begotten, where you have begotten, A strange feeling comes over you When you see the silent candle burning. Now you are no longer caught In the obsession with darkness, And a desire for higher love-making Sweeps you upward. Distance does not make you falter, Now, arriving in magic, flying, And, finally, insane for the Light, You are the butterfly and you are gone. And so long as you haven’t experienced This: to die and so to grow, You are only a troubled guest On the dark earth. by Goethe (1814); translated by Robert Bly

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The Philosopher Stone A Quest For The Secrets Of Alchemy

The Philosopher Stone A Quest For The Secrets Of Alchemy Cover

Book: The Philosopher Stone A Quest For The Secrets Of Alchemy by Peter Marshall

St Thomas Aquinas, Isaac Newton, Carl Jung; these and other historians, scientists and philosophers devoted much of their life to the study of alchemy and the search for the ultimate prize: the philosopher's stone, which can transform base metal into gold and is said to hold the key to life itself. Marshall is no desk top researcher, but to write the book embarked on a journey in the footsteps of some of the key practitioners, a quest which takes him to Beijing, Egypt, France, Spain and beyond and leads to encounters with many contemporary philosophers, alchemists and scientists, all searching not so much for fame or fortune but for the ultimate prize of enlightenment. This appealing combination of travelogue and inner journey is well served by the author's friendly, conversational tone and his ability to make sometimes complex ideas thoroughly accessible without shortchanging the reader. Myth, magic , religion and intrigue come together here to offer an intriguing alternative view of the history of civilisation's development. From the moment I took this book into my hands I struggled to put it down. Not knowing anything about alchemy this book probably was the best introduction I could ask for. The book reads like a novel, taking the reader through all the paths of discovering more about alchemy. Loads of information is distilled into assessable paragraphs that contain the essence of each topic covered. Referenced material supporting the book is well documented in the back of the book enabling the serious reader to do further research on the topic. Starting from ancient history, the book is organised in a chronological order to end in its significance for contemporary times. Each paragraph reveals a bit more of this fascinating and mysterious subject. Interviews, visits to significant sites, papers, quotes and interpretation of symbolism ignite the readers curiosity. Excitement grows within the reader to the extend of an expectation that the philosopher's stone might jump somewhere from the pages. True to the basic principles the author does not try to provide an objective view of alchemy. The author gets so passionately involved with alchemy that one wonders if the author might be biased towards seeing alchemic symbolism even where they do not exist. But after closing the last page of the book, the author most definitely has planted within the readers subconscious a seed of hope. Hope that there is more beyond the aims of immortality and turning metals into gold , towards actual transmutation. This is really an excellent book! Globe-trotter and author Peter Marshall provides a fascinating overview of the history of alchemy in diverse cultures in both ancient and modern times. I am struck by the author's candor and sincerity, never pretending to know something he doesn't know in this arcane field of study. Light workers, Healers, Seekers, and would-be Alchemists would do well to start here with this book, before tackling the clasic texts and the actual Practice.

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The Mercurial Bird

The Mercurial Bird Cover Emblem 9 (of 12) from the 1752 Hermaphrodite Child of the Sun and Moon by unknown alchemist L.C.S., reproduced by Adam McLean (p42). Translates Mike Brenner in McLean’s edition: “A soaring eagle with heart aflame, with the Sun and Moon at the threshold of its wings, bears tokens of dominion: the crown of influence, the sceptre of the king, and the globe of the empress. “Its buoyancy in flight and its flaming heart show the ethereal nature of this eagle: wet outside, fire inside. It is our Liquid Mercury. “The Sun and Moon seek solace under the shadow of these wings, basking in the pleasing radiation from the flaming heart. “To win the Crown of the Earth, fuse the power of the sceptre and the globe…” (p42). Comments Fabricius: In plate 7 “the deluge [cf. the biblical Flood] leaves only a small patch of land, on which the Hermes bird descends [beneath the symbol of Mercury]. The chaotic situation is emphasized by the emergence of the seven planets on the horizon, a symbol of universal disorder. As indicated by the sign of sulphur, the sinking island is set on fire by sulphurous flames from the hellish interior of the earth. Yet the alchemist’s sinking island is ‘supported’ by a sealed chest of drawers emerging from the sea and containing immense riches of silver and gold. Although the adept’s world has become a sinking island, it has been simultaneously transformed into a treasure island” (p18).

