Key 3 By Basil Valentine

By means of water fire may be extinguished, and utterly quenched. If much water be poured upon a little fire, the fire is overcome, and compelled to yield up the victory to the water. In the same way our fiery sulphur must be overcome by means of our prepared water. But, after the water has vanished, the fiery life of our sulphurous vapour must triumph, and again obtain the victory. But no such triumph can take place unless the King imparts great strength and potency to his water and tinges it with his own colour, that thereby he may be consumed and become invisible, and then again recover his visible form, with a diminution of his simple essence, and a development of his perfection. A painter can set yellow upon white, and red or crimson upon yellow; for, though all these colours are present, yet the latter prevails on account of its greater intensity. When you have accomplished the same thing in our Art, you have before your eyes the light of wisdom, which shines in the darkness, although it does not burn. For our sulphur does not burn, but nevertheless its brilliancy is seen far and near. Nor does it colour anything until it has been prepared, and dyed with its own colour, which it then imparts to all weak and imperfect metals. This sulphur, however, cannot impart this colour until it have first by persevering labour been prevailed upon to abjure its original colour. For the weaker does not overcome the stronger, but has to yield the victory to it. The gist of the whole matter lies in the fact that the small and weak cannot aid that which is itself small and weak, and a combustible substance cannot shield another substance from combustion. That which is to protect another substance against combustion must itself be safe from danger. The latter must be stronger than the former, that is to say, it must itself be essentially incombustible. He, then, who would prepare the incombustible sulphur of the Sages, must look for our sulphur in a substance in which it is incombustible -- which can only be after its body has been absorbed by the salt sea, and again rejected by it. Then it must be so exalted as to shine more brightly than all the stars of heaven, and in its essence it must have an abundance of blood, like the Pelican, which wounds its own breast, and, without any diminution of its strength, nourishes and rears up many young ones with its blood. This Tincture is the Rose of our Masters, of purple hue, called also the red blood of the Dragon, or the purple cloak many times folded with which the Queen of Salvation is covered, and by which all metals are regenerated in colour. Carefully preserve this splendid mantle, together with the astral salt which is joined to this sulphur, and screens it from harm. Add to it a sufficient quantity of the volatility of the bird; then the Cock will swallow the Fox, and, having been drowned in the water, and quickened by the fire, will in its turn be swallowed by the Fox.

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Visualization In Medieval Alchemy

Book: Visualization In Medieval Alchemy by Barbara Obrist

This paper explores major trends in visualization of medieval theories of natural and artificial transformation of substances in relation to their philosophical and theological bases. The function of pictorial forms is analyzed in terms of the prevailing conceptions of science and methods of transmitting knowledge. The documents under examination date from the thirteenth to the fifteenth century. In these, pictorial representations include lists and tables, geometrical figures, depictions of furnaces and apparatus, and figurative elements mainly from the vegetable and animal realms. An effort is made to trace the earliest evidence of these differing pictorial types.

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Alchemical Poetry Alchemy By Sara Teasdale

I lift my heart as spring lifts up A yellow daisy to the rain; My heart will be a lovely cup Altho' it holds but pain. For I shall learn from flower and leaf That color every drop they hold, To change the lifeless wine of grief To living gold.

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The Benedictine Brother Basilius Valentinus

The Benedictine brother Basilius Valentinus has become a legend in the history of science. But was there really a monk by that name, who lived and worked in a German monastery in the fifteenth century as the legend claims? The historians of science seem not to be able to agree. Here follows the opinion of Sylvain Matton who edited the French edition of the Triumphal Chariot of Antimony (Retz, Paris 1977): On the identity of Basilius Valentinus. "Thus, as they present themselves to us, the writings of Basil Valentine seem to have been edited by a Paracelcist at the end of the sixteenth century or the beginning of the seventeenth. We say 'as they present themselves to us', because one may not entirely exclude that more ancient writings, perhaps of the fifteenth century, have been revised, expounded upon, interpolated, even rewritten. But with this hypothesis, if one does not keep (sic) the legend of the fortuitous discovery of Valentines writings in the trunk of a pillar at the cathedral of Erfurt, it is hard to explain the absence of any manuscript, the oldest one dating from 1582."

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Alchemical Ritual

Although the alchemist, who represented the religious bent of his profession, has been viewed as a priest, the identity of his congregation remains unknown. The sources, reading somewhat like tracts of edification, transmit no detail. Some have sensed in the texts evidence of the existence of a loosely structured brotherhood. Others, above all Festugiere (1950, pp. 427–428), took the alchemical devotion (like the Hermetic) to be a cult adhered to by individuals or groups who practiced the “sacred art” and came under the spell of the mystic beliefs inherent in their work. Those nonpractitioners of alchemy who felt attracted were possibly members of the intelligentsia drawn to that particular version of modish Gnosticism. The code that the devotee observed had various specific features. They concern the transmission of the creed, first to him and then from him, and the way of life expected of a spiritual father.

