The Mercurial Bird Emblem

Second woodcut of the 1550 Rosarium philosophorum, also appearing in Fabricius’s Alchemy (p24). In this depiction “the king, standing atop the sun and representing the spiritus, meets the bride of his choice, resting on the moon and representing the anima. The rose branches crossed by king and queen bear out their mutual love, but the court clothes suggest the restrained nature of their initial encounter. “The two roses at the end of each branch refer to the four elements, two of which are active and masculine (fire and air), while two are passive and feminine (water and earth). Their ordered arrangement in a ‘rosie cross’ suggests the abatement of the prima materia and its warring elements. The fifth flower is brought by the dove of the Holy Ghost, a parallel of Noah’s dove carrying the olive branch of reconciliation in its beak. Descending from the quintessential star, the bird reconciles the masculine and feminine elements, just as its third branch equates the rose branches with the three pipes of the mercurial fountain, now transformed into a stem of roses. “The dove is the agent effecting the rapprochement between king and queen, just as the bird indicates the spiritual and heavenly nature of their love. The unusual character of this affair is further stressed by the partners’ left-handed contact. This uncustomary gesture points to the closely guarded secret of their infringement of a general taboo. Actually, the royal couple engages in ‘unnatural’ and illegitimate love, the secret of which is of an incestuous nature: the bride is the king’s own sister. Hence the ‘Rosarium’ admonishes: ‘Mark well, in the art of our magisterium nothing is Concealed by the Philosophers except the secret of the art…’” (p24).

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The Quests Of Alchemy

ALCHEMY: The science by aid of which the chemical philosophers of medieval times attempted to transmute the baser metals into gold or silver. There is considerable divergence of opinion as to the etymology of the word, but it would seem to be derived from the Arabic al=the, and kimya=chemistry, which in turn derives from the late Greek chemica=chemistry, from chumeia=a mingling, or cheein, `to pour out` or `mix', Aryan root ghu, to pour, whence the word `gush'. Mr. A. Wallis Budge in his "Egyptian Magic", however, states that it is possible that it may be derived from the Egyptian word khemeia, that is to say 'the preparation of the black ore', or `powder', which was regarded as the active principle in the transmutation of metals. To this name the Arabs affixed the article `al', thus giving al-khemeia, or alchemy. THE QUESTS OF ALCHEMY: The grand objects of alchemy were (1) the discovery of a process by which the baser metals might be transmuted into gold or silver; (2) the discovery of an elixir by which life might be prolonged indefinitely; and there may be added (3), the manufacture of and artificial process of human life. (for the latter see Homunculus) RECORDS OF ACTUAL TRANSMUTATIONS: Several records of alleged transmutations of base metal into gold are in existence. These were achieved by Nicholas Flamel, Van Helmont, Martini, Richthausen, and Sethon. For a detailed account of the methods employed the reader is referred to several articles on these hermetists. In nearly every case the transmuting element was a mysterious powder or the "Philosopher's Stone". LITERATURE: Atwood, A Suggestive Inquiry into the Hermetic Mastery, 1850 Hitchcock, Remarks on Alchemy and the Alchemists, Boston, 1857 Waite, Lives of the Alchemystical Philosophers, London, 1888 The Occult Sciences, London, 1891 Bacon, Mirror of Alchemy, 1597 S. le Doux, Dictionnaire Hermetique, 1695 Langlet de fresnoy, Histoire de la Philosophie Hermetique, 1792 Theatrum Chemicum, 1662 Valentine, Triumphal Chariot of Antimony, 1656 Redgrove, Alchemy Ancient and Modern Figuier, L'Alchimie et les Alchimistes, Paris, 1857 Taken from a 1960 reprint of "AN ENCYCLOPAEDIA OF OCCULTISM", by Lewis Spence; University Press, Hyde Park, New York. Originally Published in 1920, it is considered to be one of the most complete texts on the subject.

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The Magic Circle Of Rudolf Ii Alchemy And Astrology In Renaissance Prague

Book: The Magic Circle Of Rudolf Ii Alchemy And Astrology In Renaissance Prague by Peter Marshall