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The Hermetic Arcanum The Secret Work Of The Hermetic Philosophy

The Hermetic Arcanum The Secret Work Of The Hermetic Philosophy Cover

Book: The Hermetic Arcanum The Secret Work Of The Hermetic Philosophy by Jean Despagnet

This was a key work of 17th century alchemy. It was written in Latin by Jean d'Espagnet as 'Enchiridion physicae restitutae...' and the first edition was issued at Paris in 1623. A number of editions were issued over the next decades and it was included in a number of alchemical compendia. An English translation, translated by Elias Ashmole, was printed in 1650, in Arthur Dee's 'Fasciculus chemicus: or chymical collections'.

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Sympathy In Alchemy

Sympathy In Alchemy Cover The anthropomorphic perception of matter that assigned to the metal a human soul correlated with an occult system according to which the supposed affinity between substances expressed itself in a mutual attraction or rejection, that is, either “sympathy” or “antipathy.” Such a bond linked, in particular, our world “below” to the world “above,” the microcosm of man to the macrocosm of planetary divinities. The system of correspondences elaborated, for example, by the second-century astrologer Antiochus of Athens (Sheppard, Ambix 7, p. 46) embraced, in addition to “above” and “below,” also elements, metals, and colors. Already Maria Prophetissa (fl. early third century), also known as the “founding mother of alchemy,” heralded the principle of parallelism: “Just as man results [from the association] of liquids, of solids, and of spirit, so does copper.” Zosimos of Panopolis in Egypt (fl. c. 300), recognizing the identity between the behavior of matter and the events in his own (unconscious) psyche, condensed this complex insight into the formula “What is within is also without.”

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Jung Tantra Archetypes And Alchemy

Jung Tantra Archetypes And Alchemy Cover Buddha had recognised the importance of the subconscious activities of the mind, both individual and collective, 2400 years before the founders of Western psychology. He knew that purely rational arguments were insufficient to motivate a deep and lasting transformation of the mind. The practitioner also needs to harness and redirect the powerful emotional currents which well up from the depths. Jung discovered that the vivid symbolism of tantric art and visualisation involved the use of 'archetypes' - ancient patterns and symbols in the human subconscious which can be invoked to produce powerful emotional responses. Since Jung's investigations, tantra has provoked much interest in the West, as well as many misunderstandings. For example, tantra is often portrayed as being just about sex. But in fact Tantra is about all kinds of transmutation and transformation of our ordinary mundane environment into the spiritual path to enlightenment: 'Secret Mantra [Tantra] is distinguished from Sutra by the practice of bringing the future result into the present path. For example, even though we have not yet attained enlightenment, when we practise Secret Mantra we try to prevent ordinary appearances and ordinary conceptions of our environment and instead visualize our surroundings as the mandala of a Deity. In the same way, we prevent ordinary appearance of our body, our enjoyments, and our deeds, and, in their place, generate ourself as a Deity, visualize our enjoyments as those of a Buddha, and practise performing enlightened deeds. By doing such practices, we can attain the resultant state of Buddhahood very rapidly. These four practices are essential for both the generation stage and completion stage of Secret Mantra.' Deity archetypes 'Deity yoga (Tibetan: lha'i rnal 'byor; Sanskrit: Devata) is the fundamental Vajrayana practice, often involving a sadhana liturgy and form, in which practitioners visualize themselves as the meditation Buddha or yidam. The purpose of Deity yoga is to bring the meditator to the realization that the deity and the practitioner are in essence the same, and non-dual. By visualizing oneself and one's environment entirely as a projection of mind, it helps the practitioner to become familiar with the mind's ability and habit of projecting conceptual layers over all experience. This experience undermines a habitual belief that views of reality and self are solid and fixed. Deity yoga enables the practitioner to release, or 'purify' him or herself from spiritual obscurations (Sanskrit: klesha) and to practice compassion and wisdom simultaneously.' Alchemy There is frequent alchemical symbolism in tantra, with visualizations of base and impure substances being transmuted into nectars and elixirs by the application of fire and seed-letter 'catalysts' . This symbolism represents the transmutation of contaminated emotions into enlightenment. Jung came to the conclusion that something similar was going on in Medieval western alchemy, with the alchemical processes being metaphors for the transmutation of the impure soul into the perfected soul.

