Showing posts with label free magic books. Show all posts
Showing posts with label free magic books. Show all posts

Edward Kelley Biography

Edward Kelley Biography Cover Edward Kelley or Kelly, also known as Edward Talbot (August 1, 1555 - 1597) was a convicted criminal and self-declared spirit medium who worked with John Dee in his magical investigations. Besides the 'ability' to summon spirits or angels on a crystal ball, which John Dee so valued, Kelley also claimed to possess the secret of transmuting base metals into gold. Legends began to surround Kelley shortly after his death. His flamboyant biography, and his relative notoriety among English-speaking historians (chiefly because of his association with Dee) may have made him the source for the folklorical image of the alchemist-charlatan. Birth and Early Career A horoscope drawn up by Dee indicates that Kelley was born in Worcester on August 1, 1555. Kelley's early life is obscure, but most accounts say that he first worked as an apothecary's apprentice. He may have studied at Oxford under the name of Talbot; whether or not he attended university, Kelley was educated and knew Latin and possibly some Greek. According to several accounts, Kelley was pilloried in Lancaster for forgery or counterfeiting. With Dee in England Kelley approached John Dee in 1582, initially under the name Edward Talbot. Dee had already been trying to contact angels with the help of a "scryer" or crystal-gazer, but he had not been successful. Kelley professed the ability to do so, and impressed Dee with his first trial. Kelley became Dee's regular scryer. Dee and Kelley devoted huge amounts of time and energy in these "spiritual conferences." From 1582 to 1589, Kelley's life was closely tied to Dee's. About a year after entering into Dee's service, Kelley appeared with an alchemical book (The Book of Dunstan) and a quantity of a red powder which, Kelley claimed, he and a certain John Blokley had been led to by a "spiritual creature" at Northwick Hill. (Accounts of Kelley's finding the book and the powder in the ruins of Glastonbury Abbey were first published by Elias Ashmole, but are contradicted by Dee's diaries.) With the powder (whose secret was presumably hidden in the book) Kelley believed he could prepare a red "tincture" which would allow him to transmute base metals into gold. He reportedly demonstrated its power a few times over the years, including in Bohemia (present Czech Republic) where he and Dee resided for many years. With Dee in the Continent In 1583, Dee became acquainted with Prince Albert Lasky, a Polish nobleman interested in alchemy. Dee, along with Kelley and their families, accompanied Lasky to the Continent. Dee sought the patronage of Emperor Rudolf II in Prague and King Stefan of Poland; Dee apparently failed to impress either monarch. Dee and Kelley lived a nomadic life in Central Europe. They continued with their spiritual conferences, though Kelley was more interested in alchemy than in scrying.In 1586, Kelley and Dee found the patronage of the wealthy Bohemian count Vilem Rozmberk. They settled in the town of Trebon and continued their researches. In 1587, Kelley revealed to Dee that the angels had ordered them to share everything they had including their wives. It has been speculated that this was a way for Kelley to end the fruitless spiritual conferences so that he could concentrate on alchemy, which, under the patronage of Rozmberk was beginning to make Kelley wealthy. Dee, anguished by the order of the angels, subsequently broke off the spiritual conferences even though he did share his (beautiful) wife. He did not see Kelley again after 1588, and returned to England the following year. Apogee and fall By 1590, Kelley was living an opulent life. He received several estates and large sums of money from Rozmberk. He convinced many influential people that he was able to produce gold. Rudolf made Kelley a "Baron of the Kingdom," but eventually he tired of waiting for results. Rudolf had Kelley arrested in May of 1591 and imprisoned in Krivoklat Castle (Purglitz in German) outside Prague. Rudolf apparently never doubted Kelley's ability to produce gold on a large scale, and hoped that imprisonment would induce him to cooperate. Rudolf may also have feared that Kelley would return to England. Around 1594, Kelley agreed to cooperate and produce gold; he was released and restored to his former status. Again he failed to produce, and was again imprisoned, this time in Hnevin Castle in Most. Kelley died in 1597 at the age of forty-two. A tradition has him dying while trying to escape: the story goes that he used an insufficiently long rope to lower himself from a tower, fell and broke his leg, and died from his injuries.

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Minerals And Gems In Indian Alchemy

Minerals And Gems In Indian Alchemy Cover

Book: Minerals And Gems In Indian Alchemy by Mira Ray

The Indian alchemical literature in Sanskrit and Tamil refers to the multi-dimensionaluse of a wide variety of minerals. The most important are: (A) mica, calamine, copper-pyrite, tourmaline, iron-pyrite, copper-sulphate, bitumen and lapis lazuli, called superior minerals and orpiment, alum. sulphur, realgar, tinstone or cassiterite, red-ochre. antimony and iron-sulphate. caIled subsidiary minerals. An interesting aspect relates to the purifications of these minerals with a view to importing to them the necessary qualities for alchemical operations leading to the preparation of "elixir"and such other medicinal compositions. Yet another aspect is concerned with the extraction of what is in alchemical literature as their "essence". the chemical details of which are not exactly clear. The other types of minerals are classed under the headinggems.They are: ruby, pearl. coral. emerald. topaz. diamond. sapphire. zircon and eat's eye. nine in number. Even these gems are subjected to various processes in order to obtain theiressences. Several apparatuses and contrivances were being designed and used for conducting necessary operations. Refreshingly. some of the alchemical text also mention the distribution and characteristics of various minerals including gems. thus revealing the technical knowledge of those involving the preparation of several mineral-based medicinal compositions. The paper attempts to discuss these and aIliedaspects pertaining inthe minerals and gems as embodied in the various Texts in Sanskrit. called the"Rasasastra".