When Rudolf II was crowned Holy Roman Emperor in 1576, he quickly filled his castle with artistic and scientific treasures. Marshall returns repeatedly to Rudolf's attempt to create a "theatre of the world" in Prague Castle and how it transformed the city into the last great cultural center of the Renaissance. Rudolf himself is relegated to the sidelines for much of the book's middle section, as the focus turns to the brilliant minds attracted to Prague's climate of Intellectual openness. The emperor, says Marshall, had a sincere but undiscriminating thirst for knowledge, open to both "fact and fantasy"; thus the community deftly sketched includes alchemists and prophets like John Dee as well as scientists like Kepler and Brahe and artists like Arcimboldo. Marshall, a cultural historian (The Philosopher's Stone), also explores Rudolf's apparent madness, concluding the emperor suffered from manic-depression, and while "eccentric and insecure," he was not insane. The final chapters depict the dwindling of Rudolf's kingdom, as he sank further into melancholy; prolonged conflict with the Vatican over his tolerance of "heretics" (such as Protestants and Jews) led to political intrigues against him. Yet, Marshall argues convincingly, his intellectual legacy bridged the gap between the medieval and modern worlds. I first heard about Rudolf II while reading To Have And To Hold: An Intimate History Of Collectors and Collecting. Even though Rudolf II was Holy Roman Emperor, king of the largest empire in Europe, that part of his life is the least interesting and thankfully The Magic Circle of Rudolf II does not spend too much time on politics. Rudolf, too, would have been pleased. Rudolf II was one of the world's greatest collectors, he spared no expense in finding rare and exotic objects from around the world to fill his castle in Prague. He never married, had a stable of 'imperial women', rarely left his castle or appeared in public, had little interest in the affairs of state - all of his energies were in his collections and in the Occult Sciences of astrology and alchemy. He was so wealthy and patronized so many artists and intellectuals that Prague became Europe's late Renaissance cultural capital for about 30 years around the turn of the 17thC. Peter Marshall does a wonderful job of revealing this eccentric and fascinating monarch, and the amazing artists and thinkers that were a part of his world. It was because of Rudolf's patronage that foundational scientific works were created, such as Kepler's "New Astronomy". Although Rudolf's ultimate quest was to find the Philosopher's Stone, a legendary alchemy rock that made one immortal, he inadvertently helped lay the foundational stone of the scientific revolution by allowing many great minds to flourish in an atmosphere of freedom and creativity. It is called the "Rudolfian age", comparable to the "Elizabethan age" (Elizabeth I of England). History has not been kind to Rudolf, only in the past 50 years or so has his life been been re-examined beyond the lens of his political failures, and his contributions to the arts and sciences been given their due credit. His life story will be appealing to anyone with an interest in collecting, astrology/alchemy, science history, European history, and eccentric monarchs. Marshall writes in a very readable style and brings life and color to the period, people and events.

Buy Peter Marshall's book: The Magic Circle Of Rudolf Ii Alchemy And Astrology In Renaissance Prague

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The Alchemyst The Secrets Of The Immortal Nicholas Flamel

Book: The Alchemyst The Secrets Of The Immortal Nicholas Flamel by Michael Scott

Twin 15-year-old siblings Sophie and Josh Newman take summer jobs in San Francisco across the street from one another: she at a coffee shop, he at a bookstore owned by Nick and Perry Fleming. In the vey first chapter, armed goons garbed in black with "dead-looking skin and... marble eyes" (actually Golems) storm the bookshop, take Perry hostage and swipe a rare Book (but not before Josh snatches its two most important pages). The stolen volume is the Codex, an ancient text of magical wisdom. Nick Fleming is really Nicholas Flamel, the 14th-century alchemist who could turn base metal into gold, and make a potion that ensures immortality. Sophie and Josh learn that they are mentioned in the Codex's prophecies: "The two that are one will come either to save or to destroy the world." Mayhem ensues, as Irish author Scott draws on a wide knowledge of world mythology to stage a battle between the Dark Elders and their hired gun—Dr. John Dee—against the forces of good, led by Flamel and the twins (Sophie's powers are "awakened" by the goddess Hekate, who'd been living in an elaborate treehouse north of San Francisco). Not only do they need the Codex back to stop Dee and company, but the Immortality potion must be brewed afresh every month. Time is running out, literally, for the Flamels. Proceeding at a breakneck pace, and populated by the likes of werewolves and vampires, the novel ends on a precipice, presumably to be picked up in volume two. They say that out of the mouths of babes...etc. In this case, I borrowed a book from a grandson. He was right. This is a terrific story and a great family adventure. I see that some of these reviews, in fact, most were not necessarily written by young adults. It's always clear. And though I kept in mind as I was reading that this was not specifically addressed to my generation, still I fell under the considerable spell of a really good story which transcended age. When I see a review getting very very literal and probing,even"erudite" I must say, I have my doubts as to the reviewers intentions. I was up for a good read, plain and simple and I got it. The ability for young readers to Google every single character except the twins is unparalleled in fiction. My grandson showed me how and what could be more engaging. It lends a life beyond the story. Great! Starred Review. Grade 6-9–Scott uses a gigantic canvas for this riveting fantasy. The well-worn theme of saving the world from the forces of evil gets a fresh look here as he incorporates ancient myth and legend and sets it firmly, pitch-perfect, in present-day California. At the emotional center of the tale are contemporary 15-year-old twins, Josh and Sophie, who, it turns out, are potentially powerful magicians. They are spoken of in a prophecy appearing in the ancient book of Abraham the Mage, all but two pages of which have been stolen by evil John Dee, alchemist and magician. The pursuit of the twins and Flamel by Dee and his allies to get the missing pages constitutes the book's central plot. Amid all this exhilarating action, Scott keeps his sights on the small details of character and dialogue and provides evocative descriptions of people, mythical beings, and places. He uses as his starting point the figures of the Historical alchemist Nicholas Flamel and his wife, who have found the secret of immortality, along with mythical beings, including the terrifying Scottish crow-goddess, the Morrigan; the three-faced Greek Hekate; the powerful Egyptian cat-goddess, Bastet; and Scathach, a legendary Irish woman warrior and vegetarian vampire. While there is plenty here to send readers rushing to their encyclopedias of mythology and alchemy, those who read the book at face value will simply be caught up in the enthralling story. A fabulous read.–Sue Giffard, Ethical Culture Fieldston School, New York City Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Buy Michael Scott's book: The Alchemyst The Secrets Of The Immortal Nicholas Flamel

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