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Alchemical Poetry Aenigma Philosophicum

Alchemical Poetry Aenigma Philosophicum Cover There is no light, but what lives in the Sunne; There is no Sunne, but which is twice begott; Nature and Arte the Parents first begonne: By nature ‘twas, but nature perfects not. Arte then what nature left in hand doth take, And out of One a Twofold worke doth make. A Twofold worke doth make, but such a worke As doth admitt Division none at all (See here wherein the Secret most doth lurke) Unlesse it be a Mathematicall. It must be Two, yet make it One and One, And you do take the way to make it None. Lo here the Primar Secret of this Arte, Contemne it not but understand it right, Who faileth to attaine this formost part, Shall never know Artes force nor Natures might. Nor yet have power of One and One so mixt, To make by One fixt, One unfixid fixt. D.D. W. Bedman.

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Death Of Compte Saint Germain

Death Of Compte Saint Germain Cover Secluded at Eckenforn in the count's castle, Saint-Germain announced that he was tired of fife. He seemed careworn and melancholy. He said he felt feeble, but he refused to see a doctor and was tended only by women. No details exist of his death, or rather of his supposed death. No tombstone at Eckenforn bore his name. It was known that he had left all his papers and certain documents relating to Freemasonry to the Count of Hesse Cassel. The count for his part asserted that he had lost a very dear friend. But his attitude was highly equivocal. He refused to give any information about his friend or his last moments, and turned the conversation if anyone spoke of him. His whole behavior gives color to the supposition that he was the accomplice of a pretended death. Although, on the evidence of reliable witnesses, he must have been at least a hundred years old in 1784, his death in that year cannot have been genuine. The official documents of Freemasonry say that in 1785 the French masons chose him as their representative at the great convention that took place in that year, with Mesmer, Saint-Martin, and Cagliostro present. In the following year Saint-Germain was received by the Empress of Russia. Finally, the Comtesse d'Adhemar reports at great length a conversation she had with him in 1789 in the Church of the Recollets, after the taking of the Bastille. His face looked no older than it had looked thirty years earlier. He said he had come from China and Japan. "There is nothing so strange out there," he said, "as that which is happening here. But I can do nothing. My hands are tied by someone who is stronger than I. There are times when it is possible to draw back; others at which the decree must be carried out as soon as he has pronounced it." And he told her in broad outlines all the events, not excepting the death of the queen, that were to take place in the years that followed. "The French will play with titles and honors and ribbons like children. They will regard everything as a plaything, even the equipment of the Garde Nationale. There is today a deficit of some forty millions, which is the nominal cause of the Revolution. Well, under the dictatorship of philanthropists and orators the national debt will reach thousands of millions." "I have seen Saint-Germain again," wrote Comtesse d'Adhemar in 1821, "each time to my amazement. I saw him when the queen was murdered, on the 18th of Brumaire, on the day following the death of the Duke d'Enghien, in January, 1815, and on the eve of the murder of the Duke de Berry." Mademoiselle de Genlis asserts that she met the Comte de Saint-Germain in 1821 during the negotiations for the Treaty of Vienna; and the Comte de Chalons, who was ambassador in Venice, said he spoke to him there soon afterwards in the Piazza di San Marco. There is other evidence, though less conclusive, of his survival. The Englishman Grosley said he saw him in 1798 in a revolutionary prison; and someone else wrote that he was one of the crowd surrounding the tribunal at which the Princess de Lamballe appeared before her execution. It seems quite certain that the Comte de Saint-Germain did not die at the place and on the date that history has fixed. He continued an unknown career, of whose end we are ignorant and whose duration seems so long that one's imagination hesitates to admit it. What happened to the Comte de Saint-Germain after 1821, in which year there is evidence that he was still alive? An Englishman, Albert Vandam, in his memoirs, which he calls An Englishman in Paris, speaks