Key 3 By Basil Valentine

By means of water fire may be extinguished, and utterly quenched. If much water be poured upon a little fire, the fire is overcome, and compelled to yield up the victory to the water. In the same way our fiery sulphur must be overcome by means of our prepared water. But, after the water has vanished, the fiery life of our sulphurous vapour must triumph, and again obtain the victory. But no such triumph can take place unless the King imparts great strength and potency to his water and tinges it with his own colour, that thereby he may be consumed and become invisible, and then again recover his visible form, with a diminution of his simple essence, and a development of his perfection. A painter can set yellow upon white, and red or crimson upon yellow; for, though all these colours are present, yet the latter prevails on account of its greater intensity. When you have accomplished the same thing in our Art, you have before your eyes the light of wisdom, which shines in the darkness, although it does not burn. For our sulphur does not burn, but nevertheless its brilliancy is seen far and near. Nor does it colour anything until it has been prepared, and dyed with its own colour, which it then imparts to all weak and imperfect metals. This sulphur, however, cannot impart this colour until it have first by persevering labour been prevailed upon to abjure its original colour. For the weaker does not overcome the stronger, but has to yield the victory to it. The gist of the whole matter lies in the fact that the small and weak cannot aid that which is itself small and weak, and a combustible substance cannot shield another substance from combustion. That which is to protect another substance against combustion must itself be safe from danger. The latter must be stronger than the former, that is to say, it must itself be essentially incombustible. He, then, who would prepare the incombustible sulphur of the Sages, must look for our sulphur in a substance in which it is incombustible -- which can only be after its body has been absorbed by the salt sea, and again rejected by it. Then it must be so exalted as to shine more brightly than all the stars of heaven, and in its essence it must have an abundance of blood, like the Pelican, which wounds its own breast, and, without any diminution of its strength, nourishes and rears up many young ones with its blood. This Tincture is the Rose of our Masters, of purple hue, called also the red blood of the Dragon, or the purple cloak many times folded with which the Queen of Salvation is covered, and by which all metals are regenerated in colour. Carefully preserve this splendid mantle, together with the astral salt which is joined to this sulphur, and screens it from harm. Add to it a sufficient quantity of the volatility of the bird; then the Cock will swallow the Fox, and, having been drowned in the water, and quickened by the fire, will in its turn be swallowed by the Fox.

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Alchemical Poetry Lead From Metallic Verses

Doubt is the alchemical substance out of which revelation is born. Lead from Metallic verses Gravity is more than some faceless stranger Tugging at my feet. It is a depth into which I sometime fall Surprising myself with words that well up From the ground. Gravity is the lead Of my heaviest thoughts. A pot hole in the road Into which I sometimes fall apart Laying at the bottom of a well Looking up to the day That is no bigger than a small hole At the top of my head.

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Visualization In Medieval Alchemy

Book: Visualization In Medieval Alchemy by Barbara Obrist

This paper explores major trends in visualization of medieval theories of natural and artificial transformation of substances in relation to their philosophical and theological bases. The function of pictorial forms is analyzed in terms of the prevailing conceptions of science and methods of transmitting knowledge. The documents under examination date from the thirteenth to the fifteenth century. In these, pictorial representations include lists and tables, geometrical figures, depictions of furnaces and apparatus, and figurative elements mainly from the vegetable and animal realms. An effort is made to trace the earliest evidence of these differing pictorial types.

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The Benedictine Brother Basilius Valentinus

The Benedictine brother Basilius Valentinus has become a legend in the history of science. But was there really a monk by that name, who lived and worked in a German monastery in the fifteenth century as the legend claims? The historians of science seem not to be able to agree. Here follows the opinion of Sylvain Matton who edited the French edition of the Triumphal Chariot of Antimony (Retz, Paris 1977): On the identity of Basilius Valentinus. "Thus, as they present themselves to us, the writings of Basil Valentine seem to have been edited by a Paracelcist at the end of the sixteenth century or the beginning of the seventeenth. We say 'as they present themselves to us', because one may not entirely exclude that more ancient writings, perhaps of the fifteenth century, have been revised, expounded upon, interpolated, even rewritten. But with this hypothesis, if one does not keep (sic) the legend of the fortuitous discovery of Valentines writings in the trunk of a pillar at the cathedral of Erfurt, it is hard to explain the absence of any manuscript, the oldest one dating from 1582."

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India Ink Or Chinese Ink

As early as 2500 BC, writing inks were carbon inks consisting of fine grains of carbon black [from soot] suspended in a liquid. The Latin name for this was atramentum librarium and it's now called India ink or Chinese ink. On the famous Dead Sea Scrolls of Qumran (from the third century BC to AD 68), a red version of this ink is found which uses cinnabar (HgS) instead of carbon. The idea is simple: When the liquid dries out, the solid pigment (C or HgS) remains which leaves a permanent trace. Such inks are best used on semi-absorbent stuff, like paper or papyrus (not parchment). The problem was to keep the grains in suspension long enough to apply the ink. In plain water, fine grains of carbon black would aggregate under the action of Van der Waals forces and form flakes large enough to fall quickly to the bottom of the container. This flocculation process can be prevented with an hydrophilic additive which minimizes Van der Waals interactions between the grains by coating them (as was properly explained only in the 1980s). Early ink recipes may thus have called for various plant juices instead of plain water. It turns out that gum arabic acts this way to stabilize India ink into a colloidal suspension for days or weeks... This wonderful invention is at least 4500 years old. Traditional Chinese ink is not bottled. Instead, ink is produced as needed by grinding an inkstick on an inkstone after adding a little water (the inkstone also acts as an inkwell). Chinese ink-sticks consist of a pigment (usually soot from pine, oil or lacquer) and a soluble resin which holds the dry stick together and plays a critical part in the colloidal ink suspension produced by wet grinding.

