Showing posts with label wiccan book. Show all posts
Showing posts with label wiccan book. Show all posts

Alchemical Poetry Lead From Metallic Verses

Alchemical Poetry Lead From Metallic Verses Cover Doubt is the alchemical substance out of which revelation is born. Lead from Metallic verses Gravity is more than some faceless stranger Tugging at my feet. It is a depth into which I sometime fall Surprising myself with words that well up From the ground. Gravity is the lead Of my heaviest thoughts. A pot hole in the road Into which I sometimes fall apart Laying at the bottom of a well Looking up to the day That is no bigger than a small hole At the top of my head.

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Alchemical Poetry Alchemy By Sara Teasdale

Alchemical Poetry Alchemy By Sara Teasdale Cover I lift my heart as spring lifts up A yellow daisy to the rain; My heart will be a lovely cup Altho' it holds but pain. For I shall learn from flower and leaf That color every drop they hold, To change the lifeless wine of grief To living gold.

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The Art Of Memory

The Art Of Memory Cover

Book: The Art Of Memory by Frances Yates

The late Frances Yates was an honorary Fellow of the Warburg Institute at the University of London. She was awarded an O.B.E. in 1972. Her book THE ART OF MEMORY is an astonishing account of the use of imagery during the European Renaissance and, in particular, the importance of ordered memory in the Hermetic Arts. Ms. Yates focuses on the work of Giordano Bruno, the enigmatic and remarkable genius who profoundly influenced the occult teachings of the period. The book sheds light on Dante's Divine Comedy, the form of Shakespearean theatre and the history of ancient architecture. Students of Alchemy will be interested in the extraordinary use of imagery and active imagination which is portrayed in a most unusual and exciting manner. Giordano Bruno and others used the system as a means of achieving "illumination", or a dialogue with God, for MEMORY was seen as a power of the soul. Bruno believed that by constructing an ordered and linked series of images in the mind, the psyche could commune with the Divine. The images were odd to say the least. Myths, magical and astrological themes predominated in the system. This re-arrangement of the psyche thus brought one closer to the nature of the All. Bruno's connections with Shakespeare raise some fascinating hypotheses about the underlying nature and meaning of this famous author's work. The description of Shakespeare's Globe Theatre, with its mandala-like symbolism, will surprise many readers. The design and arrangement of the building (conceive it as a "theatre of the world or macrocosm") accords with Hermetic, Magical and Zodiacal principles. The roof of the theatre had, for example, the signs of the zodiac painted on it. The placement of actors and the location of action scenes may have been influenced by this layout thus adding a new dimension to the meanings and morality expressed in the plays. Frances Yates also traces the development of this memory system from Egypt, through Greece, Italy and Germany to Britain. The people, the church, alchemy and local culture all combined to influence the progress of the system and, it can be argued, the system influenced those in return. The book contains some fine illustrations and diagrams of mnemonic devices of the period. This is a scholarly work and is highly recommended.

Buy Frances Yates's book: The Art Of Memory

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Israel Regardie - The Art Of True Healing
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The Philosopher Stone A Quest For The Secrets Of Alchemy

The Philosopher Stone A Quest For The Secrets Of Alchemy Cover

Book: The Philosopher Stone A Quest For The Secrets Of Alchemy by Peter Marshall

St Thomas Aquinas, Isaac Newton, Carl Jung; these and other historians, scientists and philosophers devoted much of their life to the study of alchemy and the search for the ultimate prize: the philosopher's stone, which can transform base metal into gold and is said to hold the key to life itself. Marshall is no desk top researcher, but to write the book embarked on a journey in the footsteps of some of the key practitioners, a quest which takes him to Beijing, Egypt, France, Spain and beyond and leads to encounters with many contemporary philosophers, alchemists and scientists, all searching not so much for fame or fortune but for the ultimate prize of enlightenment. This appealing combination of travelogue and inner journey is well served by the author's friendly, conversational tone and his ability to make sometimes complex ideas thoroughly accessible without shortchanging the reader. Myth, magic , religion and intrigue come together here to offer an intriguing alternative view of the history of civilisation's development. From the moment I took this book into my hands I struggled to put it down. Not knowing anything about alchemy this book probably was the best introduction I could ask for. The book reads like a novel, taking the reader through all the paths of discovering more about alchemy. Loads of information is distilled into assessable paragraphs that contain the essence of each topic covered. Referenced material supporting the book is well documented in the back of the book enabling the serious reader to do further research on the topic. Starting from ancient history, the book is organised in a chronological order to end in its significance for contemporary times. Each paragraph reveals a bit more of this fascinating and mysterious subject. Interviews, visits to significant sites, papers, quotes and interpretation of symbolism ignite the readers curiosity. Excitement grows within the reader to the extend of an expectation that the philosopher's stone might jump somewhere from the pages. True to the basic principles the author does not try to provide an objective view of alchemy. The author gets so passionately involved with alchemy that one wonders if the author might be biased towards seeing alchemic symbolism even where they do not exist. But after closing the last page of the book, the author most definitely has planted within the readers subconscious a seed of hope. Hope that there is more beyond the aims of immortality and turning metals into gold , towards actual transmutation. This is really an excellent book! Globe-trotter and author Peter Marshall provides a fascinating overview of the history of alchemy in diverse cultures in both ancient and modern times. I am struck by the author's candor and sincerity, never pretending to know something he doesn't know in this arcane field of study. Light workers, Healers, Seekers, and would-be Alchemists would do well to start here with this book, before tackling the clasic texts and the actual Practice.

Buy Peter Marshall's book: The Philosopher Stone A Quest For The Secrets Of Alchemy

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Legality Of Alchemy

Legality Of Alchemy Cover Many types of alchemy are widely traded and trafficked throughout Dremlin. This is especially true of curative and protective alchemies such as Cure Wounds and Resist Toxin, which are often cheaper to produce and more readily available than magic potions, though specialized military units might also find certain kinds of contact gels or gas globes highly useful. There are, however, many types of alchemy which are either strictly controlled substances or else are banned altogether in certain realms. In Baron Gregorin's Lands, for instance, Poison, mind-affecting alchemies such as Charm and Euphoria, and explosive alchemies such as Oil of Impact, are illegal to own, create, or traffick without a permit. Alchemists would do well to familiarize themselves with local laws when travelling to ensure the legality of any wares they may have on them.