Download Mira Ray's eBook: Minerals And Gems In Indian Alchemy

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Alchemical Poetry The Magistry

Alchemical Poetry The Magistry Cover Through want of Skill and Reasons light Men stumble at Noone day; Whilst buisily our Stone they seeke, That lyeth in the way. Who thus do seeke they know not what Is't likely they should finde? Or hitt the Marke whereat they ayme Better then can the Blinde? No, Hermes Sonns for Wisdome aske Your footesteps shee'le direct: Shee'le Natures way and secret Cave And Tree of lyfe detect. Sun and Moone in Hermes Vessell Learne how the Collours shew, The nature of the Elements, And how the Daisies grow. Greate Python how Appollo flew, Cadmus his hollow-Oake: His new rais'd army, and Iason how The Fiery Steeres did yoke. The Eagle which aloft doth fly See that thou bring to ground; And give unto the snake some wings, Which in the Earth is found. Then in one Roome sure binde them both, To fight till they be dead; And that a Prince of Kingdomes three Of both them shalbe bred, Which from the Cradle to his Crowne, Is fed with his owne blood; And though to some it seemeth strange, He hath no other Foode. Into his Virgin-Mothers wombe, Againe he enter must; Soe shall the King by his new-byrth, Be ten times stronger just. And able is his foes to foile, The dead he will revive: Oh happy man that understands This Medicen to atchive! Hoc opus exigium nobis fert ire per altum. December, 1633.

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The Mercurial Bird

The Mercurial Bird Cover Emblem 9 (of 12) from the 1752 Hermaphrodite Child of the Sun and Moon by unknown alchemist L.C.S., reproduced by Adam McLean (p42). Translates Mike Brenner in McLean’s edition: “A soaring eagle with heart aflame, with the Sun and Moon at the threshold of its wings, bears tokens of dominion: the crown of influence, the sceptre of the king, and the globe of the empress. “Its buoyancy in flight and its flaming heart show the ethereal nature of this eagle: wet outside, fire inside. It is our Liquid Mercury. “The Sun and Moon seek solace under the shadow of these wings, basking in the pleasing radiation from the flaming heart. “To win the Crown of the Earth, fuse the power of the sceptre and the globe…” (p42). Comments Fabricius: In plate 7 “the deluge [cf. the biblical Flood] leaves only a small patch of land, on which the Hermes bird descends [beneath the symbol of Mercury]. The chaotic situation is emphasized by the emergence of the seven planets on the horizon, a symbol of universal disorder. As indicated by the sign of sulphur, the sinking island is set on fire by sulphurous flames from the hellish interior of the earth. Yet the alchemist’s sinking island is ‘supported’ by a sealed chest of drawers emerging from the sea and containing immense riches of silver and gold. Although the adept’s world has become a sinking island, it has been simultaneously transformed into a treasure island” (p18).