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Alchemical Poetry The Magistry

Through want of Skill and Reasons light Men stumble at Noone day; Whilst buisily our Stone they seeke, That lyeth in the way. Who thus do seeke they know not what Is't likely they should finde? Or hitt the Marke whereat they ayme Better then can the Blinde? No, Hermes Sonns for Wisdome aske Your footesteps shee'le direct: Shee'le Natures way and secret Cave And Tree of lyfe detect. Sun and Moone in Hermes Vessell Learne how the Collours shew, The nature of the Elements, And how the Daisies grow. Greate Python how Appollo flew, Cadmus his hollow-Oake: His new rais'd army, and Iason how The Fiery Steeres did yoke. The Eagle which aloft doth fly See that thou bring to ground; And give unto the snake some wings, Which in the Earth is found. Then in one Roome sure binde them both, To fight till they be dead; And that a Prince of Kingdomes three Of both them shalbe bred, Which from the Cradle to his Crowne, Is fed with his owne blood; And though to some it seemeth strange, He hath no other Foode. Into his Virgin-Mothers wombe, Againe he enter must; Soe shall the King by his new-byrth, Be ten times stronger just. And able is his foes to foile, The dead he will revive: Oh happy man that understands This Medicen to atchive! Hoc opus exigium nobis fert ire per altum. December, 1633.

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The Testimony Of Nicholas Flamel Part 1