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Key 8 By Basil Valentine

Key 8 By Basil Valentine Cover Neither human nor animal bodies can be multiplied or propagated without decomposition; the grain and all vegetable seed, when cast into the ground, must decay before it can spring up again; moreover, putrefaction imparts life to many worms and other animalculae. The process of augmentation and quickening is mostly performed in [the] earth, while it is caused by spiritual seed through the other elements. The farmer's wife knows that she cannot hope to obtain chickens except through the decomposition of the egg. If bread is placed in honeys and suffered to decay, ants are generated; worms are bred in the putrefying bodies of men, horses, and other animals; maggots are also developed by the decay of nuts, apples, and pears. The same thing may be observed in regard to vegetable life. Nettles and other weeds spring up where no such seed has ever been sown. This occurs only by putrefaction. The reason is that the soil in such places is so disposed, and, as it were, impregnated, that it produces these fruits, which is a result of the properties of sidereal influence; consequently the seed is spiritually produced in the earth, and putrefies in the earth, and by the operation of the elements generates corporeal matter according to the species of Nature. Thus the stars and the elements may generate new spiritual, and, ultimately, new vegetable seed, by means of putrefaction. But man cannot create new seed; for it is not in his power to order the operation of the elements and the essential influences of the stars. By natural conditions, however, new plants are generated simply through putrefaction. This fact is not noticed by the farmer, simply because it is a thing that he has always been used to, and for which he is unable to find an explanation. But you who should know more than the vulgar herd, must search into the causes of things, and endeavor to understand how the process of generation and resuscitation is accomplished by means of decomposition, and how all life is produced out of decay. Each element is in its turn decomposed and regenerated by that which is contained in it. For you should know that every element contains the three others. In air, for instance, there is fire, water, and earth. This assertion may appear incredible, but it is nevertheless true. In like manner, fire includes air, water, and earth, since otherwise it could generate nothing. Water contains fire, air, and earth; for if it did not, there could be no growth. At the same time, each element is distinct, though each contains the others. All this is: found by distillation in the separation of the elements. In order to rationally prove this to you, who are investigating the separation of Nature. and purpose to understand the division of the elements, lest you should think my words inventions, and not true, I tell you that if you distil earth, you will find that, first of all, there is an escape of air, which, in its turn, always contains fire, as they are both of a spiritual essence, and exercise an irresistible mutual attraction. In the next place, there issues water from the earth, and the earth, in which is the precious salt, remains by itself at the bottom of the vessel. When water is distilled, air and fire issue from it, and the water and material earth remain at the bottom. Again, when the invisible part of elementary fire is extracted, you get water and earth by themselves. Nor can any of the three other elements exist without air. It is air that gives to earth its power of production, to fire its power of burning, to water its power of generating fruit. Again, air can consume nothing, nor dry up any moisture, without that natural heat which must be imparted to it by fire. For everything that is hot and dry contains fire. From these considerations we conclude that no element can exist without the others, and that in the generation of all things there is a mingling of the four elements. He who states the contrary in no wise understands the secrets of Nature, nor has he investigated the properties of the elements. For if anything is to be generated by putrefaction, the process must be as follows: The earth is first decomposed by the moisture which it contains; for without moisture, or water, there can be no true decay; thereupon the decomposed substance is kindled and quickened by the natural heat of fire: for without natural heat no generation can take place. Again, if that which has received the spark of life, is to be stirred up to motion and growth, it must be acted upon by air. For without air, the quickened substance would be choked and stifled in the germ. Hence it manifestly appears that no one element can work effectually without the aid of the others, and that all must contribute towards the generation of anything. Thus their quickening cooperation takes the form of putrefaction, without which there can be neither generation, life, nor growth. That there can be no perfect generation or resuscitation without the co-operation of the four elements, you may see from the fact that when Adam had been formed by the Creator out of earth, there was no life in him, until God breathed into him a living spirit. Then the earth was quickened into motion. In the earth was the salt that is, the Body; the air that was breathed into it was mercury or the Spirit, and this air imparted to him a genuine and temperate heat, which was sulphur, or fire. Then Adam moved and by his power of motion, shewed that there had been infused into him a life-giving spirit. For as there is no fire without air so neither is there any air without fire. Water was incorporated with the earth Thus living man is an harmonious mixture of the four elements; and Adam was generated out of earth, water, air, and fire, out of soul, spirit, and body, out of mercury, sulphur, and salt. In the same way, Eve, our common mother, was created; for her body was built up and formed out of Adam's body - a fact which I wish you particularly to notice. To return again to putrefaction, O seeker of the Magistery and devotee of philosophy, know that, in like manner, no metallic seed can develop, or multiply, unless the said seed, by itself alone, and without the introduction of any foreign substance, be reduced to a perfect putrefaction. The putrefaction of metallic seed must, like that of animal and vegetable seed, take place through the co-operation of the four elements. I have already explained that the elements themselves are not the seed. But it ought by this time to be clear to you that the metallic seed which was produced by the combined operation of heavenly, sidereal, and elementary essences, and reduced into bodily form, must, in due course, be corrupted and putrefied by means of the elements. Observe that this seed contains a living volatile spirit. For when it is distilled, there issues from it first a spirit, and then that which is less volatile. But when by continued gentle heat, it is reduced to an acid, the spirit is not so volatile as it was before. For in the distillation of the acid the water issues first, and then the spirit. And though the substance remains the same, its properties have become very different. It is no longer wine, but has been transmuted by the putrefaction of gentle heat into an acid. That which is extracted with wine or its spirit, has widely different properties and powers from that which is extracted with an acid. For if the crystal of antimony be extracted with wine or the spirit of wine, it causes vomiting and diarrhoea, because it is a poison, and its poisonous quality is not destroyed by the wine. But if it be extracted with a good distilled acid, it furnishes a beautiful extract of a rich colour. If the acid be removed by means of the St. Mary's Bath, and the residuum of yellow powder washed away, you obtain a sweet powder which causes no diarrhoea, but is justly regarded as a marvellously beneficial medicine. This excellent powder is dissolved in a moist place into a liquid which is profitably employed as a painless agent in surgery. Let me sum up in few words what I have to say. The substance is of heavenly birth, its life is preserved by the stars, and nourished by the four elements; then it must perish, and be putrefied; again, by the influence of the stars, which works through the elements, it is restored to life, and becomes once more a heavenly thing that has its habitation in the highest region of the firmament. Then you will find that the heavenly has assumed an earthly body, and that the earthly body has been reduced to a heavenly substance.