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Alchemy Ancient And Modern

Book: Alchemy Ancient And Modern by Herbert Stanley Redgrove

IT is exceedingly gratifying to me that a second edition of this book should be called for. But still more welcome is the change in the attitude of the educated world towards the old-time alchemists and their theories which has taken place during the past few years. The theory of the origin of Alchemy put forward in Chapter I has led to considerable discussion; but whilst this theory has met with general acceptance, some of its earlier critics took it as implying far more than is actually the case. As a result of further research my conviction of its truth has become more fully confirmed, and in my recent work entitled Bygone beliefs (Rider, 1920), under the title of "The Quest of the Philosopher's Stone," I have found it possible to adduce further evidence in this connection. At the same time, whilst I became increasingly convinced that the main alchemistic hypotheses were drawn from the domain of mystical theology and applied to physics and chemistry by way of analogy, it also became evident to me that the crude physiology of bygone ages and remnants of the old phallic faith formed a further and subsidiary source of alchemistic theory. I have barely, if at all, touched on this matter in the present work; the reader who is interested will find it dealt with in some detail in "The Phallic Element in Alchemical Doctrine" in my Bygone Beliefs. In view of recent research in the domain of Radioactivity and the consequent advance in knowledge that has resulted since this book was first published, I have carefully considered the advisability of rewriting the whole of the last chapter, but came to the conclusion that the time for this was not yet ripe, and that, apart from a few minor emendations, the chapter had better remain very much as it originally stood. My reason for this course was that, whilst considerably more is known to-day, than was the case in 1911, concerning the very complex transmutations undergone spontaneously by the radioactive elements -- knowledge helping further to elucidate the problem of the constitution of the so-called "elements" of the chemist -- the problem really cognate to my subject, namely that of effecting a transmutation of one element into another at will, remains in almost the same state of indeterminateness as in 1911. In 1913, Sir William Ramsay1 thought he had obtained evidence for the transmutation of hydrogen into helium by the action of the electric discharge, and Professors Collie and Patterson 2 thought they had obtained evidence of the transmutation of hydrogen into neon by similar means. But these observations (as well as Sir William Ramsay's earlier transmutational experiments) failed to be satisfactorily confirmed; 3 and since the death of the latter, little, if anything, appears to have been done to settle the questions raised by his experiments. Reference must, however, be made to a very interesting investigation by Sir Ernest Rutherford on the "Collision of -Particles with Light Atoms,"4 from which it appears certain that when bombarded with the swiftly-moving -particles given off by radium-C, the atoms of nitrogen may be disintegrated, one of the products being hydrogen. The other product is possibly helium,5 though this has not been proved. In view of Rutherford's results a further repetition of Ramsay's experiments would certainly appear to be advisable. As concerns the spontaneous transmutations undergone by the radioactive elements, the facts appear to indicate (or, at least, can be brought into some sort of order by supposing) the atom to consist of a central nucleus and an outer shell, as suggested by Sir Ernest Rutherford. The nucleus may be compared to the sun of a solar system. It is excessively small, but in it the mass of the atom is almost entirely concentrated. It is positively charged, the charge being neutralised by that of the free electrons which revolve like planets about it, and which by their orbits account for the volume of the atom. The atomic weight of the element depends upon the central sun; but the chemical properties of the element are determined by the number of electrons in the shell; this number is the same as that representing the position of the element in the periodic system. Radioactive change originates in the atomic nucleus. The expulsion of an particle therefrom decreases the atomic weight by 4 units, necessitates (since the -particle carries two positive charges) the removal of two electrons from the shell in order to maintain electrical neutrality, and hence changes the chemical nature of the body, transmuting the element into one occupying a position two places to the left in the periodic system (for example, the change of radium into niton). But radioactivity sometimes results in the expulsion of a particle from the nucleus. This results in the addition of an electron to the shell, and hence changes the chemical character of the element, transmuting it into one occupying a position one place to the right in the periodic system, but without altering its atomic weight. Consequently, the expulsion of one and two particles from the nucleus, whilst decreasing the atomic weight of the element by 4, leaves the number of electrons in the shell, and thus the chemical properties of the element, unaltered. These remarkable conclusions are amply borne out by the facts, and the discovery of elements (called "isobares") having the same atomic weight but different chemical properties, and of those (called "isotopes") having identical chemical characters but different atomic weights, must be regarded as one of the most significant and important discoveries of recent years. Some further reference to this theory will be found in ** 77 and 81: the reader who wishes to follow the matter further should consult the fourth edition of Professor Frederick Soddy's The Interpretation of Radium (1920), and the two chapters on the subject in his Science and Life (1920), one of which is a popular exposition and the other a more technical one. These advances in knowledge all point to the possibility of effecting transmutations at will, but so far attempts to achieve this, as I have already indicated, cannot be regarded as altogether satisfactory. Several methods of making gold, or rather elements chemically identical with gold, once the method of controlling radioactive change is discovered (as assuredly it will be) are suggested by Sir Ernest Rutherford's theory of the nuclear atom. Thus, the expulsion of two -particles from bismuth or one from thallium would yield the required result. Or lead could be converted into mercury by the expulsion of one -particle, and this into thallium by the expulsion of one -particle, yielding gold by the further expulsion of an -particle. But, as Professor Soddy remarks in his Science and Life just referred to, "if man ever achieves this further control over Nature, it is quite certain that the last thing he would want to do would be to turn lead or mercury into gold -- for the sake of gold. The energy that would be liberated, if the control of these sub-atomic processes were as possible as is the control of ordinary chemical changes, such as combustion, would far exceed in importance and value the gold. Rather it would pay to transmute gold into silver or some base metal." In *101 of the book I suggest that the question of the effect on the world of finance of the discovery of an inexpensive method of transmuting base metal into gold on a large scale is one that should appeal to a novelist specially gifted with imagination. Since the words were first written a work has appeared in which something approximating to what was suggested has been attempted and very admirably achieved. My reference is to Mr. H. G. Wells's novel, The World Set Free, published in 1914. In conclusion I should like to thank the very many reviewers who found so many good things to say concerning the first edition of this book. For kind assistance in reading the proofs of this edition my best thanks are due also and are hereby tendered to my wife, and my good friend Gerald Druce, Esq., M.Sc.

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Geber Aka Abu Musa Jabir Ibn Hayyan