Written in France in the late 1750s and published in London in 1806. The original document was written in the hand of Nicolas Flamel in a coded alphabet consisting of 96 letters. It was written in secrecy and intended only for his nephew. A Parisian scribe named Father Pernetti and a Monsieur de Saint Marc were finally able to break the code in 1758. 1. I Nicholas Flamel, a scrivener of Paris, in the year 1414, in the reign of our gracious Prince Charles VI, whom God preserve; and after the death of my faithful partner Perenelle, am seized with a desire and a delight, in remembrance of her, and in your behalf, dear nephew, to write out the whole magistery of the secret of the Powder of Projection, or the Philosophical Tincture, which God hath willed to impart to his very insignificant servant, and which I have found out, as thou also wilt find out in working as I shall declare unto you. 2. And for this cause do not forget to pray to God to bestow on thee the understanding of the reason of the truth of nature, which thou wilt see in this book, wherein I have written the secrets word for word, sheet by sheet, and also as I have done and wrought with thy dear aunt Perenelle, whom I very much regret. 3. Take heed before thou workest, to seek the right way as a man of understanding. The reason of nature is Mercury, Sun and Moon, as I have said in my book, in which are those figures which thou seest under the arches of the Innocents at Paris. But I erred greatly upwards of 23 years and a half, in labouring without being able to marry the Moon, that is quicksilver, to the Sun, and to extract from them the seminal dung, which is a deadly poison; for I was then ignorant of the agent or medium, in order to fortify the Mercury: for without this agent, Mercury is as common water. 4. Know in what manner Mercury is to be fortified by a metallic agent, without which it never can penetrate into the belly of the Sun and of the Moon; afterward it must be hardened, which cannot be affected without the sulfurous spirit of gold or silver. You must therefore first open them with a metallic agent, that is to say with royal Saturnia, and afterward you must actuate the Mercury by a philosophic means, that you may afterward by this Mercury dissolve into a liquor gold and Luna, and draw from their putrefaction the generative dung. 5. And know thou, that there is no other way nor means to work in this art, than that which I give thee word for word; an operation, unless it be taught as I now do, not at all easy to perform, but which on the contrary is very difficult to find out. 6. Believe steadfastly, that the whole philosophic industry consists in the preparation of the Mercury of the wise, for in it is the whole of what we are seeking for, and which has always been sought for by all ancient wise men; and that we, no more than they, have done nothing without this Mercury, prepared with Sun or Moon: for without these three, there is nothing in the whole world capable of accomplishing the said philosophical and medicinal tincture. It is expedient then that we learn to extract from them the living and spiritual seed. 7. Aim therefore at nothing but Sun, Moon and Mercury prepared by a philosophical industry, which wets not the hands, but the metal, and which has in itself a metallic sulfurous soul, namely, the ignited light of sulfur. And in order that you may not stray from the right path, apply yourself to metals; for there the aforesaid sulfur is found in all; but thou wilt easily find it, even almost similar to gold, in the cavern and depths of Mars, which is iron, and of Venus, which is copper, nearly as much in the one as in the other; and even if you pay attention to it, this sulfur has the power of tingeing moist and cold Luna, which is fine silver, into pure yellow and good Sun; but this ought to be done by a spiritual medium, viz. the key which opens all metals, which I am going to make known to you. Learn therefore, that among the minerals there is one which is a thief, and eats up all except Sun and Moon, who render the thief very good; for when he has them in his belly, he is good to prepare the quicksilver, as I shall presently make known to you. 8. Therefore do not stray out of the right road, but trust to my words, and then give thyself up to the practice, which I am going to bestow on thee in the name of the Father, of Son, and Holy Ghost. The Practice. 9. Take thou in the first place the eldest or first-born child of Saturn, not the vulgar, 9 parts; of the saber chalibs of the God of War, 4 parts. Put this latter into a crucible, and when it comes to a melting redness, cast therein the 9 parts of Saturn, and immediately this will redden the other. Cleanse thou carefully the filth that arises on the surface of the saturnia, with saltpetre and tartar, four or five times. The operation will be rightly done when thou seest upon the matter an astral sign like a star. 10. Then is made the key and the saber, which opens and cuts through all metals, but chiefly Sun, Moon and Venus, which it eats, devours and keeps in his belly, and by this means thou art in the right road of truth, if thou has operated properly. For this Saturnia is the royal triumphant herb, for it is a little imperfect king, whom we raise up by a philosophic artifice to the degree of the greatest glory and honor. It is also the queen, that is to say the Moon and the wife of the Sun: it is therefore both male and female, and our hermaphrodite Mercury. This Mercury or Saturnia is represented in the seven first pages of the book of Abraham the Jew, by two serpent encircling a golden rod. Take care to prepare a sufficient quantity of it, for much is required, that is to say about 12 or 13 lbs. of it, or even more, according as you wish to work on a large or a small scale. 11. Marry thou therefore the young god Mercury, that is to say quicksilver with this which is the philosophic Mercury, that you may actuate by him and fortify the said running quicksilver, seven or even ten or eleven times with the said agent, which is called the key, or a steel sharpened saber, for it cuts, scythes and penetrates all the bodies of the metals. Then wilt thou have the double and treble water represented by the rose tree in the book of Abraham the Jew, which issues out of the foot of an oak, namely our Saturnia, which is the royal key, and goes to precipitate itself into the abyss, as says the same author, that is to say, into the receiver, adapted to the neck of the retort, where the double Mercury throws itself by means of a suitable fire. 12. But here are found thorns and insuperable difficulties, unless God reveals this secret, or a master bestows it. For Mercury does not marry with royal Saturnia: it is experient to find a secret means to unite them: for unless thou knowest the artifice by which this union and peace are effected between these aforesaid argent-vives, you will do nothing to any purpose. I would not conceal any thing from thee, my dear nephew; I tell thee, therefore, that without Sun or Moon this work will profit thee nothing. Thou must therefore cause this old man, or voracious wolf, to devour gold or silver in the weight and measure as I am now about to inform thee. Listen therefore to my words, that thou mayest not err, as I have done in this work. I say, therefore, that you must give gold to our old dragon to eat. Remark how well you ought to operate. For if you give but little gold to the melted Saturnia, the gold is indeed opened, but the quicksilver will not take; and here is an incongruity, which is not at all profitable. I have a long while and greatly laboured in this affliction, before I found out the means to succeed in it. If therefore you give him much gold to devour, the gold will not indeed be so much opened nor disposed, but then it will take the quicksilver, and they will both marry. Thus the means is discovered. Conceal this secret, for it is the whole, and neither trust it to paper, or to any thing else which may be seen. For we should become the cause of great mischief. I give it thee under the seal of secrecy and of thy conscience, for the love I bear thee. 13. Take thou ten ounces of the red Sun, that is to so say, very fine, clean and purified nine or ten times by means of the voracious wolf alone: two ounces of the royal Saturnia; melt this in a crucible, and when it is melted, cast into it the ten ounces of fine gold; melt these two together, and stir them with a lighted charcoal. Then will thy gold be a little opened. Pour it on a marble slab or into an iron mortar, reduce it to a powder, and grind it well with three pounds of quicksilver. Make them to curd like cheese, in the grinding and working them to and fro: wash this amalgama with pure common water until it comes out clear, and that the whole mass appears clear and white like fine Luna. The conjunction of the gold with the royal golden Saturnia is effected, when the mass is soft to the touch like butter.

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Legality Of Alchemy

Many types of alchemy are widely traded and trafficked throughout Dremlin. This is especially true of curative and protective alchemies such as Cure Wounds and Resist Toxin, which are often cheaper to produce and more readily available than magic potions, though specialized military units might also find certain kinds of contact gels or gas globes highly useful. There are, however, many types of alchemy which are either strictly controlled substances or else are banned altogether in certain realms. In Baron Gregorin's Lands, for instance, Poison, mind-affecting alchemies such as Charm and Euphoria, and explosive alchemies such as Oil of Impact, are illegal to own, create, or traffick without a permit. Alchemists would do well to familiarize themselves with local laws when travelling to ensure the legality of any wares they may have on them.