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Count Cagliostro Biography

Count Cagliostro Biography Cover Count Alessandro di Cagliostro (June 2, 1743 ­ August 26, 1795) was a traveller, occultist and Freemason. "Cagliostro" is widely held to have been an alias for the charlatan Giuseppe Balsamo, born to a poor family in Palermo, Sicily. Balsamo was a petty criminal who, in his most famous crime, claimed aptitude in alchemy to swindle a man out of his gold. The identification of Cagliostro with Giuseppe is not certain, however, being based mainly upon the untrustworthy testimony of the French spy and blackmailer Theveneau de Morande, and later upon his confession to the Inquisition, obtained through torture. Cagliostro himself claimed to have been born of Christians of noble birth, but abandoned as an orphan upon the island of Malta. He claimed to have travelled as a child to Medina, Mecca, and Cairo, and upon return to Malta to have been initiated into the Sovereign Military Order of the Knights of Malta, with whom he studied alchemy, the Kabbalah and magic. He founded the Egyptian rite of Freemasonry in The Hague, which initiated men and women in separate lodges and had an influence on the foundation of the masonic rite of Misraim. Life and travels What is known about Cagliostro is that he became well-known in Naples and later Rome, where he met and married his wife Lorenza Feliciani. They traveled together to London, where he was initiated into Freemasonry, possibly by the Comte de Saint-Germain. He adopted as his secret sign the symbol of Ouroboros; the snake that bites its own tail. He soon founded the Egyptian Rite of Freemasonry in The Hague, which initiated men and women in separate lodges and had an influence on the foundation of the masonic Rite of Misraim. He traveled throughout Russia, Germany, and later France, spreading the influence of the Egyptian Rite and also claiming to be a magnetic healer of great power. His fame grew to the point that he was even recommended as a physician to Benjamin Franklin during a stay in Paris. He was an extraordinary forger. In his autobiography, Giacomo Casanova narrates an encounter with Cagliostro who was able to forge a letter of Casanova despite being unable to understand it. Occult historian Lewis Spence comments in his entry on Cagliostro that the swindler put his finagled wealth to good use by starting and funding a chain of maternity hospitals and orphanages around the continent. Affair of the diamond necklace He was prosecuted in the affair of the diamond necklace which involved Louis XVI of France and Marie Antoinette, and was imprisoned in France for fraud. He was held in the Bastille for nine months, but finally acquitted, when no evidence could be found connecting him to the affair. Nonetheless, he was asked to leave France, and left for England. This was where he was accused by Theveneau de Morande of being Giuseppe Balsamo, which he refuted in his Open letter to the English People, forcing a retraction and apology from Morande. Betrayal and Imprisonment Cagliostro left England to visit Rome, where he met two people who asked him to initiate them into the Egyptian Rite. However, they proved to be spies of the Inquisition. Some accounts hold that his wife was the one who initially betrayed him to the Inquisition. On December 27, 1789, he was arrested and imprisoned in the Castel Sant'Angelo. Soon afterwards he was sentenced to death on the charge of being a Mason. The Pope changed his sentence, however, to life imprisonment in the Castel Sant'Angelo. After attempting to escape he was relocated to the Fortress of San Leo. He died on August 26, 1795.

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Jung Tantra Archetypes And Alchemy

Jung Tantra Archetypes And Alchemy Cover Buddha had recognised the importance of the subconscious activities of the mind, both individual and collective, 2400 years before the founders of Western psychology. He knew that purely rational arguments were insufficient to motivate a deep and lasting transformation of the mind. The practitioner also needs to harness and redirect the powerful emotional currents which well up from the depths. Jung discovered that the vivid symbolism of tantric art and visualisation involved the use of 'archetypes' - ancient patterns and symbols in the human subconscious which can be invoked to produce powerful emotional responses. Since Jung's investigations, tantra has provoked much interest in the West, as well as many misunderstandings. For example, tantra is often portrayed as being just about sex. But in fact Tantra is about all kinds of transmutation and transformation of our ordinary mundane environment into the spiritual path to enlightenment: 'Secret Mantra [Tantra] is distinguished from Sutra by the practice of bringing the future result into the present path. For example, even though we have not yet attained enlightenment, when we practise Secret Mantra we try to prevent ordinary appearances and ordinary conceptions of our environment and instead visualize our surroundings as the mandala of a Deity. In the same way, we prevent ordinary appearance of our body, our enjoyments, and our deeds, and, in their place, generate ourself as a Deity, visualize our enjoyments as those of a Buddha, and practise performing enlightened deeds. By doing such practices, we can attain the resultant state of Buddhahood very rapidly. These four practices are essential for both the generation stage and completion stage of Secret Mantra.' Deity archetypes 'Deity yoga (Tibetan: lha'i rnal 'byor; Sanskrit: Devata) is the fundamental Vajrayana practice, often involving a sadhana liturgy and form, in which practitioners visualize themselves as the meditation Buddha or yidam. The purpose of Deity yoga is to bring the meditator to the realization that the deity and the practitioner are in essence the same, and non-dual. By visualizing oneself and one's environment entirely as a projection of mind, it helps the practitioner to become familiar with the mind's ability and habit of projecting conceptual layers over all experience. This experience undermines a habitual belief that views of reality and self are solid and fixed. Deity yoga enables the practitioner to release, or 'purify' him or herself from spiritual obscurations (Sanskrit: klesha) and to practice compassion and wisdom simultaneously.' Alchemy There is frequent alchemical symbolism in tantra, with visualizations of base and impure substances being transmuted into nectars and elixirs by the application of fire and seed-letter 'catalysts' . This symbolism represents the transmutation of contaminated emotions into enlightenment. Jung came to the conclusion that something similar was going on in Medieval western alchemy, with the alchemical processes being metaphors for the transmutation of the impure soul into the perfected soul.

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Plant Alchemy

Plant Alchemy Cover Plant alchemy, or spagyrics, was the practice of extracting the essences of plants and herbs through alchemical methods, and then using said essences to create medicines, potions, and/or healing ointments. This tied in very closely with astrology, so far as that every plant, to the Medieval alchemist, corresponded to a specific planet in the solar system. Therefore, if an alchemist wished to make a potion to say, help attract love, he would use herbs such as foxglove, mugwort or vervain, since those herbs were considered "sacred to (i.e. corresponding to) the planet Venus." Mineral alchemy would also fall neatly into the astrological fold, with metals such as iron and lead being considered sacred to the planets Mars and Saturn, respectively.