Geber, aka Abu Musa Jabir ibn Hayyan, was a prominent Islamic alchemist, pharmacist, philosopher, astronomer, and physicist. He has also been referred to as "the father of Arab chemistry" by Europeans. His ethnic background is not clear; although most sources state he was an Arab, some describe him as Persian. Jabir was born in Tus, Khorasan, in Iran, which was at the time ruled by the Umayyad Caliphate; the date of his birth is disputed, but most sources give 721 or 722. He was the son of Hayyan al-Azdi, a pharmacist of the Arabian Azd tribe who emigrated from Yemen to Kufa (in present-day Iraq) during the Umayyad Caliphate. Hayyan had supported the revolting Abbasids against the Umayyads, and was sent by them to the province of Khorasan (in present Iran) to gather support for their cause. He was eventually caught by the Ummayads and executed. His family fled back to Yemen, where Jabir grew up and studied the Koran, mathematics and other subjects under a scholar named Harbi al-Himyari. After the Abbasids took power, Jabir went back to Kufa, where he spent most of his career. Jabir's father's profession may have contributed greatly to his interest to chemistry. In Kufa he became a student of the celebrated Islamic teacher and sixth Imam Ja'far al-Sadiq. It is said that he also studied with the Umayyad prince Khalid Ibn Yazid. He began his career practising medicine, under the patronage of the Barmakid Vizir of Caliph Haroun al-Rashid. It is known that in 776 he was engaged in alchemy in Kufa.His connections to the Barmakid cost him dearly in the end. When that family fell from grace in 803, Jabir was placed under house arrest in Kufa, where he remained until his death. The date of his death is given as c.815 by the Encyclop?dia Britannica, but as 808 by other sources. Contributions to chemistry Jabir is mostly known for his contributions to chemistry. He emphasised systematic experimentation, and did much to free alchemy from superstition and turn it into a science. He is credited with the invention of many types of now-basic chemical laboratory equipment, and with the discovery and description of many now-commonplace chemical substances and processes - such as the hydrochloric and nitric acids, distillation, and crystalization ­ that have become the foundation of today's chemistry and chemical engineering. He also paved the way for most of the later Islamic alchemists, including al-Razi, al-Tughrai and al-Iraqi, who lived in the 9th, 12th and 13th centuries respectively. His books strongly influenced the medieval European alchemists and justified their search for the philosopher's stone.In spite of his leanings toward mysticism (he was considered a Sufi) and superstition, he more clearly recognised and proclaimed the importance of experimentation. "The first essential in chemistry", he declared, "is that you should perform practical work and conduct experiments, for he who performs not practical work nor makes experiments will never attain the least degree of mastery."Jabir is also credited with the invention and development of several chemical instruments that are still used today, such as the alembic, which made distillation easy, safe, and efficient. By distilling various salts together with sulfuric acid, Jabir discovered hydrochloric acid (from salt) and nitric acid (from saltpeter). By combining the two, he invented aqua regia, one of the few substances that can dissolve gold. Besides its obvious applications to gold extraction and purification, this discovery would fuel the dreams and despair of alchemists for the next thousand years. He is also credited with the discovery of citric acid (the sour component of lemons and other unripe fruits), acetic acid (from vinegar), and tartaric acid (from wine-making residues). Jabir applied his chemical knowledge to the improvement of many manufacturing processes, such as making steel and other metals, preventing rust, engraving gold, dyeing and waterproofing cloth, tanning leather, and the chemical analysis of pigments and other substances. He developed the use of manganese dioxide in glassmaking, to counteract the green tinge produced by iron - a process that is still used today. He noted that boiling wine released a flammable vapor, thus paving the way to Al-Razi's discovery of ethanol. The seeds of the modern classification of elements into metals and non-metals could be seen in his chemical nomenclature. He proposed three categories: "spirits" which vaporise on heating, like camphor, arsenic, and ammonium chloride; "metals", like gold, silver, lead, copper, and iron; and "stones" that can be converted into powders.In the Middle Ages, Jabir's treatises on chemistry were translated into Latin and became standard texts for European alchemists. These include the Kitab al-Kimya (titled Book of the Composition of Alchemy in Europe), translated by Robert of Chester (1144); and the Kitab al-Sab'een by Gerard Of Cremona (before 1187). Marcelin Berthelot translated some of his books under the fanciful titles Book of the Kingdom, Book of the Balances, and Book of Eastern Mercury. Several technical terms introduced by Jabir, such as alkali, have found their way into various European languages and have become part of scientific vocabulary. Contributions to alchemy Jabir became an alchemist at the court of Caliph Harun al-Rashid, for whom he wrote the Kitab al-Zuhra ("The Book of Venus", on "the noble art of alchemy"). Jabir's alchemical investigations revolved around the ultimate goal of takwin - the artificial creation of life. Alchemy had a long relationship with Shi'ite mysticism; according to the first Imam, Ali ibn Abi Talib, "alchemy is the sister of prophecy". Jabir's interest in alchemy was probably inspired by his teacher Ja'far al-Sadiq, and he was himself called "the Sufi", indicating that he followed the ascetic form of mysticism within Islam.In his writings, Jabir pays tribute to Egyptian and Greek alchemists Hermes Trismegistus, Agathodaimon, Pythagoras, and Socrates. He emphasises the long history of alchemy, "whose origin is Arius ... the first man who applied the first experiment on the [philosopher's] stone... and he declares that man possesses the ability to imitate the workings of Nature" (Nasr, Seyyed Hossein, Science and Civilization of Islam). Jabir states in his Book of Stones (4:12) that "The purpose is to baffle and lead into error everyone except those whom God loves and provides for". His works seem to have been deliberately written in highly esoteric code, so that only those who had been initiated into his alchemical school could understand them. It is therefore difficult at best for the modern reader to discern which aspects of Jabir's work are to be read as symbols (and what those symbols mean), and what is to be taken literally. Because his works rarely made overt sense, the term gibberish is believed to have originally referred to his writings (Hauck, p. 19). Jabir's alchemical investigations were theoretically grounded in an elaborate numerology related to Pythagorean and Neoplatonic systems. The nature and properties of elements was defined through numeric values assigned the Arabic consonants present in their name, ultimately culminating in the number 17. To Aristotelian physics, Jabir added the four properties of hotness, coldness, dryness, and moistness (Burkhardt, p. 29). Each Aristotelian element was characterised by these qualities: Fire was both hot and dry, earth cold and dry, water cold and moist, and air hot and moist. This came from the elementary qualities which are theoretical in nature plus substance. In metals two of these qualities were interior and two were exterior. For example, lead was cold and dry and gold was hot and moist. Thus, Jabir theorised, by rearranging the qualities of one metal, based on their sulfur/mercury content, a different metal would result. (Burckhardt, p. 29) This theory appears to have originated the search for al-iksir, the elusive elixir that would make this transformation possible - which in European alchemy became known as the philosopher's stone. Jabir also made important contributions to medicine, astronomy, and other sciences. Only a few of his books have been edited and published, and fewer still are available in translation. The Geber crater, located on the Moon, is named after him. Writings by Jabir The writings of Jabir Ibn Hayyan can be divided into four categories: * The 112 Books dedicated to the Barmakids, viziers of Caliph Harun al-Rashid. This group includes the Arabic version of the Emerald Tablet, an ancient work that is the foundation of the Hermetic or "spiritual" alchemy. In the Middle Ages it was translated into Latin (Tabula Smaragdina) and widely diffused among European alchemists. * The Seventy Books, most of which were translated into Latin during the Middle Ages. This group includes the Kitab al-Zuhra ("Book of Venus") and the Kitab Al-Ahjar ("Book of Stones"). * The Ten Books on Rectification, containing descriptions of "alchemists" such as Pythagoras, Socrates, Plato and Aristotle. * The Books on Balance; this group includes his most famous 'Theory of the balance in Nature'.Some scholars suspect that some of these works were not written by Jabir himself, but are instead commentaries and additions by his followers. In any case, they all can be considered works of the 'Jabir' school of alchemy.