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Real Alchemy A Primer Of Practical Alchemy

Book: Real Alchemy A Primer Of Practical Alchemy by Robert Allen Bartlett

A ground-breaking modern manual on an ancient art, Real Alchemy draws on both modern scientific technology and ancient methods. A laboratory scientist and chemist, Robert Allen Bartlett provides an overview of the history of alchemy, as well as an exploration of the theories behind the practice. Clean, clear, simple, and easy to read, Real Alchemy provides excellent directions regarding the production of plant products and transitions the reader-student into the basics of mineral work--what some consider the true domain of alchemy. New students to practical laboratory alchemy will enjoy reading Real Alchemy and hopefully find the encouragement needed to undertake their own alchemical journey. Bartlett also explains what the ancients really meant when they used the term "Philosopher's Stone" and describes several very real and practical methods for its achievement. Is the fabled Philosopher's Stone an elixir of long life or is it a method of transforming lead into gold? Judge for yourself. The 3 traditional pillars of the Hermetic arts are Alchemy, Astrology, and Qabalah. None of these are stagnant but are all living, growing and evolving arts which are completely compatible with both religion and science. This amazing tome, written by one of the foremost living authorites on Alchemy, combines practical modern science with the ancient Alchemical sciences and gives working students a firm fondation on which to build their temples. This book is truely a treasure which provides years of practicle work, and with it one could ascend to mastery in this both ancient and sacred art/scence/religion/philosophy (Magick.) For a deeper understanding of the philosophy I suggest "Sorcerer's Stone," by Hauck. And for a more guided introduction to the subject, especially for students with a background in other schools of magick, I suggest, "The Path of Alchemy," by Stavish. These three books I have called (semi jokingly but still in truth) the "Holy Trinity of Modern Alchemy." They compliment one another perfectly, each focuses in a slightly different manner and the combined information is a very nice place to start your journey in preparation for the actual process. Read all three, make sure you understand them well, and then slowley and with utmost care begin your Great Work!

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John Dee Biography

John Dee (July 13, 1527 - 1608 or 1609) was a noted British mathematician, astronomer, astrologer, geographer, occultist, and consultant to Queen Elizabeth I. He also devoted much of his life to alchemy, divination, and Hermetic philosophy. Dee straddled the worlds of science and magic just as they were becoming distinguishable. One of the most learned men of his time, he had lectured to crowded halls at the University of Paris when still in his early twenties. He was an ardent promoter of mathematics, a respected astronomer and a leading expert in navigation, having trained many of those who would conduct England's voyages of discovery. (He coined the term "British Empire.") At the same time, he immersed himself deeply in Judeo-Christian magic and Hermetic philosophy, devoting the last third of his life almost exclusively to these pursuits. For Dee, as with many of his contemporaries, these activities were not contradictory, but particular aspects of a consistent world-view. Biography Dee was born in Tower Ward, London to a Welsh family, whose surname derived from the Welsh du ("black"). His father Roland was a mercer and minor courtier. Dee attended the Chelmsford Chantry School (now King Edward VI Grammar School (Chelmsford), then - from 1543 to 1546 - St. John's College, Cambridge. His great abilities were recognized, and he was made a founding fellow of Trinity College. In the late 1540s and early 1550s, he travelled in Europe, studying at Leuven and Brussels and lecturing in Paris on Euclid. He studied with Gemma Frisius and became a close friend of the cartographer Gerardus Mercator, returning to England with an important collection of mathematical and astronomical instruments. In 1552, he met Gerolamo Cardano in London: during their acquaintance they investigated a perpetual motion machine as well as a gem purported to have magical properties. Dee was offered a readership in mathematics at Oxford in 1554, which he declined, citing English universities' emphasis on rhetoric and grammar (which, together with logic, formed the academic trivium) over philosophy and science (the more advanced quadrivium, comprised of arithmetic, geometry, music, and astronomy) as offensive. In 1555, Dee became a member of the Worshipful Company of Mercers, as his father had, through the company's system of patrimony. That year he was arrested and charged with "calculating" for having cast horoscopes of Queen Mary and Princess Elizabeth; the charges were expanded to treason against Mary. Dee appeared in the Star Chamber and exonerated himself, but was turned over to the reactionary Catholic Bishop Bonner for religious examination. His strong and lifelong penchant for secrecy perhaps worsening matters, this entire episode was only the most dramatic in a series of attacks and slanders that would dog Dee through his life. Clearing his name yet again, he soon became a close associate of Bonner. Dee presented Queen Mary with a visionary plan for the preservation of old books, manuscripts and records and the founding of a national library in 1556, but his proposal was not taken up. Instead, he expanded his personal library at his house in Mortlake, tirelessly acquiring books and manuscripts in England and on the Continent. Dee's library, a center of learning outside the universities, became the greatest in England and attracted many scholars. When Elizabeth took the throne in 1558, Dee became her trusted advisor on matters astrological and scientific, choosing Elizabeth's coronation date himself. From the 1550s through the 1570s, he served as an advisor to England's voyages of discovery, providing technical assistance in navigation and ideological backing in the creation of a "British Empire", and was the first to use that term. In 1577, Dee published General and Rare Memorials pertayning to the Perfect Arte of Navigation, a work that set out his vision of a maritime empire and asserted English territorial claims on the New World. Dee was acquainted with Humphrey Gilbert and was close to Sir Philip Sidney and his circle. In 1564, Dee wrote the Hermetic work Monas Hieroglyphica ("The Hieroglyphic Monad"), an exhaustive Cabalistic interpretation of a glyph of his own design, meant to express the mystical unity of all creation. This work was highly valued by many of Dee's contemporaries, but the loss of the secret oral tradition of Dee's milieu makes the work difficult to interpret today. He published a "Mathematical Preface" to Henry Billingsley's English translation of Euclid's Elements in 1570, arguing the central importance of mathematics and outlining mathematics' influence on the other arts and sciences. Intended for an audience outside the universities, it proved to be Dee's most widely influential and frequently reprinted work.