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The Three States Of Alchemy

The Three States Of Alchemy Cover Ingested alchemies are those substances that can be imbibed through the mouth, either in their pure form or prepared in some form of food or drink. In their pure form, they are a non-viscous liquid, with a single dose being enough to fill a standard-sized vial. Depending on the ingredients used in the ingestion, they may or may not have colour or odour. As an ingestion merely requires consumption, anyone can use one, regardless of their experience with alchemy or herbs. Common ingestions include Cure Wounds and Minor Strength. Contact Gel Contact gels take the form of an extremely viscous paste that sticks to surfaces and augment the objects they coat. They are most commonly used on weapons in order to augment their effectiveness in some way. Generally speaking, violently disrupting the area on which the gel is spread will render the gel useless. A person with knowledge of the herbal arts can apply a contact gel safely. Common contact gels include Liquid Light and Vorpals. Gas Globe Gas globes are the most destructive form of alchemical solution, and are probably the most difficult of the three states to engineer. The ingredients for the effect sit dormant inside a breakable chamber until they are prepared for use via the proper shaking motion. This activates the ingredients. Upon striking some surface, the chamber releases its contents in a gaseous cloud which inflicts its effects upon the target. Only one who is trained in the herbal arts as well as rudimentary weapons can throw a gas globe, although gas globes are often used in the creation of alchemical traps. Common gas globes include Nausea and Acid.

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Avicenna Aka Abu Ali Al Husain Ibn Abdallah Ibn Sina