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Key 2 By Basil Valentine

In the houses of the great are found various kinds of drink, of which scarcely two are exactly like each other in odour, colour, or taste. For they are prepared in a great variety of different ways. Nevertheless they are all drunk, and each is designed for its own special use. When the Sun gives out his rays, and sheds them abroad upon the clouds, it is commonly said that he is attracting water, and if he do it frequently, and thereby cause rain, it is called a fruitful year. If it be intended to build a palace, the services of many different craftsmen must be employed, and a great variety of materials is required. Otherwise the palace would not be worthy the name. It is useless to use wood where stone is necessary. The daily ebb and flow of the sea, which are caused by the sympathetic influence of heavenly bodies, impart great wealth and blessing to the earth. For whenever the water comes rolling back, it brings a blessing with it. A bride, when she is to be brought forth to be married, is gloriously adorned in a great variety of precious garments, which, by enhancing her beauty, render her pleasant in the eyes of the bridegroom. But the rites of the bridal night she performs without any clothing but that which she was arrayed withal at the moment of her birth. In the same way our bridal pair, Apollo and Diana, are arrayed in splendid attire, and their heads and bodies are washed with various kinds of water, some strong, some weak, but not one of them exactly like another, and each designed for its own special purpose. Know that when the moisture of the earth ascends in the form of a vapour, it is condensed in the upper regions, and precipitated to the earth by its own weight. Thus the earth regains the moisture of which it had been deprived, and receives strength to put forth buds and herbs. In the same way you must repeatedly distil the water which you have extracted from the earth, and then again restore it to your earth, as the water in the Strait of Euripus frequently leaves the shore, and then covers it again until it arrives at a certain limit. When thus the palace has been constructed by the hands of many craftsmen, and the sea of glass has absolved its course, and filled the palace with good things, it is ready for the King to enter, and take his seat upon the throne. But you should notice that the King and his spouse must be quite naked when they are joined together. They must be stripped of all their glorious apparel, and must lie down together in the same state of nakedness in which they were born, that their seed may not be spoiled by being mixed with any foreign matter. Let me tell you, in conclusion, that the bath in which the bridegroom is placed, must consist of two hostile kinds of matter, that purge and rectify each other by means of a continued struggle. For it is not good for the Eagle to build her nest on the summit of the Alps, because her young ones are thus in great danger of being frozen to death by the intense cold that prevails there. But if you add to the Eagle the icy Dragon that has long had its habitation upon the rocks, and has crawled forth from the caverns of the earth, and place both over the fire, it will elicit from the icy Dragon a fiery spirit, which, by means of its great heat, will consume the wings of the Eagle, and prepare a perspiring bath of so extraordinary a degree of heat that the snow will melt upon the summit of the mountains, and become a water, with which the invigorating mineral bath may be prepared, and fortune, health, life, and strength restored to the King.

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Plant Alchemy

Plant alchemy, or spagyrics, was the practice of extracting the essences of plants and herbs through alchemical methods, and then using said essences to create medicines, potions, and/or healing ointments. This tied in very closely with astrology, so far as that every plant, to the Medieval alchemist, corresponded to a specific planet in the solar system. Therefore, if an alchemist wished to make a potion to say, help attract love, he would use herbs such as foxglove, mugwort or vervain, since those herbs were considered "sacred to (i.e. corresponding to) the planet Venus." Mineral alchemy would also fall neatly into the astrological fold, with metals such as iron and lead being considered sacred to the planets Mars and Saturn, respectively.

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Alchemical Poetry The Royal Marriage From Metallic Verses

Doubt is the alchemical substance out of which revelation is born. The Royal Marriage from Metallic Verses Into this chalice Two waters flow Without doubt or malice Love grows Two souls breathe A single breath of air Two spirits feed Making us more aware Outwardly the same Inwardly one Wedded in name Never undone We laugh at secret things Cry when the other despairs Embrace this new being To which none can compare Your king rules my heart Your queen governs my reality Neither can ever depart This eternal, sacred unity

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The Enochian Language Of Edward Kelley

Kelley's "angels" sometimes communicated in a special "angelic" or Enochian language. Dee and Kelley claimed the language was given to them by angels. Some modern cryptographers argue that Kelley invented it. See for example the work by Donald Laycock. It is not clear whether Dee was a victim or an accomplice of this farce. Because of this precedent, and of a dubious connection between the Voynich Manuscript and john dee through Roger Bacon, Kelley has been suspected of having fabricated that book too, in order to swindle Rudolf. The angelic language was supposedly dictated by angels that Kelley claimed to see within a crystal ball. The angels were said to tap out letters on a complicated table, something like a crossword puzzle but with all the cells filled in. The first third were tapped out with each angelic word backwards; the following two thirds with each word forwards. Interestingly, there are no significant errors or discrepancies in word usage between the first and following parts. The English translations were not tapped out but, according to Kelley, appeared on little strips of paper coming out of the angels' mouths.The reasoning that Kelley fabricated the language is based upon the claim that the angelic is just a word-for-word substitution for English translation. This is not entirely the case, however, and there is tantalizing evidence of some other linguistic source. For example, the angelic word "telocvovim" is glossed as "he who has fallen" but it is actually a Germanic-like combination of two other angelic words: "teloch" (glossed as "death") and "vovin" (glossed as "dragon"). Thus "he who has fallen" would be literally translated as "death dragon", both rather obvious references to Lucifer. Interestingly, though, neither Kelley nor Dee appears to have noticed or remarked on this. Another argument against Kelley's fabrication of angelic is that the english translations are in a very different style of writing to that of Kelley's own work, exhibiting an eldrich quality that seems beyond Kelley's own modest ability as a writer. This raises the possibility that Kelley might have plagiarized the material from a different source. However, no similar material has ever surfaced. Dee considered the dictation of the angelic material as highly important for three reasons. First, Dee believed the angelic represented a documentable case of true "glossalia" thereby proving that Kelley was actually speaking with angels and not from his imagination. Second, the angels claimed that angelic was actually the original prototype of Hebrew and the language with which God spoke with Adam, and thus the first human language. Third, the angelic material takes the form of a set of conjurations that are supposed to summon an extremely powerful set of angelic beings who, he believed, would be able to reveal many secrets, especially the key to the philosopher's stone.