of a certain person whom he knew towards the end of Louis Philippe's reign and whose way of life bore a curious resemblance to that of the Comte de Saint-Germain. "He called himself Major Fraser, wrote Vandam, "lived alone and never alluded to his family. Moreover he was lavish with money, though the source of his fortune remained a mystery to everyone. He possessed a marvelous knowledge of all the countries in Europe at all periods. His memory was absolutely incredible and, curiously enough, he often gave his hearers to understand that he had acquired his learning elsewhere than from books. Many is the time he has told me, with a strange smile, that he was certain he had known Nero, had spoken with Dante, and so on." Like Saint-Germain, Major Fraser had the appearance of a man of between forty and fifty, of middle height and strongly built. The rumor was current that he was the illegitimate son of a Spanish prince. After having been, also like Saint-Germain, a cause of astonishment to Parisian society for a considerable time, he disappeared without leaving a trace. Was it the same Major Fraser who, in 1820, published an account of his journey in the Himalayas, in which he said he had reached Gangotri, the source of the most sacred branch of the Ganges River, and bathed in the source of the Jumna River? It was at the end of the nineteenth century that the legend of Saint-Germain grew so inordinately. By reason of his knowledge, of the integrity of his life, of his wealth and of the mystery that surrounded him, he might reasonably have been taken for an heir of the first Rosicrucians, for a possessor of the Philosopher's Stone. But the theosophists and a great many occultists regarded him as a master of the great White Lodge of the Himalayas. The legend of these masters is well known. According to it there live in inaccessible lamaseries in Tibet certain wise men who possess the ancient secrets of the lost civilization of Atlantis. Sometimes they send to their imperfect brothers, who are blinded by passions and ignorance, sublime messengers to teach and guide them. Krishna, the Buddha, and Jesus were the greatest of these. But there were many other more obscure messengers, of whom Saint-Germain has been considered to be one. "This pupil of Hindu and Egyptian hierophants, this holder of the secret knowledge of the East," theosophist Madam Blavatsky says of him, "was not appreciated for who he was. The stupid world has always treated in this way men who, like Saint-Germain, have returned to it after long years of seclusion devoted to study with their hands full of the treasure of esoteric wisdom and with the hope of making the world better, wiser and happier." Between 1880 and 1900 it was admitted among all theosophists, who at that time had become very numerous, particularly in England and America, that the Comte de Saint-Germain was still alive, that he was still engaged in the spiritual development of the West, and that those who sincerely took part in this development had the possibility of meeting him. The brotherhood of Khe-lan was famous throughout Tibet, and one of their most famous brothers was an Englishman who had arrived one day during the early part of the twentieth century from the West. He spoke every language, including the Tibetan, and knew every art and science, says the tradition. His sanctity and the phenomena produced by him caused him to be proclaimed a Shaberon Master after a residence of but a few years. His memory lives to the present day among the Tibetans, but his real name is a secret with the Shaberons alone. Might not this mysterious traveler be the Comte de Saint-Germain? But even if he has never come back, even if he is no longer alive and we must relegate to legend the idea that the great Hermetic nobleman is still wandering about the world with his sparkling jewels, his senna tea, and his taste for princesses and queens even so it can be said that he has gained the immortality he sought. For a great number of imaginative and sincere men the Comte de Saint-Germain is more alive than he has ever been. There are men who, when they hear a step on the staircase, think it may perhaps be he, coming to give them advice, to bring them some unexpected philosophical idea. They do not jump up to open the door to their guest, for material barriers do not exist for him. There are men who, when they go to sleep, are pervaded by genuine happiness because they are certain that their spirit, when freed from the body, will be able to hold converse with the master in the luminous haze of the astral world.