Avicenna Aka Abu Ali Al Husain Ibn Abdallah Ibn Sina Cover Avicenna, aka Abu Ali al-Husain ibn Abdallah ibn Sina, was a Persian physician, philosopher, and scientist who was born in 980 in Kharmaithen near Bukhara, now in Uzbekistan (then Persia), and died June 1037 in Hamadan, Persia (Iran). He was the author of 450 books on a wide range of subjects. Many of these concentrated on philosophy and medicine. He is considered by many to be "the father of modern medicine." George Sarton called Ibn Sina "the most famous scientist of Islam and one of the most famous of all races, places, and times." His most famous works are The Book of Healing and The Canon of Medicine, also known as the Qanun (full title: al-qanun fil-tibb). Early years His life is known to us from authoritative sources. An autobiography covers his first thirty years, and the rest are documented by his disciple al-Juzajani, who was also his secretary and his friend. He was born in 370 (AH) / 980 (AD) in Afshana, his mother's home, a small city now part of Uzbekistan (then part of Persia) and his Father from Balkh now part of Afghanistan (then also Persia). His native language was Persian. His father, an official of the Samanid administration, had him very carefully educated at Bukhara. Although traditionally influenced by the Ismaili branch of Islam, his independent thought was served by an extraordinary intelligence and memory, which allowed him to overtake his teachers at the age of fourteen. Ibn Sina was put under the charge of a tutor, and his precocity soon made him the marvel of his neighbours; he displayed exceptional intellectual behavior and was a Child prodigy who had memorized the Koran by the age of 10 and a great deal of Persian poetry as well. From a greengrocer he learned arithmetic, and he began to learn more from a wandering scholar who gained a livelihood by curing the sick and teaching the young. However he was greatly troubled by metaphysical problems and in particular the works of Aristotle. So, for the next year and a half, he also studied philosophy, in which he encountered greater obstacles. In such moments of baffled inquiry, he would leave his books, perform the requisite ablutions, then go to the mosque, and continue in prayer till light broke on his difficulties. Deep into the night he would continue his studies, stimulating his senses by occasional cups of goat's milk, and even in his dreams problems would pursue him and work out their solution. Forty times, it is said, he read through the Metaphysics of Aristotle, till the words were imprinted on his memory; but their meaning was hopelessly obscure, until one day they found illumination, from the little commentary by Farabi, which he bought at a bookstall for the small sum of three dirhems. So great was his joy at the discovery, thus made by help of a work from which he had expected only mystery, that he hastened to return thanks to God, and bestowed alms upon the poor. He turned to medicine at 16, and not only learned medical theory, but by gratuitous attendance on the sick had, according to his own account, discovered new methods of treatment. The teenager achieved full status as a physician at age 18 and found that "Medicine is no hard and thorny science, like mathematics and metaphysics, so I soon made great progress; I became an excellent doctor and began to treat patients, using approved remedies." The youthful physician's fame spread quickly, and he treated many patients without asking for payment.His first appointment was that of physician to the emir, who owed him his recovery from a dangerous illness (997). Ibn Sina's chief reward for this service was access to the royal library of the Samanids, well-known patrons of scholarship and scholars. When the library was destroyed by fire not long after, the enemies of Ibn Sina accused him of burning it, in order for ever to conceal the sources of his knowledge. Meanwhile, he assisted his father in his financial labours, but still found time to write some of his earliest works. When Ibn Sina was 22 years old, he lost his father. The Samanid dynasty came to its end in December 1004. Ibn Sina seems to have declined the offers of Mahmud of Ghazni, and proceeded westwards to Urgench in the modern Uzbekistan, where the vizier, regarded as a friend of scholars, gave him a small monthly stipend. The pay was small, however, so Ibn Sina wandered from place to place through the districts of Nishapur and Merv to the borders of Khorasan, seeking an opening for his talents. Shams al-Ma'ali Qabtis, the generous ruler of Dailam, himself a poet and a scholar, with whom Ibn Sina had expected to find an asylum, was about that date (1052) starved to death by his troops who had revolted. Ibn Sina himself was at this season stricken down by a severe illness. Finally, at Gorgan, near the Caspian Sea, Ibn Sina met with a friend, who bought a dwelling near his own house in which Ibn Sina lectured on logic and astronomy. Several of Ibn Sina's treatises were written for this patron; and the commencement of his Canon of Medicine also dates from his stay in Hyrcania. Ibn Sina subsequently settled at Rai, in the vicinity of modern Tehran, (present day capital of Iran), the home town of Rhazes; where Majd Addaula, a son of the last emir, was nominal ruler under the regency of his mother (Seyyedeh Khatun). At Rai about thirty of Ibn Sina's shorter works are said to have been composed. Constant feuds which raged between the regent and her second son, Amir Shamsud-Dawala, however, compelled the scholar to quit the place. After a brief sojourn at Qazvin he passed southwards to Hamadan, where the emir had established himself. At first, Ibn Sina entered into the service of a high-born lady; but the emir, hearing of his arrival, called him in as medical attendant, and sent him back with presents to his dwelling. Ibn Sina was even raised to the office of vizier. The emir consented that he should be banished from the country. Ibn Sina, however, remained hidden for forty days in a sheikh's house, till a fresh attack of illness induced the emir to restore him to his post. Even during this perturbed time, Ibn Sina persevered with his studies and teaching. Every evening, extracts from his great works, the Canon and the Sanatio, were dictated and explained to his pupils; among whom, when the lesson was over, he spent the rest of the night in festive enjoyment with a band of singers and players. On the death of the amir, Ibn Sina ceased to be vizier and hid himself in the house of an apothecary, where, with intense assiduity, he continued the composition of his works. Meanwhile, he had written to Abu Ya'far, the prefect of the dynamic city of Isfahan, offering his services. The new emir of Hamadan, hearing of this correspondence and discovering where Ibn Sina's was hidden, incarcerated him in a fortress. War meanwhile continued between the rulers of Isfahan and Hamadan; in 1024 the former captured Hamadan and its towns, expelling the Turkish mercenaries. When the storm had passed, Ibn Sina returned with the emir to Hamadan, and carried on his literary labors. Later, however, accompanied by his brother, a favourite pupil, and two slaves, Ibn Sina escaped out of the city in the dress of a Sufite ascetic. After a perilous journey, they reached Isfahan, receiving an honorable welcome from the prince. Avicenna also introduced medical herbs. Late life The remaining ten or twelve years of Avicenna's life were spent in the service of Abu Ya'far 'Ala Addaula, whom he accompanied as physician and general literary and scientific adviser, even in his numerous campaigns. During these years he began to study literary matters and philology, instigated, it is asserted, by criticisms on his style. But amid his restless study Ibn Sina never forgot his love of enjoyment. Unusual bodily vigour enabled him to combine severe devotion to work with facile indulgence in sensual pleasures. Versatile, lighthearted, boastful and pleasure-loving, he contrasts with the nobler and more intellectual character of Averroes. His bouts of pleasure gradually weakened his constitution; a severe colic, which seized him on the march of the army against Hamadan, was checked by remedies so violent that Ibn Sina could scarcely stand. On a similar occasion the disease returned; with difficulty he reached Hamadan, where, finding the disease gaining ground, he refused to keep up the regimen imposed, and resigned himself to his fate.His friends advised him to slow down and take life moderately. He refused, however, stating that: "I prefer a short life with width to a narrow one with length". On his deathbed remorse seized him; he bestowed his goods on the poor, restored unjust gains, freed his slaves, and every third day till his death listened to the reading of the Qur'an. He died in June 1037, in his fifty-eighth year, and was buried in Hamedan, Persia.

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Alchemical Poetry Just Short Of A Miracle

Alchemical Poetry Just Short Of A Miracle Cover The goal of alchemy was to create the philosopher's stone. This magical stone was supposed to be endowed with miraculous powers. Possessing such a stone is the equivalent to having "heaven on earth." Achieving the stone is an arduous, frustrating enterprise that simultaneously gives meaning and purpose to life. Just short of a miracle And were I to tend my body as if it were A fragile piece of heaven Sole to soul And see in my most desperate hour The sun shining through the night Then... And were I to silence insistent voices Whose ears are deaf to all others Other than their own Only to hear amongst the squabble A silent syllable I'd never heard before. Then... And if I should love someone I've never met Shower them with prayers and blessings So that a smile came upon them unexpectedly Then... And were I to mind each moment As if it were my first, my last And meet an lovely old lady Who shares her secret recipe with me Then... I'd multiply these examples by a thousand Times infinity And then still come up Just short of a miracle But then, even then It doesn't matter. To come this close to utter delight I can no longer decipher day from night.