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Alchemical Poetry Just Short Of A Miracle

The goal of alchemy was to create the philosopher's stone. This magical stone was supposed to be endowed with miraculous powers. Possessing such a stone is the equivalent to having "heaven on earth." Achieving the stone is an arduous, frustrating enterprise that simultaneously gives meaning and purpose to life. Just short of a miracle And were I to tend my body as if it were A fragile piece of heaven Sole to soul And see in my most desperate hour The sun shining through the night Then... And were I to silence insistent voices Whose ears are deaf to all others Other than their own Only to hear amongst the squabble A silent syllable I'd never heard before. Then... And if I should love someone I've never met Shower them with prayers and blessings So that a smile came upon them unexpectedly Then... And were I to mind each moment As if it were my first, my last And meet an lovely old lady Who shares her secret recipe with me Then... I'd multiply these examples by a thousand Times infinity And then still come up Just short of a miracle But then, even then It doesn't matter. To come this close to utter delight I can no longer decipher day from night.

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Johannes Reuchlin Kabbalah Pythagorean Philosophy And Modern Scholarship

Book: Johannes Reuchlin Kabbalah Pythagorean Philosophy And Modern Scholarship by Moshe Idel

Various philosophies left their imprint on the different forms of Kabbalah. The impact of Neoplatonism and Neoaristotelianism is best known, though some traces of the impact of Stoicism and Atomism can also be discern in the vast Kabbalistic literature. Pythagorean philosophy is perhaps the third in its importance, from the point of view of the themes it impacted on Kabbalah. Though there are some examples of mentioning Pythagoras in medieval Jewish literature, this is a rare phenomenon. Iamblichus wrote his book as an introduction to a large multivoluminous treatise on Pythagoreanism, which he apparently never finished in its entirety. As we know such a Pythagorean reform never took place in a pure manner because Neoplatonism, though inspired from time to time by Pythagorean themes, succeeded and Iamblichus was in fact one of those who had a share in this success. However, his attempt to bring back Pythagoras's philosophy is of a certain importance for our subsequent discussions. This may be also the case with the other figure that drew from Neo-Pythagorean sources, and even save some pieces of Iamblichus's book on Pythagoreanism from oblivion, the Byzantine 11th century scholar Michael Psellus. We may summarize the different surges of Pythagoreanism in antiquity and Middle Ages, as strongly connected to an earlier floruit of some forms of Platonism. This is also the case in the Renaissance. After Ficino's introduction of the various forms of Platonism and Neoplatonism, the Pythagorean elements that were components of these literatures, gelled as a theory that contends to stand for itself, as Reuchlin would assume.

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Moshe Idel - Johannes Reuchlin Kabbalah Pythagorean Philosophy And Modern Scholarship

The Benu Bird In Magic

The following spell from the Egyptian Book of the Dead is one for being transformed into a phoenix or Benu Bird. Spell 83: Spell for being transformed into a phoenix. I have flown up like the primeval ones, I have become Khepri, I have grown as a plant, I have clad myself as a tortoise, I am the essence of every God, I am the seventh of those seven Uraei who came into being in the West, Horus who makes the brightness with his person, That God who was against Seth, Thoth who was among you in that judgement of Him who presides over Letopolis together with the Souls of Heliopolis, The flood which was between them. I have come on the day when I appear in glory with the strides of the gods, For I am Khons who subdued the Lords. As for him who knows this pure spell, It means going out into the day after death and being transformed at will, Being in the suite of Wennefer Being content with the food of Osiris, Having invocation offerings, Seeing the sun; It means being hale on earth with Re and being vindicated with Osiris, And nothing evil shall have power over him A matter a million times true. From at least the reign of Tutankhamun, the heron or Benu Bird appears on heart scarabs. These amulets were used to protect the heart, which was considered the source of life by the ancient Egyptians.

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Alexandre Saint Yves Dalveydre Works

Alexandre Saint Yves d'Alveydre's Archeometre shows the original Atlantean alphabet translates into the material the word, form, color, smell, sound and taste, the key to all religions and the sciences of antiquity. The Archeometre is represented by a circle, which has two scales from 0 to 360 degrees and 360 degrees to 0. It is divided into 12 ranges with 30 degrees each. In the individual ranges are drawn in the tierkreiszeichen, planet, colors, tones and the letters of different alphabets. The Archeometre is a universal canon (guide), which wants to point the relationship out between the astrological indications, tones, smells, letters and colors. The musician finds therein the color of tones, the writer the toncharakter of letter etc. The Archeometre is to also point practical use out that the religions, arts and architecture a synthesis from different ranges to form. Saint-Yves published 4 books between 1882 and 1887, about the concept of 'Synarchy'. In the year 1885 Saint-Yves was visited by a group of Eastern Initiates, one of them being named prince Hardjij Scharipf. Their mission was to inform Saint-Yves on 'AGARTTHA' , a spiritual and political organization. Their visit lead to his publication, titled "Mission de l'Inde en Europe, mission de l'Europe en Asie. La question des Mahatmas et sa solution". Saint-Yves dedicated this work to the "Sovereign Pontiff who wears the tiara of the seven crowns of modern Brahatmah in the ancient Paradise of the Cycle of the Lamb and the Ram". But Saint-Yves did not publish the book but decided to destroy the work and tore it apart. According to Saint Yves he acted under orders of the Brotherhood. The wisdom revealed would not be understood and therefore a publication would be like casting pearls before swine. Other sources state that Saint-Yves decided not to "expose the life of a saint" to the outside world, the saint being "Guru Pandit", the Eastern initiate who'd visited Saint-Yves. Apparently Saint-Yves overlooked one copy of the manuscript which fell into the hands of Count Alexander Keller, son of Countess Marie de Riznitch-Keller. This copy of Saint-Yves "Mission de l'Inde en Europea" was published (posthumous) in a limited edition in 1910 by the publishing firm of Dorbon-Aone. During the Second World War the Gestapo seized all the publications of this book that were known to exist. According to Dr.Philippe Encausse, Papus' son, the original copy belonging to Count Keller was given to Papus. After the death of Papus in 1916 it was donated to the Library of Sorbonne. After his wife's death in 1895, Saint-Yves started to work on his last work, an enormous work called the "Archeometre", a book published in 1903. The "Archeometre" 'intended to be a comprehensive key permitting a survey of ancient culture'. The book 'explores' the value of various philosophical, scientific, occult and religious systems 'and its place in the universal tree of science or tradition'. "Archeometre" is derived from the Greek meaning roughly "the mass of the principle". Saint-Yves' system is build around a series of symbols and interpretations relating to the "Ark of the Covenant". It's a very complex system which intends to be the key to all Religions and Sciences of the Ancients.