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Alchemical Poetry Why I Do Not Meditate From Things I Hate

Alchemical Poetry Why I Do Not Meditate From Things I Hate Cover Doubt is the alchemical substance out of which revelation is born. Why I Don't Meditate from Things I Hate I'm too busy receiving the love Of stars and planets Of demons and daimons Of dogs and zebras Of lilacs and daffodils Of rocks and stones Of amebas and viruses Of cells and molecules Of atoms and quarks Superstrings and black holes. Without me Their meditations would dissolve And the universe would collapse.

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Alchemical Poetry Place In Space The Residence Of Motion

Alchemical Poetry Place In Space The Residence Of Motion Cover Transcribed by Adam McLean from MS. Sloane 3797, folios 3-5. Place in Space the residence of Motion, or the Secret Mystery of Nature's progress, being an Elucidation of the Blessed Trinity. Father - Son - and Holy Ghost. Space - Place - and Motion. Space, Place, Father & Son are inseparable fixed & immoveable. Motion ye Holy Ghost Is that which brings all things to the Blessed determination of the Dei, as in the Gloria Patri, Filii & Spiriti Sancti, etc. Space is the Circle of Created World Space is the Place wherein this Engine's rolled As Place a Center circled in by Space So Space ye Circle is of place's place Place is a Center yet Exchange of Place The Lineal motion is to Space's Space Place in it Self is ever fixed and still Which doth ye Vacant Space of Spaces fill Space can not Move because it all Contains Yet Space is Motion, place where Power reigns Nor Space nor Place do ever Stir nor Move Yet place in Space is restless Motions Grove Great is the magic of this motion's race Motion in Space doth pass from place to place Thus Motion caught in all including Space Standing in centers moved to Circle's place Motion is that which runs the world about Yet it a place is never found without Place it is Still from Motion never free Move and not move how can it ever be. This riddle placed in Space of mental motion Is plane to sense without erratic notion Motion's confined to various centriq place Never to pass ye boundless bounds of Space Thus each beginning doth its end contain And End once made it must begin again For what was done by one Creating Word Must by this Three in one be understood If any ask how this could ever be done Tell them the word is Father, Ghost and Son Before that time was made Creatural God in himself was the great all in all But to extend the virtue of his power Of nothing all things made for his one bower Thus was the great abyssive might Formed into Creature, whence produced was Light This light to nature joined both firmly stood As primo genitors and to beings food The product of this all including one In Triple Creature most divinely shown Prangeth it self by measure of formation To be the being's being of Creation Thus were the heavens and the Earth begot Both out of darkness unto Light was brought From whence was made twixt one and t'other Father, & Mother, Sister, & Brother Four in number as the Elements are Conjointly work to procreate their par Fire is the Father, and the mother is air Brother and Sister, Earth and Water, are These in their number weight and Measure Make of this world the hidden treasure Joined them thro light let them unite together That they may live in love and be for Ever So is the Quatrant four in one The Matter Form and Essence of our Stone.

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Alchemical Symbols

Alchemical Symbols Cover The alchemist, in the formulation of Wayne Shuhmaker, “did not analyze but analogized,” and his own universe, metallurgy, provided the mythical imagery and stimulated new meanings. The alchemical opus centered on the change of matter, and transmutation of matter turned into the recurrent theme of the alchemist’s cult. To him, the soul imprisoned in matter symbolized the spirit striving to purify itself from the roughage of the flesh. Matter was represented above all by metal and symbolized life and man, its growth comparable to the growth of the fetus. “The achievement of metallic transmutation became symbolic of the religious regeneration of the human soul” (Sheppard, Ambix 17, p. 77). With technical alchemy providing the similes that expressed Gnostic religiousity, the two-tiered semantic construct evolved that was characteristic of Hellenistic and medieval mystic language: the worldly, exoteric lexicon furnished the “surface,” the sensus litteralis, but when applied to esoteric experience it yielded the hidden meaning, the sensus allegoricus. Many lexical items were drawn into the process: thus, in the Valentinian system of Gnosticism (deriving from the second-century Egyptian Valentinus), metallurgical terms such as the following symbolized spiritual concepts. Pneuma signified, first, the product of natural sublimation, then, “divine spirit”; ebullient (“boiling up”), referring to the alchemical process of “separating the pure from the impure,” was applied to wisdom; sperma (the “embryonic germ”) yielded the “seed” of gnosis; in a similar way, such terms as refine, filter, and purify acquired spiritualized meanings. The transfer, through alchemy, from the literal to the symbolic realm contributed richly to the language of religion and, generally, abstraction. It indicates a conscious effort of the alchemist to frame his views in the terms of his craft.

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Medieval Medical Manuscripts In The Harleian Collection P5

Medieval Medical Manuscripts In The Harleian Collection P5 Cover Harley 5679, DIOSCORIDES PEDANIUS, DE MATERIA MEDICA, BOOKS 1-5; 15th cent., 3rd quarter. Greek. Harley 5680, AVICENNA, CANON OF MEDICINE, BOOKS 3 AND 5; second half of 15th cent, partly 1479 (colophon f. 177). Hebrew translation. Harley 5707, AVICENNA, CANON OF MEDICINE, BOOK 3; 15th cent. Hebrew translation. Harley 5792, PS.-CYRIL, GREEK-LATIN GLOSSARY, PSEUDO-HIPPOCRATES, DYNAMIDIA (EXCERPTS) AND ADDITIONAL RECIPES; 8th cent. Greek and Latin. Harley 6258B, MISCELLANY INCLUDING ANGLO-SAXON MEDICAL TEXTS, TRANSLATIONS AND RECIPES; late 12th cent. or early 13th cent. Old English, early Middle English (possibly), and Latin. Harley 6295, COLLECTION OF MEDICAL WRITINGS BY ALEXANDER OF APHRODISIAS, ABBATIAN, HIPPOCRATES, AND PALLADIUS; 15th cent. Greek. Harley 6308, COLLECTION OF PHARMACOPEIAL AND SCIENTIC TEXTS; 16th cent., 1st half. French.

