Showing posts with label witchcraft books. Show all posts
Showing posts with label witchcraft books. Show all posts

Course Of Alchemy

Course Of Alchemy Cover

Book: Course Of Alchemy by Jose Luis Ramos

Dear student of Alchemy. The fact that you receive this unit it implies that you have assimilated the teachings of the previous one and overcome with success the test of corresponding evaluation. For it, I allow me to talk to you with the trust and the opening own among siblings of the sacred order of the Alchemy. Although you have not received the Initiation that, in an indelible way, it transforms you into a Philosopher by the Fire, when having discovered the Initial Matter (true key to accede to the Work), have you learned the philosophical principles that govern our Road and have you manifested your determination of continuing, you have reached a knowledge that it have been denied along the times to many investigators and erudites. On the other hand, Internet is, at the present time, the translation of the old medieval zoco, where there is of everything (good and bad) and anyone can enter and to expose its " goods ". The page of GAP is one more among so many others which it mix the Alchemy with the Magic, the Astrology and all type of esoterisms (there are serious pages, but they are few...) and the possible visitors don't have trial elements to be able to appreciate the seriousness of our offer. Also, the net is full with places " free " and all that you gets paid, still that it is moderate, it always sounds to suspect... For everything it, we reiterate our congratulation to you and we wish you a fortunate Road whose unavoidable difficulties have begun to overcome.

Buy Jose Luis Ramos's book: Course Of Alchemy

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Key 3 By Basil Valentine

Key 3 By Basil Valentine Cover By means of water fire may be extinguished, and utterly quenched. If much water be poured upon a little fire, the fire is overcome, and compelled to yield up the victory to the water. In the same way our fiery sulphur must be overcome by means of our prepared water. But, after the water has vanished, the fiery life of our sulphurous vapour must triumph, and again obtain the victory. But no such triumph can take place unless the King imparts great strength and potency to his water and tinges it with his own colour, that thereby he may be consumed and become invisible, and then again recover his visible form, with a diminution of his simple essence, and a development of his perfection. A painter can set yellow upon white, and red or crimson upon yellow; for, though all these colours are present, yet the latter prevails on account of its greater intensity. When you have accomplished the same thing in our Art, you have before your eyes the light of wisdom, which shines in the darkness, although it does not burn. For our sulphur does not burn, but nevertheless its brilliancy is seen far and near. Nor does it colour anything until it has been prepared, and dyed with its own colour, which it then imparts to all weak and imperfect metals. This sulphur, however, cannot impart this colour until it have first by persevering labour been prevailed upon to abjure its original colour. For the weaker does not overcome the stronger, but has to yield the victory to it. The gist of the whole matter lies in the fact that the small and weak cannot aid that which is itself small and weak, and a combustible substance cannot shield another substance from combustion. That which is to protect another substance against combustion must itself be safe from danger. The latter must be stronger than the former, that is to say, it must itself be essentially incombustible. He, then, who would prepare the incombustible sulphur of the Sages, must look for our sulphur in a substance in which it is incombustible -- which can only be after its body has been absorbed by the salt sea, and again rejected by it. Then it must be so exalted as to shine more brightly than all the stars of heaven, and in its essence it must have an abundance of blood, like the Pelican, which wounds its own breast, and, without any diminution of its strength, nourishes and rears up many young ones with its blood. This Tincture is the Rose of our Masters, of purple hue, called also the red blood of the Dragon, or the purple cloak many times folded with which the Queen of Salvation is covered, and by which all metals are regenerated in colour. Carefully preserve this splendid mantle, together with the astral salt which is joined to this sulphur, and screens it from harm. Add to it a sufficient quantity of the volatility of the bird; then the Cock will swallow the Fox, and, having been drowned in the water, and quickened by the fire, will in its turn be swallowed by the Fox.