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Basil Valentine Biography

Records of the life of Basilius Valentinus, the Benedictine monk who for his achievements in the chemical sphere has been given the title of Father of Modern Chemistry, are a mass of conflicting evidence. Many and varied are the accounts of his life, and historians seem quite unable to agree as to his exact identity, or even as to the century in which he lived. It is generally believed, however, that 1394 was the year of his birth, and that he did actually join the Benedictine Brotherhood, eventually becoming Canon of the Priory of St. Peter at Erfurt, near Strasburg, although even these facts cannot be proved. Whatever his identity, Basil Valentine was undoubtedly a great chemist, and the originator of many chemical preparations of the first importance. Amongst these are the preparation of spirit of salt, or hydrochloric acid from marine salt and oil of vitriol (sulphuric acid) the extraction of copper from its pyrites (sulphur) by transforming it firstly into copper sulphate, and then plunging a bar of iron in the watery dissolution of this product: the method of producing sulpho-ether by the distillation of a mixture of spirit of wine and oil of vitriol: the method of obtaining brandy by the distillation of wine and beer, rectifying the distillation on carbonate of potassium. In his writings he has placed on record many valuable facts, and whether Basil Valentine is the correct name of the author or an assumed one matters little, since it detracts nothing from the value of his works, or the calibre of his practical experiments. From his writings one gathers that he was indeed a monk, and also the possessor of a mind and understanding superior to that of the average thinker of his day. The ultimate intent and aim of his studies was undoubtedly to prove that perfect health in the human body is attainable, and that the perfection of all metallic substance is also possible. He believed that the physician should regard his calling in the nature of a sacred trust, and was appalled by the ignorance of the medical faculty of the day whose members pursued their appointed way in smug complacency, showing little concern for the fate of their patients once they had prescribed their pet panacea. On the subject of the perfection of metallic bodies, as in his reference to the Spagyric Art, the Grand Magi-strum, the Universal Medicine, the Tinctures to transmute metals and other mysteries of the alchemist's art, he has completely mystified not only the lay reader, but the learned chemists of his own and later times. In all his works the important key to a laboratory process is apparently omitted. Actually, however, such a key is invariably to be found in some other part of the writings, probably in the midst of one of the mysterious theological discourses which he was wont to insert among his practical instructions, so that it is only by intensive study that the mystery can be unravelled. His most famous work is his Currus Triumphalis Antimonii - The Triumphal Chariot of Antimony. It has been translated into German, French, and English, and has done more to establish his reputation as a chemist than any other. The best edition is undoubtedly that published at Amsterdam in 1671 with a commentary by Theodorus Kerckringius. In his preface Kerckringius states that he had actually spoken with Valentine besides studying his works. He speaks of Basil as 'the prince of all chemists', and the most learned, upright, and lucid of all alchemistic writers. He tells the careful student everything that can be known in alchemy; of this I can most positively assure you.' A perusal of this book makes it quite evident that Valentine had investigated very thoroughly the properties of antimony, and the findings on his experimental work with this metal have.been brought forward as recent discoveries by chemists of our day. His other works are The Twelve Keys - The Medicine of Metals - Of Things Natural and Supernatural - Of the First Tincture, Root and Spirit of Metals - and his Last Will and Testament. It is alleged that this last work remained concealed for a number of years within the High Altar of the church belonging to the Priory. Such a story is quite feasible, since alchemists both before and after this era, deeming their works unfit for the age in which they were written, are known to have buried or otherwise secreted their writings for the discovery and benefit, as they doubtless hoped, of a more deserving and more enlightened age. Such manuscripts would very often not be discovered for several generations after the death of the author. In view of his other outstanding achievements as a chemist of great ability, it seems not illogical to suppose that Valentine's Universal Method of Medicine should be capable of achieving as great a measure of success as his other somewhat more prosaic discoveries.

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Saint Thomas Aquinas Writings