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The Hermetic And Alchemical Writings Of Paracelsus

The Hermetic And Alchemical Writings Of Paracelsus Cover

Book: The Hermetic And Alchemical Writings Of Paracelsus by Paracelsus

This is a collection of five alchemical tracts written by one of the most famous alchemists who was said to have discovered the Philosopher's Stone. In these writings Paracelsus attempts to educate the reader about the nature of the Philosopher's Stone and the scientific Principles from which we can be assured of its existence and Understand how it works. Like all alchemical tracts, the language is very cryptic and allegorical so as to be unintelligible to the unworthy. Paracelus is my personal favorite of the "famous alchemists." He took an approach that diverged greatly from his contemporaries: "harmony of the man is the microcosm and Nature the macrocosm." He veered from soul purification and concentrated on how bodies got out of natural balance and how he could cure them. He summarized his own views by saying: "Many have said of Alchemy, that is for making of gold and silver. For me such is not the aim, but to consider only what virtue and power may lie in medicines." And I am sure that many of the pharmaceutical giants today wholeheartedly agree with him! The work is fascinating as well as the man. This book as well as Part 2 bring him fully to light for all of us to appreciate! Waite usually does a good job of translations. He generally seems to be the most objective of 19th Century esotericists and occultists. Paracelsus was and is a huge influence on the subject of alchemy. Anyone who is interested in alchemy or the philosophy of the Renaissance would get much from this book. The edition I have is the paperback reprint from Kessinger. In my experience, their reprints are of decent quality, clear, and readable. They make difficult-to-find texts affordable. I have several books published by them, and they are all of decent quality.

Buy Paracelsus's book: The Hermetic And Alchemical Writings Of Paracelsus

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Doctrines Of Taoist Alchemy

Doctrines Of Taoist Alchemy Cover In order to transcend space and time -- the two main features of the cosmos -- the alchemist should take care of their Correspondences to the work he performs. Space is delimited and protected by talismans (fu), and the laboratory (danwu, lit. "chamber of the elixirs") and instruments are properly oriented. According to some texts, the heating of the elixir must conform to minutely defined time cycles. This system, known as "fire times" (huohou), allows an adept to perform in a relatively short time the same work that Nature would achieve in thousands of years -- in other words, to accelerate the rhythms of Nature. Bringing time to its end, or tracing it back to its beginning, is equivalent. In either case time is transcended, and the alchemist gains access to timelessness. The same is with space: its centre, where the alchemist places himself and his work, is a point devoid of dimension. From this spaceless and timeless point he is able to move along the axis that connects the higher and lower levels of being. Among a variety of procedures that the sources describe in an often allusive way, and in a language rich in metaphors and secret names, two stand out for their recurrence and importance. The first is based on lead (Yin) and mercury (Yang). In external alchemy, these two substances are refined and joined in a compound whose properties are compared to the condition of original Oneness. In internal alchemy, lead refers to the knowledge of the Dao (Pure Yang, chunyang) with which each being is fundamentally endowed, but is obscured (i.e., transmuted into Yin) in the conditioned state. Mercury, on the other hand, represents the individual mind. The second most important method, which is proper only to external alchemy, is centered on cinnabar (Yang). The mercury contained within cinnabar (representing the Yin principle contained within Yang) is extracted and newly added to sulphur (Yang). This process, typically performed nine times, finally yields an elixir embodying the luminous qualities of Pure Yang. This Yang is not the complementary opposite of Yin, but, again, represents the One before its separation into the two complementary principles. The final object of external and internal alchemy is represented as the preparation of an elixir often defined as huandan (lit., "Reverted Elixir"). This expression, recurring in the whole literature, originally denotes an elixir obtained by bringing the ingredients back to their original condition through repeated cyclical operations -- an Operation comparable to the process that the adept performs within himself with the support of the Alchemical practice. The word dan ("elixir") also denotes cinnabar, suggesting that the process begins and ends on two corresponding points along an ascensional spiral. This synonymy also shows the role of cinnabar as a central symbol in external alchemy. In internal alchemy, the central role of cinnabar is taken up by lead, which represents original Oneness, and in this sense is a synonym of "gold" (jin).

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List Of Substances By Alchemical State

List Of Substances By Alchemical State Cover Ingestions * Charm * Cure Wounds * Euphoria * Forget 1 * Hallucinogen * Major Strength * Minor Strength * poison * Purify Toxin * Resist Toxin Contact Gels * Liquid Light * Oil of Flame * Vorpal 4 * Vorpal 12 * Vorpal 20 Gas Globes * Acid * Nausea * Oil of Destruction * Oil of Impact * Paralyse * Poison * Shatter * Sleep * Weakness * Web