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Secret Investigations Of Newton

Secret Investigations Of Newton Cover The studies into Newton’s unpublished papers mentioned above have revealed that during the greater part of his scientific career, his secret passions in fact lay in alchemy[18] and matters of theology (such as the nature of the holy Trinity, the dimensions of Solomon’s Temple, biblical prophecies and biblical chronology). It will therefore not come as a surprise that the true source for our anecdote in fact derives from Newton’s latter interests. More than 50 years ago the American historian of science I. Bernard Cohen was able to trace it back to the highly regarded Newton biographies by the English physicist David Brewster (1781-1868) in which it is cited in full as: ‘... when Dr. Halley ventured to say anything disrespectful to religion, he invariably checked him, with the remark, “I have studied these things – you have not”.’ The fact that Halley and Newton often quarreled on theological matters is confirmed by another remark recorded by John Conduitt, who in turn heard it from his wife (and Newton’s niece) Catherine Conduitt (nee Barton; 1679-1739). However, these altercations were never so intense as to cause a rift between these two great scientists.

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Mercury Conjunct Saturn

Mercury Conjunct Saturn Cover As the teachings cannot be paid for, equally, alchemy cannot be taught. Mercury or Hermes has always been regarded as the progenitor and teacher of the alchemists. This tells us in their own language that the true 'teacher' of alchemy is Life itself. What is taught in the formal manner is an introduction to systems which ultimately act as a filter on direct experience of life and consciousness, and one day must be transcended if one is to ever be truly free. Every system or discipline, whether physiological, psychological or metaphysical is a limitation, a narrow passage which gives order to the chaos. The inevitable emergence from these coccoons of 'reason' and 'language' must be faced by anyone who becomes an advocate or 'professor' of such a system. Life will do this, simply because life is that volatile spirit that frees up all fixidity. Through tunnels of Set concretions of a time, away. Funnels that let us live in open-eyed Beyond. R.D.

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Alchemical Poetry Just Short Of A Miracle

Alchemical Poetry Just Short Of A Miracle Cover The goal of alchemy was to create the philosopher's stone. This magical stone was supposed to be endowed with miraculous powers. Possessing such a stone is the equivalent to having "heaven on earth." Achieving the stone is an arduous, frustrating enterprise that simultaneously gives meaning and purpose to life. Just short of a miracle And were I to tend my body as if it were A fragile piece of heaven Sole to soul And see in my most desperate hour The sun shining through the night Then... And were I to silence insistent voices Whose ears are deaf to all others Other than their own Only to hear amongst the squabble A silent syllable I'd never heard before. Then... And if I should love someone I've never met Shower them with prayers and blessings So that a smile came upon them unexpectedly Then... And were I to mind each moment As if it were my first, my last And meet an lovely old lady Who shares her secret recipe with me Then... I'd multiply these examples by a thousand Times infinity And then still come up Just short of a miracle But then, even then It doesn't matter. To come this close to utter delight I can no longer decipher day from night.

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Alchemical Poetry Place In Space The Residence Of Motion

Alchemical Poetry Place In Space The Residence Of Motion Cover Transcribed by Adam McLean from MS. Sloane 3797, folios 3-5. Place in Space the residence of Motion, or the Secret Mystery of Nature's progress, being an Elucidation of the Blessed Trinity. Father - Son - and Holy Ghost. Space - Place - and Motion. Space, Place, Father & Son are inseparable fixed & immoveable. Motion ye Holy Ghost Is that which brings all things to the Blessed determination of the Dei, as in the Gloria Patri, Filii & Spiriti Sancti, etc. Space is the Circle of Created World Space is the Place wherein this Engine's rolled As Place a Center circled in by Space So Space ye Circle is of place's place Place is a Center yet Exchange of Place The Lineal motion is to Space's Space Place in it Self is ever fixed and still Which doth ye Vacant Space of Spaces fill Space can not Move because it all Contains Yet Space is Motion, place where Power reigns Nor Space nor Place do ever Stir nor Move Yet place in Space is restless Motions Grove Great is the magic of this motion's race Motion in Space doth pass from place to place Thus Motion caught in all including Space Standing in centers moved to Circle's place Motion is that which runs the world about Yet it a place is never found without Place it is Still from Motion never free Move and not move how can it ever be. This riddle placed in Space of mental motion Is plane to sense without erratic notion Motion's confined to various centriq place Never to pass ye boundless bounds of Space Thus each beginning doth its end contain And End once made it must begin again For what was done by one Creating Word Must by this Three in one be understood If any ask how this could ever be done Tell them the word is Father, Ghost and Son Before that time was made Creatural God in himself was the great all in all But to extend the virtue of his power Of nothing all things made for his one bower Thus was the great abyssive might Formed into Creature, whence produced was Light This light to nature joined both firmly stood As primo genitors and to beings food The product of this all including one In Triple Creature most divinely shown Prangeth it self by measure of formation To be the being's being of Creation Thus were the heavens and the Earth begot Both out of darkness unto Light was brought From whence was made twixt one and t'other Father, & Mother, Sister, & Brother Four in number as the Elements are Conjointly work to procreate their par Fire is the Father, and the mother is air Brother and Sister, Earth and Water, are These in their number weight and Measure Make of this world the hidden treasure Joined them thro light let them unite together That they may live in love and be for Ever So is the Quatrant four in one The Matter Form and Essence of our Stone.