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Alchemical Poetry An Alchemical Poem By Thomas Rawlin

Transcribed from The British Library MS. Sloane 3643, at the end of 'A warning to the false Chymists or the Philosophical Alphabet by Thomas Rawlin' folios 14-55. This work was printed in Latin, Thomas Rawlin, Admonitio de Pseudochymicis, seu Alphabetarium Philosophicum in quo refutatur aurum potabile Antonii, 1611. All Things from One, and to One. In the Center Truth, in the Circumference Vanity. A Magicall ?nigma. The omnipotent God in the rotten Mass. (as it were in a Chaos) to be despised, To us Mortalls has left all things, Yet they in the nature of Things are but one. It is a Mass of Dust, a despicable Thing; A Fire, an Aquosity; a most amiable Fountain; It is neither a Stout Captain, nor invincible; When it is not drawn out of its Cradle. It is an old Man; it is an Infant; the Lord of all; It is the red Servant, contrary to the King; It is the green Lyon; something more sublime Than the King, or Subjects; but fugitive. It flys, and attracts; the Virgin obeyeth not, Unless the Father provoke her with Many Goads; Then she follows, and much demands A Husbands company, with whom she cohabits. She is covered and impregnated with the Embrace, A clear Water is evacuated out of her Heart With Blood, wherewith she is raised up Now dying as it were, and is recreated. Things bright and clear being so obtained The King and Queen being begot togeathere Being put presently in the Secret Prison, Feed them with heavenly Dew; not Watry things. Being Dead at length, the spirit flys away Washes and purifys the soul and the Body Then a more intense Fire allway perpetuats With a cold Fire; it volatilizes not. Now no Errour follows in the Work, Burn all with a very strong Fire, Bring out at length the Blood, the Soul After the White King: Then thrice imbibe. (The King being thus known) the Body is the Soul, And fixt, and permanent, although like Wax; The Colour is not an Accident; but a Substance Reigning in all, with the highest Glory. Glory to God alone, the three-one.

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Geber Aka Abu Musa Jabir Ibn Hayyan