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Tycho Brahe Biography

Tycho Brahe Biography Cover Tycho Brahe (December 14, 1546 ­ October 24, 1601), was a Danish (Scanian) nobleman astronomer as well as an astrologer and alchemist. He was granted an estate on the island of Hven and the funding to build the Uraniborg, an early research institute, where he built large astronomical instruments and took many careful measurements. As an astronomer, Tycho worked to combine what he saw as the geometrical benefits of the Copernican system with the philosophical benefits of the Ptolemaic system into his own model of the universe, the Tychonic system. From 1600 until his death in 1601, he was assisted by Johannes Kepler, who would later use Tycho's astronomical information to develop his own theories of astronomy. He is universally referred to as "Tycho" rather than by his surname "Brahe", as was common in Scandinavia. He is credited with the most accurate astronomical observations of his time, and the data were used by his assistant Kepler to derive the laws of planetary motion. No one before Tycho had attempted to make so many redundant observations, and the mathematical tools to take advantage of them had not yet been developed. He did what others before him were unable or unwilling to do - to catalogue the planets and stars with enough accuracy so as to determine whether the Ptolemaic or Copernican system was more valid in describing the heavens. On April 19, 1559, Tycho began his studies at the University of Copenhagen. There, following the wishes of his uncle, he studied law but also studied a variety of other subjects and became interested in astronomy. It was, however, the eclipse which occurred on August 21, 1560, particularly the fact that it had been predicted, that so impressed him that he began to make his own studies of astronomy helped by some of the professors. He purchased an ephemeris and books such as Sacrobosco's Tractatus de Sphaera, Apianus's Cosmographia seu descriptio totius orbis and Regiomontanus' De triangulis Omnimodis. Tycho realized that progress in the science of astronomy could be achieved not by occasional haphazard observations, but only by systematic and rigorous observation, night after night, and by using instruments of the highest accuracy obtainable. He was able to improve and enlarge the existing instruments, and construct entirely new ones. Tycho's naked eye measurements of planetary parallax were accurate to the arcminute. His sister, Sophia, assisted Tycho in many of his measurements. These jealously guarded measurements became the possessions of Kepler following his death. Tycho was the last major astronomer to work without the aid of a telescope, soon to be turned toward the sky by Galileo. While a student, Tycho lost part of his nose in a duel with rapiers with Manderup Parsbjerg, a fellow Danish nobleman. This occurred in the Christmas season of 1566, after a fair amount of drinking, while the just turned 20-year-old Tycho was studying at the University of Rostock in Germany. Attending a dance at a professor's house, he quarrelled with Parsbjerg. A subsequent duel (in the dark) resulted in Tycho losing the bridge of his nose. A consequence of this was that Tycho developed an interest in medicine and alchemy. For the rest of his life, he was said to have worn a replacement made of silver and gold blended into a flesh tone, and used an adhesive balm to keep it attached. In 1901, though, Tycho's tomb was reopened and his remains were examined by medical experts. The nasal opening of the skull was rimmed with green, a sign of exposure to copper, not silver or gold. Some historians have speculated that he wore a number of different prosthetics for different occasions, noting that a copper nose would have been more comfortable and less heavy than one of precious metals. Tycho was the preeminent observational astronomer of the pre-telescopic period, and his observations of stellar and planetary positions achieved unparalleled accuracy for their time. For example, Tycho measured Earth's axial tilt as 23 degrees and 31.5 minutes, which he claimed to be more accurate than Copernicus by 3.5 minutes. After his death, his records of the motion of the planet Mars enabled Kepler to discover the laws of planetary motion, which provided powerful support for the Copernican heliocentric theory of the solar system. Tycho himself was not a Copernican, but proposed a system in which the Sun orbited the Earth while the other planets orbited the Sun. His system provided a safe position for astronomers who were dissatisfied with older models but were reluctant to accept the Earth's motion. It gained a considerable following after 1616 when Rome decided officially that the heliocentric model was contrary to both philosophy and Scripture, and could be discussed only as a computational convenience that had no connection to fact. His system also offered a major innovation: while both the geocentric model and the heliocentric model as set forth by Copernicus relied on the idea of transparent rotating crystalline spheres to carry the planets in their orbits, Tycho eliminated the spheres entirely. He was aware that a star observed near the horizon appears with a greater altitude than the real one, due to atmospheric refraction, and he worked out tables for the correction of this source of error.To perform the huge number of products needed to produce much of his astronomical data, Tycho relied heavily on the then-new technique of prosthaphaeresis, an algorithm for approximating products based on trigonometric identities that predated logarithms. Like the fifteenth century astronomer Regiomontanus, Tycho Brahe appears to have accepted astrological prognostications on the principle that the heavenly bodies undoubtedly influenced (yet did not determine) terrestrial events, but expressed skepticism about the multiplicity of interpretative schemes, and increasingly preferred to work on establishing a sound mathematical astronomy. Two early tracts, one entitled Against Astrologers for Astrology, and one on a new method of dividing the sky into astrological houses, were never published and are unfortunately now lost. Tycho also worked in the area of weather prediction, produced astrological Interpretations of the supernova of 1572 and the comet of 1577, and furnished his patrons Frederick II and Rudolph II with nativities and other predictions (thereby strengthening the ties between patron and client by demonstrating value). An astrological worldview was fundamental to Tycho's entire philosophy of nature. His interest in alchemy, particularly the medical alchemy associated with Paracelsus, was almost as long-standing as his study of astrology and astronomy simultaneously, and Uraniborg was constructed as both observatory and laboratory.In an introductory oration to the course of lectures he gave in Copenhagen in 1574, Tycho defended astrology on the grounds of Correspondences between the heavenly bodies, terrestrial substances (metals, stones etc.) and bodily organs (medical astrology). He was later to emphasise the importance of studying alchemy and astrology Together With a pair of emblems bearing the mottos: Despiciendo suspicio ("By looking down I see upward") and Suspiciendo despicio ("By looking up I see downward"). As several scholars have now argued, Tycho's commitment to a relationship between macrocosm and microcosm even played a role in his rejection of Copernicanism and his construction of a third world-system.