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Alexandre Saint Yves Dalveydre Works

Alexandre Saint Yves Dalveydre Works Cover Alexandre Saint Yves d'Alveydre's Archeometre shows the original Atlantean alphabet translates into the material the word, form, color, smell, sound and taste, the key to all religions and the sciences of antiquity. The Archeometre is represented by a circle, which has two scales from 0 to 360 degrees and 360 degrees to 0. It is divided into 12 ranges with 30 degrees each. In the individual ranges are drawn in the tierkreiszeichen, planet, colors, tones and the letters of different alphabets. The Archeometre is a universal canon (guide), which wants to point the relationship out between the astrological indications, tones, smells, letters and colors. The musician finds therein the color of tones, the writer the toncharakter of letter etc. The Archeometre is to also point practical use out that the religions, arts and architecture a synthesis from different ranges to form. Saint-Yves published 4 books between 1882 and 1887, about the concept of 'Synarchy'. In the year 1885 Saint-Yves was visited by a group of Eastern Initiates, one of them being named prince Hardjij Scharipf. Their mission was to inform Saint-Yves on 'AGARTTHA' , a spiritual and political organization. Their visit lead to his publication, titled "Mission de l'Inde en Europe, mission de l'Europe en Asie. La question des Mahatmas et sa solution". Saint-Yves dedicated this work to the "Sovereign Pontiff who wears the tiara of the seven crowns of modern Brahatmah in the ancient Paradise of the Cycle of the Lamb and the Ram". But Saint-Yves did not publish the book but decided to destroy the work and tore it apart. According to Saint Yves he acted under orders of the Brotherhood. The wisdom revealed would not be understood and therefore a publication would be like casting pearls before swine. Other sources state that Saint-Yves decided not to "expose the life of a saint" to the outside world, the saint being "Guru Pandit", the Eastern initiate who'd visited Saint-Yves. Apparently Saint-Yves overlooked one copy of the manuscript which fell into the hands of Count Alexander Keller, son of Countess Marie de Riznitch-Keller. This copy of Saint-Yves "Mission de l'Inde en Europea" was published (posthumous) in a limited edition in 1910 by the publishing firm of Dorbon-Aone. During the Second World War the Gestapo seized all the publications of this book that were known to exist. According to Dr.Philippe Encausse, Papus' son, the original copy belonging to Count Keller was given to Papus. After the death of Papus in 1916 it was donated to the Library of Sorbonne. After his wife's death in 1895, Saint-Yves started to work on his last work, an enormous work called the "Archeometre", a book published in 1903. The "Archeometre" 'intended to be a comprehensive key permitting a survey of ancient culture'. The book 'explores' the value of various philosophical, scientific, occult and religious systems 'and its place in the universal tree of science or tradition'. "Archeometre" is derived from the Greek meaning roughly "the mass of the principle". Saint-Yves' system is build around a series of symbols and interpretations relating to the "Ark of the Covenant". It's a very complex system which intends to be the key to all Religions and Sciences of the Ancients.

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Alchemical Symbols

Alchemical Symbols Cover The alchemist, in the formulation of Wayne Shuhmaker, “did not analyze but analogized,” and his own universe, metallurgy, provided the mythical imagery and stimulated new meanings. The alchemical opus centered on the change of matter, and transmutation of matter turned into the recurrent theme of the alchemist’s cult. To him, the soul imprisoned in matter symbolized the spirit striving to purify itself from the roughage of the flesh. Matter was represented above all by metal and symbolized life and man, its growth comparable to the growth of the fetus. “The achievement of metallic transmutation became symbolic of the religious regeneration of the human soul” (Sheppard, Ambix 17, p. 77). With technical alchemy providing the similes that expressed Gnostic religiousity, the two-tiered semantic construct evolved that was characteristic of Hellenistic and medieval mystic language: the worldly, exoteric lexicon furnished the “surface,” the sensus litteralis, but when applied to esoteric experience it yielded the hidden meaning, the sensus allegoricus. Many lexical items were drawn into the process: thus, in the Valentinian system of Gnosticism (deriving from the second-century Egyptian Valentinus), metallurgical terms such as the following symbolized spiritual concepts. Pneuma signified, first, the product of natural sublimation, then, “divine spirit”; ebullient (“boiling up”), referring to the alchemical process of “separating the pure from the impure,” was applied to wisdom; sperma (the “embryonic germ”) yielded the “seed” of gnosis; in a similar way, such terms as refine, filter, and purify acquired spiritualized meanings. The transfer, through alchemy, from the literal to the symbolic realm contributed richly to the language of religion and, generally, abstraction. It indicates a conscious effort of the alchemist to frame his views in the terms of his craft.

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