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Why Alchemy

Why Alchemy Cover We have been taught that Alchemy is about the transmutation of energy. What does this mean though and what is the use of such an exercise? I searched for many years for the answers. Some of them I found in Chinese philosophy/alchemy and some of them in Western alchemy. But the whole purpose and idea of it all came clearest when I started to read about the works of Gurdjieff. A magician and philosopher, and a Sufi master who was very prominent in the Western world between the two World Wars. In short he greatly questioned the purpose of human life on earth. Normally we tend to see ourselves as the summit of creation. We take it for granted that the whole earth, indeed the solar system was created to finally produce us and for us to make use of. If we start to question this and we start to sense that something is not quite right in the belief that the purpose of life on earth is man-made, then we come up against a new way of looking at the world and life. And it is this way of looking that makes Gurdjieff's contribution so distinctive. If there is a sense and purpose in human life that can be understood, then we have to play a part in the fulfilment of it. All life depends on other life. Or as Trismegistus says in the Emerald Tablet: as all things were produced from One by the mediation of the One, so all things are produced from this One thing by adaption. This meens we have to adapt to the prevailing energies of the time and consciously nourish and maintain them. In a way we have adapted to the prevailing energy of the element of Air of the Aquarian age. We have built aeroplanes and have built sky scrapers. So we have moved up into the Air. But do we consciously nourish and maintain this energy? So far we have only taken from this energy and not given anything back. According to Gurdjieff, something is required of the human race, a finer subtle energy that is needed for the maintenance of our solar system. It is an idea or principle that was prominent in older times. Zoroaster spoke about it 2,500 years ago and it was implicit in the older Jewish scriptures. I do suspect that old structures like the Pyramids and Stonehenge were built for just such a purpose. Gurdjieff calls it the doctrine of Reciprocal Maintenance. The doctrine of Reciprocal Maintenance is everything that exists in the universe depends on other things for its maintenance and must in turn maintain the existence of others. At the same time a great process of sensitization or spiritualization is proceeding on this earth and throughout the solar system and we have to make our contribution to it. We know that we take a great deal from this earth. We are beginning to see that we are taking more than we are entitled to, that we are running heavily into debt to the earth and to life. This makes it even more important for us to know how to repay, how to square our account with the earth and with life. We can interpret this as exhaustion of resources and pollution of the environment, etc. but deep down we feel intensely uneasy about the significance of it all. Gurdjieff assures us that certain subtle energies to be consciously produced by mankind are needed to maintain a proper balance in the solar system. It is only when the human race realises these responsibilities and falls into line with the prevalent cosmic energies (Archetypes) that we see the heights and flowering of civilizations. When this is not the case, great catastrophes and sudden changes in the solar system can be expected. The maintenance of our solar system is in part dependent on human understanding. It is here that the study of alchemy comes in. It teaches us about the transmutation of energies and increases our understanding of the how and why of the universe. By the study of the different cycles, astrology and above all the study of that ancient glyph "The Tree of Life" we increase our cosmic awareness. But that by itself is not enough. According to Gurdjieff we should also increase our sense of responsibility on a cosmic scale. By doing that we then also strengthen our souls, our "sulphur" becomes more fixed. It is only then that our human potential starts to become more fulfilled. To break through our conditioned mind and reflexes he suggested a series of unusual exercises, which we nowadays try to do with Tai Chi and other martial arts. For further help in this process he mentioned the use of what he so beautifully called an "enabling substance". This no doubt would have been an alchemical substance of a very high order. In the olden days it was believed that any situation in life may be represented as a dynamic pattern for which there exists a precedent in nature. Cosmology was therefore the reigning science, for by knowledge of the laws of growth and celestial motion it was found possible to divine the appropriate response to any circumstances, to harmonise the conflicting interests, to predict and thus to influence the course of events.

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Alchemical Poetry Calcination

Alchemical Poetry Calcination Cover Sewn unto Lucifer's flames, Usually reduced in crucibles And calcined into dust, A trophy To hereditary exile: Sulfuric and corrosive, Red and lachrymal, Calcinated under pressure And tribulations; To hereditary excess: Burning and surrendering everything Over flames. Through hellish emanations, Secreting power inside Negative energy. Intending to sacrifice For angels that have Eaten Righteousness, I have sacrificed These heavenly entities, Scorched underneath Nothingness. by Stuart Franklin

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Medieval Medical Manuscripts In The Harleian Collection P5

Medieval Medical Manuscripts In The Harleian Collection P5 Cover Harley 5679, DIOSCORIDES PEDANIUS, DE MATERIA MEDICA, BOOKS 1-5; 15th cent., 3rd quarter. Greek. Harley 5680, AVICENNA, CANON OF MEDICINE, BOOKS 3 AND 5; second half of 15th cent, partly 1479 (colophon f. 177). Hebrew translation. Harley 5707, AVICENNA, CANON OF MEDICINE, BOOK 3; 15th cent. Hebrew translation. Harley 5792, PS.-CYRIL, GREEK-LATIN GLOSSARY, PSEUDO-HIPPOCRATES, DYNAMIDIA (EXCERPTS) AND ADDITIONAL RECIPES; 8th cent. Greek and Latin. Harley 6258B, MISCELLANY INCLUDING ANGLO-SAXON MEDICAL TEXTS, TRANSLATIONS AND RECIPES; late 12th cent. or early 13th cent. Old English, early Middle English (possibly), and Latin. Harley 6295, COLLECTION OF MEDICAL WRITINGS BY ALEXANDER OF APHRODISIAS, ABBATIAN, HIPPOCRATES, AND PALLADIUS; 15th cent. Greek. Harley 6308, COLLECTION OF PHARMACOPEIAL AND SCIENTIC TEXTS; 16th cent., 1st half. French.