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Alchemist As Anthropos

Alchemist As Anthropos Cover Back from a particularly rectifying weekend. Hence an etching from Basil Valentine’s 1603 Occulta philosophia, again reproduced in Fabricius (see previous post). The figure presents Valentine’s “vision of the great stone, the Benedictine superman supporting as Atlas the cosmic globe with its multitude of stars, the earth occupying the centre. The Sun is in Pisces, the moon in Aquarius, the circular work at its end. The inscription reads: ‘Seek this poster with diligence: therefore it has been shown to you. The earth is the source of the elements; they come forth from the earth and return to it again.’ The flying scroll is inscribed: ‘Visit the interior parts of the earth; by rectifying thou shalt find the hidden stone’” (p208). “The three-headed bust of an antique philosopher conveys ‘prudence,’ the infans philosophorum with ABC ‘simplicity.’ The union of these modes testifies to the Benedictine’s attainment of the highest lucidity of which the human intellect is capable. The state of mind is that of child and genius. Says an alchemical treatise: ‘The work is not brought to perfection unless it ends in the simple… for man is the most worthy of living things and nearest to the simple, and this because of his intelligence’ [Liber platonis quartorum]” (p208). The woodcut “is accompanied by the verse” (p208): I am the one who carries heaven | and earth While studying both with the utmost diligence. First I display prudence, | then simplicity, That my day’s wages may follow soon. “The stone… may be amplified by a passage in the ‘Rosinus ad Sarratantam Episcopum,’ one of the oldest alchemical Texts in Arabian style: ‘This stone is below thee, as to obedience; above thee, as to dominion; therefore from thee, as to knowledge; about thee, as to equals… This stone is something which is fixed more in thee [than elsewhere], created of God, and thou art its ore, and it is extracted from thee, and wheresoever thou art it remains inseparably with thee… And as man is made up of the four elements, so also is the stone, and so it is [dug] out of man, and thou art its ore, namely by working; and from thee it is extracted, that is, by division; and in thee it remains inseparably, namely by knowledge. [To express it] otherwise, fixed in thee: namely in the Mercurius of the wise; thou art its ore: that is, it is enclosed in thee and thou holdest it secretly; and from thee it is extracted when it is reduced [to its essence] by thee and dissolved; for without thee it cannot be fulfilled, and without it canst thou not live, and so the end looks to the beginning, and contrariwise’ [Artis aurif.]” (p208).

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Cinnabar Fields In Chinese Alchemy

Cinnabar Fields In Chinese Alchemy Cover The Cinnabar Fields, or dantian, are three loci in the human body that play a major role in breathing, meditation, and neidan ("internal alchemy") practices. Located in the regions of the abdomen, heart, and brain, but devoid of material counterparts, they establish a tripartite division of inner space that corresponds to other threefold motives in the Taoist pantheon and cosmology. The three Fields. The lower Cinnabar Field is the dantian proper and is the seat of essence (jing). Different sources place it at 1.3, 2, 2.4, 3, or 3.6 inches (cun) below or behind the navel, and consider it to be the same as, or closely related to, other loci in the same region of the body: the Gate of the Vital Force (mingmen), the Origin of the Pass (guanyuan), and the Ocean of Breath (qihai). In the first stage of the neidan process ("refining essence into breath"), circulating the essence along these two channels generates the inner elixir. The middle Cinnabar Field is at the center of the chest according to some authors, or between the heart and the navel according to others. It is the seat of breath (or "energy", qi) and is also called Yellow Court (huangting), Crimson Palace (jianggong), or Mysterious Female (xuanpin, an emblem of the conjunction of Yin and Yang). Its central position in the body also inspired the names Central Palace (zhonggong) and "One Opening at the Center of the Person" (shenzhong yiqiao). In the second stage of the neidan process ("refining breath into spirit"), the elixir is moved from the lower to the middle dantian and is nourished there. The upper Field is located in the region of the brain and is the seat of spirit (shen). Also known as Muddy Pellet (niwan) or Palace of Qian (qiangong, With Reference to the trigram representing Pure Yang), it is divided into nine palaces or chambers arranged in two rows. Niwan denotes both the upper dantian as a whole and the innermost palace or chamber (the third one in the lower row). Moving the inner elixir to the upper Field marks the third and last stage of the neidan process ("refining spirit and reverting to Emptiness"). Cinnabar Fields and meditation. The neidan tradition has inherited and developed several notions that have evolved in various contexts since Han times. The term dantian first occurs in two sources related to the Transformation of Laozi into a divine being, both dating from 165 CE: the Inscription for Laozi (Laozi ming) mentions the term in connection to the Purple Chamber (zifang, the gallbladder), and the Stele to Wangzi Qiao (Wangzi Qiao bei) relates it to meditation practices. One of the two main sources on early Taoist meditation, the third-century Scripture of the Yellow Court (Huangting jing), frequently refers to the three dantian as the Three Fields (santian) and the Three Chambers (sanfang, and also mentions the Yellow Court and the Muddy Pellet. The other main early Taoist meditation text, the Central Scripture of Laozi (Laozi zhongjing), gives the first detailed description of the lower Field, saying that it contains the whole cosmos and is the residence of the material carriers of essence (jing), i.e., semen for men and menstrual blood for women. The same passage shows that the appellation "cinnabar" originally derives from the red color of the innermost part of the dantian, with no direct relation to the mineral cinnabar or to the elixir. [See a Translation of this passage.] In several early descriptions, the three dantian appear as residences of inner gods visualized by adepts in meditation practices -- in particular, the One (Taiyi), who moves along the three Fields within the human body. The best-known occurrence of the term dantian in this context is found in the Baopu zi. [See a translation of this passage.] The Shangqing sources developed these meditation practices. The practice of embryonic breathing (taixi), also known as "breathing of the Cinnabar Field" (dantian huxi), further contributed to shape the neidan view of the dantian.

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An Alchemical Coin The Rose Noble Of Edward Iii