Geber, aka Abu Musa Jabir ibn Hayyan, was a prominent Islamic alchemist, pharmacist, philosopher, astronomer, and physicist. He has also been referred to as "the father of Arab chemistry" by Europeans. His ethnic background is not clear; although most sources state he was an Arab, some describe him as Persian. Jabir was born in Tus, Khorasan, in Iran, which was at the time ruled by the Umayyad Caliphate; the date of his birth is disputed, but most sources give 721 or 722. He was the son of Hayyan al-Azdi, a pharmacist of the Arabian Azd tribe who emigrated from Yemen to Kufa (in present-day Iraq) during the Umayyad Caliphate. Hayyan had supported the revolting Abbasids against the Umayyads, and was sent by them to the province of Khorasan (in present Iran) to gather support for their cause. He was eventually caught by the Ummayads and executed. His family fled back to Yemen, where Jabir grew up and studied the Koran, mathematics and other subjects under a scholar named Harbi al-Himyari. After the Abbasids took power, Jabir went back to Kufa, where he spent most of his career. Jabir's father's profession may have contributed greatly to his interest to chemistry. In Kufa he became a student of the celebrated Islamic teacher and sixth Imam Ja'far al-Sadiq. It is said that he also studied with the Umayyad prince Khalid Ibn Yazid. He began his career practising medicine, under the patronage of the Barmakid Vizir of Caliph Haroun al-Rashid. It is known that in 776 he was engaged in alchemy in Kufa.His connections to the Barmakid cost him dearly in the end. When that family fell from grace in 803, Jabir was placed under house arrest in Kufa, where he remained until his death. The date of his death is given as c.815 by the Encyclop?dia Britannica, but as 808 by other sources. Contributions to chemistry Jabir is mostly known for his contributions to chemistry. He emphasised systematic experimentation, and did much to free alchemy from superstition and turn it into a science. He is credited with the invention of many types of now-basic chemical laboratory equipment, and with the discovery and description of many now-commonplace chemical substances and processes - such as the hydrochloric and nitric acids, distillation, and crystalization ­ that have become the foundation of today's chemistry and chemical engineering. He also paved the way for most of the later Islamic alchemists, including al-Razi, al-Tughrai and al-Iraqi, who lived in the 9th, 12th and 13th centuries respectively. His books strongly influenced the medieval European alchemists and justified their search for the philosopher's stone.In spite of his leanings toward mysticism (he was considered a Sufi) and superstition, he more clearly recognised and proclaimed the importance of experimentation. "The first essential in chemistry", he declared, "is that you should perform practical work and conduct experiments, for he who performs not practical work nor makes experiments will never attain the least degree of mastery."Jabir is also credited with the invention and development of several chemical instruments that are still used today, such as the alembic, which made distillation easy, safe, and efficient. By distilling various salts together with sulfuric acid, Jabir discovered hydrochloric acid (from salt) and nitric acid (from saltpeter). By combining the two, he invented aqua regia, one of the few substances that can dissolve gold. Besides its obvious applications to gold extraction and purification, this discovery would fuel the dreams and despair of alchemists for the next thousand years. He is also credited with the discovery of citric acid (the sour component of lemons and other unripe fruits), acetic acid (from vinegar), and tartaric acid (from wine-making residues). Jabir applied his chemical knowledge to the improvement of many manufacturing processes, such as making steel and other metals, preventing rust, engraving gold, dyeing and waterproofing cloth, tanning leather, and the chemical analysis of pigments and other substances. He developed the use of manganese dioxide in glassmaking, to counteract the green tinge produced by iron - a process that is still used today. He noted that boiling wine released a flammable vapor, thus paving the way to Al-Razi's discovery of ethanol. The seeds of the modern classification of elements into metals and non-metals could be seen in his chemical nomenclature. He proposed three categories: "spirits" which vaporise on heating, like camphor, arsenic, and ammonium chloride; "metals", like gold, silver, lead, copper, and iron; and "stones" that can be converted into powders.In the Middle Ages, Jabir's treatises on chemistry were translated into Latin and became standard texts for European alchemists. These include the Kitab al-Kimya (titled Book of the Composition of Alchemy in Europe), translated by Robert of Chester (1144); and the Kitab al-Sab'een by Gerard Of Cremona (before 1187). Marcelin Berthelot translated some of his books under the fanciful titles Book of the Kingdom, Book of the Balances, and Book of Eastern Mercury. Several technical terms introduced by Jabir, such as alkali, have found their way into various European languages and have become part of scientific vocabulary. Contributions to alchemy Jabir became an alchemist at the court of Caliph Harun al-Rashid, for whom he wrote the Kitab al-Zuhra ("The Book of Venus", on "the noble art of alchemy"). Jabir's alchemical investigations revolved around the ultimate goal of takwin - the artificial creation of life. Alchemy had a long relationship with Shi'ite mysticism; according to the first Imam, Ali ibn Abi Talib, "alchemy is the sister of prophecy". Jabir's interest in alchemy was probably inspired by his teacher Ja'far al-Sadiq, and he was himself called "the Sufi", indicating that he followed the ascetic form of mysticism within Islam.In his writings, Jabir pays tribute to Egyptian and Greek alchemists Hermes Trismegistus, Agathodaimon, Pythagoras, and Socrates. He emphasises the long history of alchemy, "whose origin is Arius ... the first man who applied the first experiment on the [philosopher's] stone... and he declares that man possesses the ability to imitate the workings of Nature" (Nasr, Seyyed Hossein, Science and Civilization of Islam). Jabir states in his Book of Stones (4:12) that "The purpose is to baffle and lead into error everyone except those whom God loves and provides for". His works seem to have been deliberately written in highly esoteric code, so that only those who had been initiated into his alchemical school could understand them. It is therefore difficult at best for the modern reader to discern which aspects of Jabir's work are to be read as symbols (and what those symbols mean), and what is to be taken literally. Because his works rarely made overt sense, the term gibberish is believed to have originally referred to his writings (Hauck, p. 19). Jabir's alchemical investigations were theoretically grounded in an elaborate numerology related to Pythagorean and Neoplatonic systems. The nature and properties of elements was defined through numeric values assigned the Arabic consonants present in their name, ultimately culminating in the number 17. To Aristotelian physics, Jabir added the four properties of hotness, coldness, dryness, and moistness (Burkhardt, p. 29). Each Aristotelian element was characterised by these qualities: Fire was both hot and dry, earth cold and dry, water cold and moist, and air hot and moist. This came from the elementary qualities which are theoretical in nature plus substance. In metals two of these qualities were interior and two were exterior. For example, lead was cold and dry and gold was hot and moist. Thus, Jabir theorised, by rearranging the qualities of one metal, based on their sulfur/mercury content, a different metal would result. (Burckhardt, p. 29) This theory appears to have originated the search for al-iksir, the elusive elixir that would make this transformation possible - which in European alchemy became known as the philosopher's stone. Jabir also made important contributions to medicine, astronomy, and other sciences. Only a few of his books have been edited and published, and fewer still are available in translation. The Geber crater, located on the Moon, is named after him. Writings by Jabir The writings of Jabir Ibn Hayyan can be divided into four categories: * The 112 Books dedicated to the Barmakids, viziers of Caliph Harun al-Rashid. This group includes the Arabic version of the Emerald Tablet, an ancient work that is the foundation of the Hermetic or "spiritual" alchemy. In the Middle Ages it was translated into Latin (Tabula Smaragdina) and widely diffused among European alchemists. * The Seventy Books, most of which were translated into Latin during the Middle Ages. This group includes the Kitab al-Zuhra ("Book of Venus") and the Kitab Al-Ahjar ("Book of Stones"). * The Ten Books on Rectification, containing descriptions of "alchemists" such as Pythagoras, Socrates, Plato and Aristotle. * The Books on Balance; this group includes his most famous 'Theory of the balance in Nature'.Some scholars suspect that some of these works were not written by Jabir himself, but are instead commentaries and additions by his followers. In any case, they all can be considered works of the 'Jabir' school of alchemy.