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Classics Of Spiritual Philosophy And The Present

Classics Of Spiritual Philosophy And The Present Cover

Book: Classics Of Spiritual Philosophy And The Present by Vladimir Antonov

This is one version of the Grand Satanic Ritual, This ritual format can be used in Standard Rituals, Thanksgiving Rituals, As well as the invocation and summoning of the Gods.

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Alchemical Poetry No One Listens

Alchemical Poetry No One Listens Cover Mercurius, the Greek trickster god, plays a central Role in alchemy. No One Listens God told Adam a secret, Adam told Eve a secret, Eve told Jesus a secret, Peter told the pope a secret, The pope told his bishop a secret, The bishop told the king a secret, The king told his fool a secret, The fool told everyone.

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A Dictionary Of Alchemical Imagery

A Dictionary Of Alchemical Imagery Cover

Book: A Dictionary Of Alchemical Imagery by Lyndy Abraham

This dictionary documents alchemical symbolism from the early centuries AD to the late-twentieth century, for use by historians of literary culture, philosophy, science and the visual arts, and readers interested in alchemy and hermeticism. Each entry includes a definition of the symbol, giving the literal (physical) and figurative (spiritual) meanings, an example of the symbol used in alchemical writing, and a quotation from a literary source. There are fifty visual images of graphic woodcuts, copperplate engravings and hand-painted emblems, some reproduced here for the first time. This is a superb book for anyone interested in alchemy. For those interested in alchemy and its connections to literature-- it's even better. The Articles are bursting with relevant information and insight into this often perplexing subject matter in an accessible, readable style. A "must have" for anyone interested in alchemy. The only thing I don't like is the price, which may prove prohibitive for some. Each entry has been made sufficiently complete and independent of the others, with detailed cross referencing. Entires on key concepts - the prima materia, the chemical wedding, the philosophers stone, Mercurius, and the stages known as the nigredo, albedo and rebedo - provide basic information about the main ideas of the alchemical opus for those unfamiliar with alchemical theory. Recommended as a general introduction to the subject.

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Fulcanelli Biography

Fulcanelli Biography Cover Fulcanelli (dates of birth and death unknown) is almost certainly a pseudonym assumed, in the late 19th century, by a French alchemist and esoteric author, whose identity is still debated. He is Also Called the Master Alchemist and sometimes the Last Alchemist, the latter because the heritage of medieval alchemic Tradition seemed to have ceased with his disappearance. The appeal of Fulcanelli as a cultural phenomenon is partly due to the mystery that surrounds most aspects of his life and works; one of the anecdotes Pertaining to his life retells, in particular, how his most devoted pupil Eugene Canseliet performed a successful transmutation of 100 grams of lead into gold in a laboratory near Sarcelles with the use of a small quantity of the "Projection Powder" given to him by his teacher, in the presence of several eyewitnesses. Life Very little has been established with any credence about Fulcanelli's origin or life. He was undoubtedly a Frenchman, widely and profoundly educated, and learned in the ways of alchemic lore, architecture, art, and languages. To associate Fulcanelli with any exact dates or places, excepting the dates when his books were published, would be almost certainly to identify him with a man from his milieu and the illustrator of his books, Jean-Julien Champagne; and, while it is the single most plausible disambiguation of Fulcanelli's true identity, it is not without major flaws and should certainly not be accepted for an established fact. Fulcanelli wrote two books that were later to be published, and disappeared in 1926, having left his magnum opus with Canseliet. One example of a fact which is difficult to reconcile with the Champagne theory is that Canseliet referred to Fulcanelli as being an eighty-year old man at the time he disappeared, while Champagne, born in 1877, would have only been fifty at the time. Another is that in 1957, twenty-five years after Champagne's death from an excessive intake of absinthe, a new chapter (The Cyclic Cross at Hendaye) was added to the second edition of Fulcanelli's major book, The Mystery of the Cathedrals, undoubtedly written by the same man. It is unclear why Champagne would have concealed it while he was alive, or why it would have taken so long to have it published posthumously; or why Canseliet would keep denying that Fulcanelli and Champagne were the same man till his own death. Other theories about Fulcanelli speculate that he was one or another famous French occultist of the time; a member of the former Royal Family (the Valois); another member of the Freres d'Heliopolis (Brotherhood of Heliopolis, a society centred around Fulcanelli which included Eugene Canseliet, Jean-Julien Champagne and Jules Boucher); etc. All of these theories are equally poorly grounded in actual fact. It is believed that on the verge of World War II, the Abwehr was in active (but fruitless) pursuit of Fulcanelli because of his alleged knowledge of the technology of nuclear weapons. Finally, according to Canseliet, his last encounter with Fulcanelli happened in 1954, when he went to Spain and there was taken to a castle high in the mountains for a rendez-vous with his former master, now miraculously rejuvenated and looking Canseliet's age (about fifty). This particular account is of a highly ambiguous nature, leaving one to question its credibility.