An Alchemical Coin The Rose Noble Of Edward Iii Cover I am to lecture, for the first time in some years, on Ben Jonson. Starting to think about The Alchemist made me think of one of the coins I would dearly love to own, but could never afford, an Edward III rose noble. William Camden mentions this about the reputation of this wonderful medieval coin in the early modern period: “The first gold that K(ing) Edw. 3. coyned, was in the yeare 1343, and the peeces were called Florences, because Florentines were the coyners, as Easterlings of Sterling money: Shortly after he coyned Nobles, of noble, faire & fine gold, the penny of gold; afterward the Rose Noble then current for 6, shillings 8. pence, & which our Alchimists do affirme (as an unwritten verity) was made by projection or multiplication Alchimicall of Raymond Lully in the Tower of London, who wold prove it as Alchmically, beside the tradition of the Rabbies in that faculty, by the inscription; for as upon the one side there is the kings image, in a shippe to notifie that he was Lord of the seas, with his titles, set upon the reverse a crosse floury with Lioneux, inscribed Jeus autem transiens per medium eorum ibat. Which they profoundly expound, as Jesus passed invisible & in most secret manner by the middest of Pharisees, so that gold was made by invisible and secret art amidst the ignorant. But other say that text was the onely Amulet used in that credulous warfaring age to escape dangers in battailes.” Remaines concerning Britaine (1636), p.187. The inscription on the edge of the reverse does indeed spell out: “IhC . AVTEm . TRAIICIEIIS . P . mEDIVm . ILLORVm . IBAT” which is from the fourth chapter of the Gospel of Luke: 28. And all they in the synagogue, when they heard these things, were filled with wrath. 29. And rose up, and thrust him out of the city, and led him unto the brow of the hill whereon their city was built, that they might cast him down headlong. 30. But he Passing Through the midst of them went his way. No wonder this mysterious inscription caused the coin to acquire a magical aura, as amulet or product of transmutation. Thomas Warton in his The History of English Poetry touches on the alchemical poetry of the period, and mentions Lully as having used false promises to Edward III: “Norton's heroes in the Occult Sciences are Bacon, Albertus Magnus, and Raymond Lully, to whose specious promises of supplying the coinage of England with inexhaustible mines of Philosophical gold, king Edward the third became an illustrious dupe.” Jonson knows about Lully: Nano’s song in Volpone contains an allusion to his ownership of the elixir (though nothing compared to Scoto’s oil): Had old Hippocrates, or Galen, That to their books put med'cines all in, But known this secret, they had never (Of which they will be guilty ever) Been murderers of so much paper, Or wasted many a hurtless taper; No Indian drug had e'er been famed, Tabacco, sassafras not named; Ne yet, of guacum one small stick, sir, Nor Raymund Lully's great elixir.

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About Alchemists

About Alchemists Cover When we think of alchemy, we think of magicians trying to change lead into gold. Yet alchemy was actually the study of chemistry from the 3rd century BC all the way through the next 2000 years. The word probably comes from the Greek chemeia, which meant to transmute or change matter; and that's what alchemy, like chemistry itself, has always been concerned with. Alchemy originated when Aristotle took up an older idea that all matter combined the four elements of earth, air, fire, and water. He guessed that these elements could be changed -- transmuted -- by the action of heat and cold, or dampness and dryness. Aristotle's ideas were developed first by the Greeks after him, and then by Arab scientists. From time to time, alchemy mired itself in metaphysical razzle-dazzle. The practical Romans had no taste for it at all. So, as civilization spread North into Europe, alchemy all but vanished until the 13th and 14th centuries, when scholars began to reread the old Greek and Arabic texts. Of course, alchemy promised great wealth to anyone who figured out how to transmute other metals into gold. It might seem a waste that so many alchemists devoted their lives to that, but the spin-off was enormous. By trying to understand transmutation, they learned about practical metallurgy, about extracting metals from ores, and about chemical reaction. Their results were reported in terms alien to our ears, but the late medieval chemists were suprisingly able metallurgists. Late-17th-century chemists saw matter as made up of three elements, or "earths," as they were called: Vitreous earth gave solidity to matter; fluid earth gave it liquidity; and fatty earth, which was later called phlogiston, gave it combustibility. These were the old Aristotelian elements of earth, water, and fire -- without air! Air was thought to be inert and not a part of other materials. All the while, a more and more analytical science was being built on these ideas. The alchemical view of matter didn't give way to an atomic theory until less than two hundred years ago. And then it didn't give way completely. When people realized that heat wasn't a part of matter, they replaced phlogiston with caloric. Caloric was another Aristotelian substance that occupied all matter and flowed from hot bodies to cold ones. Even after the atomic theory of matter replaced the various earths, caloric was still being used to describe heat when my grandfather was a little boy. So before we write alchemy off as voodoo magic, we'd better ask what our own chemistry will look like in the 22nd century. I'm John Lienhard, at the University of Houston, where we're interested in the way inventive minds work.