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Key 2 By Basil Valentine

In the houses of the great are found various kinds of drink, of which scarcely two are exactly like each other in odour, colour, or taste. For they are prepared in a great variety of different ways. Nevertheless they are all drunk, and each is designed for its own special use. When the Sun gives out his rays, and sheds them abroad upon the clouds, it is commonly said that he is attracting water, and if he do it frequently, and thereby cause rain, it is called a fruitful year. If it be intended to build a palace, the services of many different craftsmen must be employed, and a great variety of materials is required. Otherwise the palace would not be worthy the name. It is useless to use wood where stone is necessary. The daily ebb and flow of the sea, which are caused by the sympathetic influence of heavenly bodies, impart great wealth and blessing to the earth. For whenever the water comes rolling back, it brings a blessing with it. A bride, when she is to be brought forth to be married, is gloriously adorned in a great variety of precious garments, which, by enhancing her beauty, render her pleasant in the eyes of the bridegroom. But the rites of the bridal night she performs without any clothing but that which she was arrayed withal at the moment of her birth. In the same way our bridal pair, Apollo and Diana, are arrayed in splendid attire, and their heads and bodies are washed with various kinds of water, some strong, some weak, but not one of them exactly like another, and each designed for its own special purpose. Know that when the moisture of the earth ascends in the form of a vapour, it is condensed in the upper regions, and precipitated to the earth by its own weight. Thus the earth regains the moisture of which it had been deprived, and receives strength to put forth buds and herbs. In the same way you must repeatedly distil the water which you have extracted from the earth, and then again restore it to your earth, as the water in the Strait of Euripus frequently leaves the shore, and then covers it again until it arrives at a certain limit. When thus the palace has been constructed by the hands of many craftsmen, and the sea of glass has absolved its course, and filled the palace with good things, it is ready for the King to enter, and take his seat upon the throne. But you should notice that the King and his spouse must be quite naked when they are joined together. They must be stripped of all their glorious apparel, and must lie down together in the same state of nakedness in which they were born, that their seed may not be spoiled by being mixed with any foreign matter. Let me tell you, in conclusion, that the bath in which the bridegroom is placed, must consist of two hostile kinds of matter, that purge and rectify each other by means of a continued struggle. For it is not good for the Eagle to build her nest on the summit of the Alps, because her young ones are thus in great danger of being frozen to death by the intense cold that prevails there. But if you add to the Eagle the icy Dragon that has long had its habitation upon the rocks, and has crawled forth from the caverns of the earth, and place both over the fire, it will elicit from the icy Dragon a fiery spirit, which, by means of its great heat, will consume the wings of the Eagle, and prepare a perspiring bath of so extraordinary a degree of heat that the snow will melt upon the summit of the mountains, and become a water, with which the invigorating mineral bath may be prepared, and fortune, health, life, and strength restored to the King.

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Alchemical Poetry The Gold

Wilson's stave poorly saved for twenty years As it nears The sophistry and the mys'try of the gold I was told Was unjolly in its folly Every broom and every brolly Founded not the sophistry and the myst'ry of the gold Lovely gold Au contraire let me dare and say my vouch For some grouch In the lighting of his writing said to thee: "Alchemy Is not sorted nor aborted In those dialects distorted But the lighting of my writing says it be PURITY" So the dawning's ill-forewarnings one young day so to say Lit my cradle with some fable unbelieved As it weaved A spectre and reflector Of this primordial projector In my cradle making able image teethed Upon, heaved Then hologrammic monogrammic egg vessel Left nestle That it put at the foot of my bed For it fled Gave no utter nor a mutter But a hovered fly flutter And the graphic, oh the graphic, did I wrestle (With the vessel) When immersed yet unversed in such strange Did it change To a casket - no - a basket, holding flowers Pollumn showers Tried noses where roses Of white in red imposes Being sulphur (the engulfer) and merc'ry's change Roses arranged In myriad eyes mad and tranced Then glanced Vessel's sailing peacock tailing image flux One soon rucks The sheet from his feet To his mush quilt meets Scared and fraught the apport nigh advanced Hue enhanced Could my senses that intenses like the ignis Be the ignis? And the salt that exalts my chem'cal wedding Be my dredding? In vito of libido's Now-formed negredo Then at once that which blunts my guess distilled fuscous-killed Oh EUREKA! not one seeker saw the plight Of this sight 'Tis sophistry and the myst'ry of the gold Vivid, bold Discerning and turning To a sun-face burning Beguiling face smiling splendid gold Purest gold by Godo

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Alchemical Poetry The Royal Marriage From Metallic Verses

Doubt is the alchemical substance out of which revelation is born. The Royal Marriage from Metallic Verses Into this chalice Two waters flow Without doubt or malice Love grows Two souls breathe A single breath of air Two spirits feed Making us more aware Outwardly the same Inwardly one Wedded in name Never undone We laugh at secret things Cry when the other despairs Embrace this new being To which none can compare Your king rules my heart Your queen governs my reality Neither can ever depart This eternal, sacred unity

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Alchemical Poetry Why I Do Not Meditate From Things I Hate

Doubt is the alchemical substance out of which revelation is born. Why I Don't Meditate from Things I Hate I'm too busy receiving the love Of stars and planets Of demons and daimons Of dogs and zebras Of lilacs and daffodils Of rocks and stones Of amebas and viruses Of cells and molecules Of atoms and quarks Superstrings and black holes. Without me Their meditations would dissolve And the universe would collapse.