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Birth Of Organic Chemistry

Birth Of Organic Chemistry Cover Organic compounds are so named because they were first exclusively observed as products or constituents of living organisms. Early chemists could not synthesize any of them from inorganic compounds using chemical procedures. That feat was first achieved by Friedrich Wohler (1800-1882) when he accidentally synthesized urea CO (NH2)2 in 1828. Arguably, Wohler had founded organic chemistry 4 years earlier, when he synthesized oxalic acid (COOH)2 from inorganic precursors, in 1824. The work of Wohler marked the beginning of the end for the doctrine of vitalism which argued that a mysterious vital force in living things would distinguish its constituents qualitatively from inorganic chemical compounds. Today, organic chemistry is essentially synonymous with carbon chemistry. The tetravalence of carbon leads to the tremendous diversity of carbon-based compounds which makes life possible. Biochemistry is just a part of chemistry

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Alchemical Poetry Grace Under Water

Alchemical Poetry Grace Under Water Cover Hands, pale and folded, remind me I was there before wings, upon a ladder, holding a cup, waving goodbye; Though I’ve no idea how or why. It is not easy to forget myself, worn as I am in this art of clothes, mostly I am cloud white and corduroy, a gliding vessel wedded to flight. I am the determination to transcend, to dip into the darkness from a safety of days; though once I fix things they tend to die. I seek a Tarot of assurances, to know that the difference between a swan and a man merely lies in twin aspects gone awry. by Peter Valentyne

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The Death Of Nicolas Flamel

The Death Of Nicolas Flamel Cover Pernelle died first; Nicolas Flamel reached the age of eighty. He spent the last years of his life writing books on alchemy. He carefully settled his affairs and planned how he was to be buried: at the end of the nave of Saint Jacques la Boucherie. The tombstone to be laid over his body had already been made. On this stone, in the middle of various figures, there was carved a sun above a key and a closed book. It contains the symbols of his life and can still be seen at his gravesite in the Musee de Cluny in Paris. His death, to which he joyfully looked forward, was as circumspect and as perfect as his life. As it is equally useful to study men's weaknesses as their finest qualities, we may mark Flamel's weakness. This sage, who attached importance only to the immortality of his soul and despised the ephemeral form of the body, was inspired as he grew old with a strange taste for the sculptural representation of his body and face. Whenever he had a church built, or even restored, he requested the sculptor to represent him, piously kneeling, in a comer of the pediment of the facade. He had himself twice sculptured on an arch in the Cemetery of the Innocents: once as he was in his youth and once old and infirm. When he had a new house built in the rue de Montmorency, on the outskirts of Paris, eleven saints were carved on the front, but a side door was surmounted with a bust of Flamel. The bones of sages seldom rest in peace in their grave. Perhaps Nicolas Flamel knew this and tried to protect his remains by ordering a tombstone of great weight and by having a religious service held for him twelve times a year. But these precautions were useless. Hardly was Flamel dead when the report of his alchemical powers and of his concealment somewhere of an enormous quantity of gold spread through Paris and the world. Everyone who was seeking the famous projection powder, which turns all substances into gold, came prowling round all the places where he had lived in the hope of finding a minute portion of the precious powder. It was said also that the symbolical figures which he had had sculptured on various monuments gave, for those who could decipher it, the formula of the Philosopher's Stone. There was not a single alchemist but came in pilgrimage to study the sacred science on the, stones of Saint-Jacques- la Boucherie, or the Cemetery of the Innocents. The sculptures and inscriptions were broken off under cover of darkness and removed. The cellars of his house were searched and the walls examined. According to author Albert Poisson, towards the middle of the sixteenth century a man who had a well-known name and good credentials, which were no doubt fictitious, presented himself before the parish board of Saint-Jacques la Boucherie. He said he wished to carry out the vow of a dead friend, a pious alchemist, who, on his deathbed, had given him a sum of money with which to repair Flamel's house. The board accepted the offer. The unknown man had the cellars ransacked under the pretext of strengthening the foundations; wherever he saw a hieroglyph he found some reason for knocking down the wall at that point. Having found nothing, he disappeared, forgetting to pay the workmen. Not long afterwards, a Capuchin friar and a German baron are said to have discovered in the house some stone vials full of a reddish powder allegedly the projection powder. By the seventeenth century, the various houses which had belonged to Flamel were despoiled of their ornaments and decorations, and there was nothing of them left but the four bare walls.

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