The writings of Thomas may be classified as, (1) exegetical, homiletical, and liturgical; (2) dogmatic, apologetic, and ethical; and (3) philosophical. Among the genuine works of the first class were: Commentaries on Job (1261-65); on Psalms, according to some a reportatum, or report of oral deliverances furnished by his companion Raynaldus; on Isaiah; the Catena aurea, which is a running commentary on the four Gospels, constructed on numerous citations from the Fathers; probably a Commentary on Canticles, and on Jeremiah; and wholly or partly reportata, on John, on Matthew, and on the epistles of Paul, including, according to one authority, Hebrews i.-x. Thomas prepared for Urban IV., Officium de corpore Christi (1264); and the following works may be either genuine or reportata: Expositio angelicce salutationis; Tractatus de decem praeceptis; Orationis dominico expositio; Sermones pro dominicis diebus et pro sanctorum solemnitatibus; Sermones de angelis, and Sermones de quadragesima. Of his sermons only manipulated copies are extant. In the second division were: In quatitor sententiarum libros, of his first Paris sojourn; Questiones disputatce, written at Paris and Rome; Questiones quodlibetales duodecini; Summa catholicce fidei contra gentiles (1261-C,4); and the Summa theologioe. To the dogmatic works belong also certain commentaries, as follows: Expositio in librum beati Dionysii de divinis nominibits; Expositiones primoe et secundce; In Boethii libros de hebdomadibus; and Proeclare quoestiones super librum Boethii de trinitate. A large number of opuscitla also belonged to this group. Of philosophical writings there are cataloged thirteen commentaries on Aristotle, besides numerous philosophical opuscula of which fourteen are classed as genuine. SUMMA PART I: GOD. The greatest work of Thomas was the Summa and it is the fullest presentation of his views. He worked on it from the time of Clement IV. (after 1265) until the end of his life. When he died he had reached question ninety of part iii., on the subject of penance. What was lacking, was afterward added from the fourth book of his commentary on the "Sentences" of Peter Lombard as a supplementum, which is not found in manuscripts of the thirteenth and fourteenth centuries. The Summa consists of three parts. Part i. treats of God, who is the " first cause, himself uncaused " (primum movens immobile) and as such existent only in act (actu), that is pure actuality without potentiality and, therefore, without corporeality. His essence is actus purus et perfectus. This follows from the fivefold proof for the existence of God; namely, there must be a first mover, unmoved, a first cause in the chain of causes, an absolutely necessary being, an absolutely perfect being, and a rational designer. In this connection the thoughts of the unity, infinity, unchangeableness, and goodness of the highest being are deduced. The spiritual being of God is further defined as thinking and willing. His knowledge is absolutely perfect since he knows himself and all things as appointed by him. Since every knowing being strives after the thing known as end, will is implied in knowing. Inasmuch as God knows himself as the perfect good, he wills himself as end. But in that everything is willed by God, everything is brought by the divine will to himself in the relation of means to end. Therein God wills good to every being which exists, that is he loves it; and, therefore, love is the fundamental relation of God to the world. If the divine love be thought of simply as act of will, it exists for every creature in like measure: but if the good assured by love to the individual be thought of, it exists for different beings in various degrees. In so far as the loving God gives to every being what it needs in relation practical reason," affording the idea of the moral law of nature, so important in medieval ethics. SUMMA PART II.: ETHICS. The first part of the Summa is summed up in the thought that God governs the world as the universal first cause. God sways the intellect in that he gives the power to know aid impresses the species intelligibiles on the mind, and he ways the will in that he holds the good before it as aim, and creates the virtus volendi. To will is nothing else than a certain inclination toward the object of the volition which is the universal good. God works all in all, but so that things also themselves exert their proper efficiency. Here the Areopagitic ideas of the graduated effects of created things play their part in Thomas's thought. The second part of the Summa (two parts, prima secundae and secundae, secunda) follows this complex of ideas. Its theme is man's striving after the highest end, which is the blessedness of the visio beata. Here Thomas develops his system of ethics, which has its root in Aristotle. In a chain of acts of will man strives for the highest end. They are free acts in so far as man has in himself the knowledge of their end and therein the principle of action. In that the will wills the end, it wills also the appropriate means, chooses freely and completes the consensus. THE SUMMA PART III: CHRIST. The way which leads to God is Christ: and Christ is the theme of part iii. It can not be asserted that the incarnation was absolutely necessary, "since God in his omnipotent power could have repaired human nature in many other ways": but it was the most suitable way both for the purpose of instruction and of satisfaction. The Unio between the Logos and the human nature is a " relation " between the divine and the human nature which comes about by both natures being brought together in the one person of the Logos. An incarnation can be spoken of only in the sense that the human nature began to be in the eternal hypostasis of the divine nature. So Christ is unum since his human nature lacks the hypostasis. The person of the Logos, accordingly, has assumed the impersonal human nature, and in such way that the assumption of the soul became the means for the assumption of the body. This union with the human soul is the gratia unionis which leads to the impartation of the gratia habitualis from the Logos to the human nature. Thereby all human potentialities are made perfect in Jesus. Besides the perfections given by the vision of God, which Jesus enjoyed from the beginning, he receives all others by the gratia habitualis. In so far, however, as it is the limited human nature which receives these perfections, they are finite.