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Johannes Reuchlin Kabbalah Pythagorean Philosophy And Modern Scholarship

Book: Johannes Reuchlin Kabbalah Pythagorean Philosophy And Modern Scholarship by Moshe Idel

Various philosophies left their imprint on the different forms of Kabbalah. The impact of Neoplatonism and Neoaristotelianism is best known, though some traces of the impact of Stoicism and Atomism can also be discern in the vast Kabbalistic literature. Pythagorean philosophy is perhaps the third in its importance, from the point of view of the themes it impacted on Kabbalah. Though there are some examples of mentioning Pythagoras in medieval Jewish literature, this is a rare phenomenon. Iamblichus wrote his book as an introduction to a large multivoluminous treatise on Pythagoreanism, which he apparently never finished in its entirety. As we know such a Pythagorean reform never took place in a pure manner because Neoplatonism, though inspired from time to time by Pythagorean themes, succeeded and Iamblichus was in fact one of those who had a share in this success. However, his attempt to bring back Pythagoras's philosophy is of a certain importance for our subsequent discussions. This may be also the case with the other figure that drew from Neo-Pythagorean sources, and even save some pieces of Iamblichus's book on Pythagoreanism from oblivion, the Byzantine 11th century scholar Michael Psellus. We may summarize the different surges of Pythagoreanism in antiquity and Middle Ages, as strongly connected to an earlier floruit of some forms of Platonism. This is also the case in the Renaissance. After Ficino's introduction of the various forms of Platonism and Neoplatonism, the Pythagorean elements that were components of these literatures, gelled as a theory that contends to stand for itself, as Reuchlin would assume.

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Alexandre Saint Yves Dalveydre Works

Alexandre Saint Yves d'Alveydre's Archeometre shows the original Atlantean alphabet translates into the material the word, form, color, smell, sound and taste, the key to all religions and the sciences of antiquity. The Archeometre is represented by a circle, which has two scales from 0 to 360 degrees and 360 degrees to 0. It is divided into 12 ranges with 30 degrees each. In the individual ranges are drawn in the tierkreiszeichen, planet, colors, tones and the letters of different alphabets. The Archeometre is a universal canon (guide), which wants to point the relationship out between the astrological indications, tones, smells, letters and colors. The musician finds therein the color of tones, the writer the toncharakter of letter etc. The Archeometre is to also point practical use out that the religions, arts and architecture a synthesis from different ranges to form. Saint-Yves published 4 books between 1882 and 1887, about the concept of 'Synarchy'. In the year 1885 Saint-Yves was visited by a group of Eastern Initiates, one of them being named prince Hardjij Scharipf. Their mission was to inform Saint-Yves on 'AGARTTHA' , a spiritual and political organization. Their visit lead to his publication, titled "Mission de l'Inde en Europe, mission de l'Europe en Asie. La question des Mahatmas et sa solution". Saint-Yves dedicated this work to the "Sovereign Pontiff who wears the tiara of the seven crowns of modern Brahatmah in the ancient Paradise of the Cycle of the Lamb and the Ram". But Saint-Yves did not publish the book but decided to destroy the work and tore it apart. According to Saint Yves he acted under orders of the Brotherhood. The wisdom revealed would not be understood and therefore a publication would be like casting pearls before swine. Other sources state that Saint-Yves decided not to "expose the life of a saint" to the outside world, the saint being "Guru Pandit", the Eastern initiate who'd visited Saint-Yves. Apparently Saint-Yves overlooked one copy of the manuscript which fell into the hands of Count Alexander Keller, son of Countess Marie de Riznitch-Keller. This copy of Saint-Yves "Mission de l'Inde en Europea" was published (posthumous) in a limited edition in 1910 by the publishing firm of Dorbon-Aone. During the Second World War the Gestapo seized all the publications of this book that were known to exist. According to Dr.Philippe Encausse, Papus' son, the original copy belonging to Count Keller was given to Papus. After the death of Papus in 1916 it was donated to the Library of Sorbonne. After his wife's death in 1895, Saint-Yves started to work on his last work, an enormous work called the "Archeometre", a book published in 1903. The "Archeometre" 'intended to be a comprehensive key permitting a survey of ancient culture'. The book 'explores' the value of various philosophical, scientific, occult and religious systems 'and its place in the universal tree of science or tradition'. "Archeometre" is derived from the Greek meaning roughly "the mass of the principle". Saint-Yves' system is build around a series of symbols and interpretations relating to the "Ark of the Covenant". It's a very complex system which intends to be the key to all Religions and Sciences of the Ancients.

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Alchemical Poetry Calcination

Sewn unto Lucifer's flames, Usually reduced in crucibles And calcined into dust, A trophy To hereditary exile: Sulfuric and corrosive, Red and lachrymal, Calcinated under pressure And tribulations; To hereditary excess: Burning and surrendering everything Over flames. Through hellish emanations, Secreting power inside Negative energy. Intending to sacrifice For angels that have Eaten Righteousness, I have sacrificed These heavenly entities, Scorched underneath Nothingness. by Stuart Franklin

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Classics Of Spiritual Philosophy And The Present

Book: Classics Of Spiritual Philosophy And The Present by Vladimir Antonov

This is one version of the Grand Satanic Ritual, This ritual format can be used in Standard Rituals, Thanksgiving Rituals, As well as the invocation and summoning of the Gods.

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