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Dr Paracelsus Teacher

Dr Paracelsus Teacher Cover Every human being lives and acts according to that which they believe to be right at the time. Later, perhaps, for some more often than not, that which was right to do yesterday seems wrong on retrospect today. Each action however can only truly be assessed within the context of the prevailing circumstances and environment. How few there are who follow their own inner sense of right and wrong and allow others to do likewise, without interfering. It is extraordinary how often the name 'Paracelsus' is found dotted throughout esoteric and exoteric literature. He is as fine an example of the archetype 'Genius Angry at a Bureaucratic World' as you are likely to find anywhere in history books. Of course the doctors and scientists of today now laugh at how silly their ancestors of the sixteenth century were not to listen to one who knew so much, but this begs the question as to how warm a reception he would receive before a modern audience of undergraduates and Professors, whether of Orthodox or the so-called 'Alternative' persuasion. There is one major difficulty in writing anything worthwhile on this subject. No-one currently alive ever met the man. If we are interested - and why shouldn't we be - in finding out a little about one who in this case died, so we are told, on September 21st 1541, or (September 24th depending which book you read), we are obliged to rely on the pieced together accounts of the various historians, or read what he himself wrote. Aureolus Philippus Theophrastus Bombast von Hohenheim, who called himself 'Paracelsus', was a rather prolific writer of short books on the subjects of Medicine, philosophy and Alchemy. At the time. Alchemy was a respected if often misused term used to describe a multitude of things relating chiefly to the process of purifying metals. To get rich quick, one simply needed to know an Alchemist and be given the correct 'lead into gold' recipe. Some Alchemists were hard working metallurgists, others were equally hard working con men. The third category - that of those who were actually engaged in the work of 'Raising Vibrations' as part of assisting in the Evolutionary Process and who as a test of their current batch of 'Medicine' would perhaps see if a little of it could raise a metal up a rung or two on the evolutionary ladder - hardly deserves a mention. They were so few and far between and in general so far from the public eye, that if one did a tour of the known Alchemists in a sixteenth century city, one could be fairly sure not to meet one of the latter group. Literature concerning Paracelsus deals chiefly with two things. It quotes verbatum from his books - or rather as close to verbatum as the translator can get, as the meanings of many words and concepts are hard to understand in any language. Or it traces his life from childhood in the woods of Switzerland, through to the bitterness and anger at the medieval scientific establishment that marked his later life. His life story seems to trigger a sympathetic response in many. We find in him a champion against the Stuffed Shirt. An example of one who favoured a direct, radical approach to the process of learning rather than the 'Do Not Rock The Boat Because It Is Too Lucrative' approach common to the medical schools of the day. He wished to teach in the common German language, much to the horror of those to whom the medieval latin was the proper language of the scholar. In the Basle market place we are told, in front of students, Professors and their current and prospective patients, he burned the books of the up to then God-like Avicenna. There are also references to an interesting set of experiments he wished to carry out on human faeces, the beginning of which, so the story goes, has him carrying a plate full into a class of, so we are told, rather overwhelmed medical students. The only text-book he showed any respect for was personal experience. He despised and condemned those medical students who graduated as doctors without having had any practical experience with the sick. If his writings are any indication of the contempt with which he held his peers the man himself must have been dynamite. Tact seems not to have been one of his most noted attributes. The European medical establishment became littered with embarrased doctors, who in an effort to protect the status quo made his life as difficult as they could. The establishments' main difficulty in this regard seems to have been Paracelsus' extraordinary success rate in treating all manner of diseases. As there is nothing the selfconceited dread more than being exposed for the fools they are, there was a limit to how far they could go in their anti-Paracelsian activities. Experience then as now, comes only one way. The hard way. From the mines of the Tyrol, among Gypsys and vagabonds, from Moscow to Cairo, through Ireland, Finland, Spain, the Middle East. For years he travelled, learning and experimenting, constantly adding to his store-house of knowledge and experience. Theory was fine, but only as a preliminary guide to how practice should proceed. If someone says 'I know', one assumes they are quoting their own practical experience, for what real value is a system based on another's experience? Approaching the works of Paracelsus can be a daunting exercise. Although more than many other authors of Alchemical literature he is committed to the open statement of the Truth as he sees it, so many of the concepts are so obscure by nature, for those not versed in his system, that the innocent student quickly becomes overwhelmed. As everything should be attempted with some purpose in mind, the question arises, why study the works of Paracelsus? For some, there seems to be some comfort in befuddling the brain with mysteries and secret things. The more mysterious and high-sounding a book, the more highly it is regarded. One gets lost in the idea of the great personages who can not only write but also understand these things. It gives a sense of temporary relief and comfort knowing that one possesses THIS book which contains all those amazing ideas. Pretty soon though, the effect wears off and one finds another book containing even more mysteries. Reading books is not a waste of time, but reading books that tell you to do things, without either the intention to do them and subsequent efforts in that direction, or the conscious intention not to do them but perhaps to compare them with things one is doing, is. After all we read books supposedly to learn things, but learning from another's experience is only possible when you make their experience become your experience by doing what they suggest. The books written by Paracelsus are not for everybody. It is wonderful that in this age of efficient communication they stare at you off many a bookshop and library shelf, but this does not alter the fact that they may not be the right thing for you, now. If on the other hand one perseveres with a study of his writings, they will gradually open up to the industrious unraveller great scope for practical experimentation. If the treasure-house of Alchemy has a series of doors, then the key to the first must surely be patience and hard work. These virtues Paracelsus requires of his readers. He obtained his knowledge the hard way and he does not easily part with it to those of the cursory glance. Do not expect an easy journey through this man's writings. He is as difficult dead as we are lead to believe he was when alive. There are many more comprehensible works on the bookstore shelves. Be content to be inspired by his biography and leave it at that, unless you truly wish to study what this great man has left us. Reading in this case is just not enough.

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Ormus The Secret Alchemy Of Mary Magdalene Revealed

Ormus The Secret Alchemy Of Mary Magdalene Revealed Cover

Book: Ormus The Secret Alchemy Of Mary Magdalene Revealed by William Hearth

This magnificent work by William Hearth is sure to ruffle some feathers! A book for intelligent readers. William Hearth's Perspective pioneers an entirely new way of viewing Mary Magdalene and the ORMUS phenomena. Provocative and scandalous. Be prepared for a great deal of controversy and outrage. It isn't just another watered-down poke at Mary Magdalene. The information spans several thousands of years leading up to the period of the birth of Mary Magdalene, the Jesus movement and the early beginnings of the ORMUS phenomena. Looks like a lot of historical, academic and speculative research went into the preparation for the book. The ORMUS aspect was intriguing. I was fascinated at the prospect of Mary Magdalene having been an alchemist and high-priestess of the Temple of Hathor. See also The Alchemy Key by Stuart Nettleton -- The Grail Enigma: Bloodline of the Holy Grail: The Hidden Lineage of Jesus Revealed--The Shadow of Solomon: The Lost Secret of the Freemasons Revealed--Genesis of the Grail Kings: The Explosive Story of Genetic Cloning and the Ancient Bloodline of Jesus--The Lost Book of Enki: Memoirs and Prophecies of an Extraterrestrial god--Gateways: Earth Chronicles--Journeys to the Mythical Past (Earth Chronicles Expeditions)--The Mystic Symbol: Mark of the Michigan Mound Builders This one is sure to ruffle some feathers! An entirely new way of looking at Mary Magdalene and the ORMUS phenomena. Provocative and scandalous. Be prepared for a great deal of controversy and outrage. It isn't just another watered-down poke at Mary Magdalene. The information spans several thousands of years leading up to the period of the birth of Mary Magdalene, the Jesus movement and the early beginnings of the ORMUS phenomena. Looks like a lot of historical, academic and speculative research went into the preparation for the book. The ORMUS aspect was intriguing. I was fascinated at the prospect of Mary Magdalene having been an alchemist and high-priestess of the Temple of Hathor.

Buy William Hearth's book: Ormus The Secret Alchemy Of Mary Magdalene Revealed

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