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Roger Bacon Biography

Roger Bacon (c. 1214 ­ 1294), also known as Doctor Mirabilis (Latin: "astounding teacher"), was one of the most famous Franciscan friars of his time. He was an English philosopher who placed considerable emphasis on empiricism, and has been presented as one of the earliest advocates of the modern scientific method in the West; though later studies have emphasized his reliance on occult and alchemical traditions. He was intimately acquainted with the Philosophical and scientific insights of the Arab world, one of the most advanced civilizations at the time. Early life Bacon is thought to have been born near Ilchester in Somerset, though he has also been claimed by Bisley in Gloucestershire. His date of birth is equally uncertain. The only source is his statement in the Opus Tertium, written in 1267, that forty years have passed since I first learned the alphabet. The 1214 birth date assumes he was not being literal, and meant 40 years had passed since he matriculated at Oxford at the age of 13. If he had been literal, his birth date was more likely around 1220. Bacon's family appears to have been well-off, but, during the stormy reign of Henry III of England, their property was despoiled and several members of the family were driven into exile. Roger Bacon studied and later became a Master at Oxford, lecturing on Aristotle. There is no evidence he was ever awarded a doctorate - the title Doctor Mirabilis was posthumous and figurative. He crossed over to France in 1241 to teach at the university of Paris, then the center of intellectual life in Europe, where the teaching of Aristotle, till that time forbidden because Aristotle was only available via Islamic commentators, had recently been resumed. As an Oxford Master, Bacon was a natural choice for the post. He returned to Oxford in 1247 and studied intensively for many years, forgoing much of social and academic life, ordering expensive books (which had to be hand-copied at the time) and instruments. He later became a Franciscan friar. He probably took orders in 1253, after 10 years of study which had left him physically and mentally exhausted. The two great orders, Franciscans and Dominicans, were not long-established, and had begun to take the lead in theological discussion. Alexander of Hales led the Franciscans, while the rival order rejoiced in Albertus Magnus and Thomas Aquinas. Bacon's abilities were soon recognised, and he enjoyed the friendship of such eminent men as Adam de Marisco and Robert Grosseteste, bishop of Lincoln. In the course of his teaching and research, he performed and described various experiments. Life and Works The scientific training Bacon had received showed him the defects in existing academic debate. Aristotle was known only through poor translations, as none of the professors would learn Greek. The same was true of Scripture. Physical science was not carried out by experiment in the Aristotelian way, but by arguments based on tradition. Bacon withdrew from the scholastic routine and devoted himself to languages and experimental research. The only teacher whom he respected was a certain Petrus de Maharncuria Picardus, or "of Picardie", probably identical with a certain mathematician, Petrus Peregrinus of Picardie, who is perhaps the author of a manuscript treatise, De Magnete, contained in the Bibliotheque Imperiale at Paris. The contrast between the obscurity of such a man and the fame enjoyed by the fluent young doctors roused Bacon's indignation. In the Opus Minus and Opus Tertium he pours forth a violent tirade against Alexander of Hales, and another professor, who, he says, acquired his learning by teaching others, and adopted a dogmatic tone, which caused him to be received at Paris with applause as the equal of Aristotle, Avicenna, or Averroes. Bacon was always an outspoken man who stated what he believed to be true and attacked those with whom he disagreed, which repeatedly caused him great trouble. In 1256 a new head of the scientific branch of the Franciscan order in England was appointed: Richard of Cornwall, with whom Bacon had strongly disagreed in the past. Before long, Bacon was transferred to a monastery in France, where for about 10 years he could communicate with his intellectual peers only in writing. Bacon wrote to the Cardinal Guy le Gros de Foulques, who became interested in his ideas and asked him to produce a comprehensive treatise. Bacon, being constrained by a rule of the Franciscan order against publishing works out of the order without special permission, initially hesitated. The cardinal became Pope Clement IV and urged Bacon to ignore the prohibition and write the book in secret. Bacon complied and sent his work, the Opus Majus, a treatise on the sciences (grammar, logic, mathematics, physics, and philosophy), to the pope in 1267. It was followed in the same year by the Opus Minus (also known as Opus Secundum), a summary of the main thoughts from the first work. In 1268, he sent a third work, the Opus Tertium to the pope, who died the same year, apparently before even seeing the Opus Majus although it is known that the work reached Rome. Some claim that Bacon fell out of favor, and was later imprisoned by the Franciscan order in 1278 in Ancona as his dissemination of Arab alchemy, and his protests against the ignorance and immorality of the clergy, roused accusations of witchcraft. He supposedly stayed imprisoned for over ten years, until intercession of English noblemen secured his release. About this episode, the historian of science David C. Lindberg, quoted by James Hannam, says that "his imprisonment, if it occurred at all probably resulted with his sympathies for the radical 'poverty' wing of the Franciscans (a wholly theological matter) rather than from any scientific novelties which he may have proposed." Bacon died without important followers, was quickly forgotten, and remained so for a long time. In his writings, Bacon calls for a reform of theological study. Less emphasis should be placed on minor philosophical distinctions as in scholasticism, but instead the Bible itself should return to the center of attention and theologians should thoroughly study the languages in which their original sources were composed. He was fluent in several languages and lamented the corruption of the holy texts and the works of the Greek Philosophers by numerous mistranslations and misinterpretations. Furthermore, he urged all theologians to study all sciences closely, and to add them to the normal university curriculum. He possessed one of the most commanding intellects of his age, or perhaps of any, and, notwithstanding all the disadvantages and discouragements to which he was subjected, made many discoveries, and came near to many others. He rejected the blind following of prior authorities, both in theological and scientific study. His Opus Majus contains treatments of mathematics and optics, alchemy and the manufacture of gunpowder, the positions and sizes of the celestial bodies, and anticipates later inventions such as microscopes, telescopes, spectacles, flying machines and steam ships. Bacon studied astrology and believed that the celestial bodies had an influence on the fate and mind of humans. He also wrote a criticism of the Julian calendar which was then still in use. He first recognized the visible spectrum in a glass of water, centuries before Sir Isaac Newton discovered that prisms could disassemble and reassemble white light. Roger Bacon is considered by some to be the author of the Voynich Manuscript, because of his studies in the fields of alchemy, astrology, and languages. Bacon is also the ascribed author of the alchemical manual Speculum Alchemiae, which was translated into English as The Mirror of Alchemy in 1597. He was an enthusiastic proponent and practitioner of the experimental method of acquiring knowledge about the world. He planned to publish a comprehensive encyclopedia, but only fragments ever appeared.

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Transmutation In Alchemy

The third facet of alchemical religiosity was also linked to the alchemist’s practice. A basic alchemical tenet stated that all substances could be derived through transmutation from primal matter. The technique of change consisted essentially in “coloring”: the Egyptian alchemists did not intend to “make” gold but to color (baptein) metals and textiles through tinctures and elixirs so that they would “appear” like gold (or silver or some other metal). A “changed” metal, then, was a “new” metal. The technique of coloring evolved, in the end, into a powerful symbol of alchemical doctrine; for just as the alchemist transformed lead into silver, and silver into gold, so too he posited for matter, in his anthropomorphic view of it, a similar change, from body to spirit to soul. And in the frame of his doctrine, he identified this escalation with the renewal of man, to which he assigned the same chain of transmutations to reach the goal of redemption.

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A Dictionary Of Alchemical Imagery

Book: A Dictionary Of Alchemical Imagery by Lyndy Abraham

This dictionary documents alchemical symbolism from the early centuries AD to the late-twentieth century, for use by historians of literary culture, philosophy, science and the visual arts, and readers interested in alchemy and hermeticism. Each entry includes a definition of the symbol, giving the literal (physical) and figurative (spiritual) meanings, an example of the symbol used in alchemical writing, and a quotation from a literary source. There are fifty visual images of graphic woodcuts, copperplate engravings and hand-painted emblems, some reproduced here for the first time. This is a superb book for anyone interested in alchemy. For those interested in alchemy and its connections to literature-- it's even better. The Articles are bursting with relevant information and insight into this often perplexing subject matter in an accessible, readable style. A "must have" for anyone interested in alchemy. The only thing I don't like is the price, which may prove prohibitive for some. Each entry has been made sufficiently complete and independent of the others, with detailed cross referencing. Entires on key concepts - the prima materia, the chemical wedding, the philosophers stone, Mercurius, and the stages known as the nigredo, albedo and rebedo - provide basic information about the main ideas of the alchemical opus for those unfamiliar with alchemical theory. Recommended as a general introduction to the subject.

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