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India Ink Or Chinese Ink

India Ink Or Chinese Ink Cover As early as 2500 BC, writing inks were carbon inks consisting of fine grains of carbon black [from soot] suspended in a liquid. The Latin name for this was atramentum librarium and it's now called India ink or Chinese ink. On the famous Dead Sea Scrolls of Qumran (from the third century BC to AD 68), a red version of this ink is found which uses cinnabar (HgS) instead of carbon. The idea is simple: When the liquid dries out, the solid pigment (C or HgS) remains which leaves a permanent trace. Such inks are best used on semi-absorbent stuff, like paper or papyrus (not parchment). The problem was to keep the grains in suspension long enough to apply the ink. In plain water, fine grains of carbon black would aggregate under the action of Van der Waals forces and form flakes large enough to fall quickly to the bottom of the container. This flocculation process can be prevented with an hydrophilic additive which minimizes Van der Waals interactions between the grains by coating them (as was properly explained only in the 1980s). Early ink recipes may thus have called for various plant juices instead of plain water. It turns out that gum arabic acts this way to stabilize India ink into a colloidal suspension for days or weeks... This wonderful invention is at least 4500 years old. Traditional Chinese ink is not bottled. Instead, ink is produced as needed by grinding an inkstick on an inkstone after adding a little water (the inkstone also acts as an inkwell). Chinese ink-sticks consist of a pigment (usually soot from pine, oil or lacquer) and a soluble resin which holds the dry stick together and plays a critical part in the colloidal ink suspension produced by wet grinding.

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Alchemical Visualization In Tantric Buddhism

Alchemical Visualization In Tantric Buddhism Cover The visualized 'cauldron' or vessel of transformation is a skullcup, known as a kapala in Sanskrit. Impure substances symbolising mental afflictions are transmuted to pure nectar of enlightenment by the power of a fierce wind-blown fire, with the reaction being 'catalysed' by seed letters. In a typical visualisation, urine, feces, brain/marrow, semen, blood and the meats of five taboo animals are transmuted into nectar "When engaging in the generation stage practices one starts with the dissolution of everything into emptiness by reciting the mantra. This is done in order to eliminate self-grasping. From within emptiness the syllable YAM in a crescent moon arises, symbolizing wind. Then the syllable RAM in a triangle arises above it, symbolizing fire. Then from the syllable KAM arises a tripod of skulls. The skull which is the cauldron sits on the tripod. It is white on the outside and red on the inside. It is vast. In the center one pours urine in the form of the syllable HUNG. On the east one puts feces in the form of the syllable OM. In the North one puts brain in the form of the syllable KAM. In the west one puts semen in the syllable ANG. In the south one puts blood in the form of the syllable TRAM. Then one puts fire in the form of HUNG. In the center of the five nectars one places human flesh in the form of the syllable HUNG. In the southeast corner one puts cow meat in the form of the syllable LAM. In the southwest one places dog meat in the form of the syllable MAM. In the northwest one places elephant meat in the form of the syllable HAM. In the northeast one puts horse meat in the form of the syllable TAM. The wind swirls around, generating fire out of the syllable RAM. This boils the substances in the skull cup, melting the five meats and nectars. As they boil, their color becomes orange red like the rays of the rising sun. The mandala of the moon is placed as a lid on the skull. On top of it are a white OM, a red AH, and a blue HUNG. Light rays radiate from the three syllables in the ten directions, reaching the Buddhas and bodhisattvas whose wisdom nectars are drawn back and dissolve into the vessels. The wisdom and samaya nectars become one and become white in color, cool in temperature, sweet in taste, and abundant in power. This becomes the collection of wealth and riches." - Tsok Practice The urine, excrement, brain, sperm and blood represent the five contaminated aggregates to be purified. They are form, feeling, perception, karmic impulses and consciousness. The five meats symbolise the five delusions, which are confusion , miserliness, attachment, jealousy and self-grasping.

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Minerals And Gems In Indian Alchemy

Minerals And Gems In Indian Alchemy Cover

Book: Minerals And Gems In Indian Alchemy by Mira Ray

The Indian alchemical literature in Sanskrit and Tamil refers to the multi-dimensionaluse of a wide variety of minerals. The most important are: (A) mica, calamine, copper-pyrite, tourmaline, iron-pyrite, copper-sulphate, bitumen and lapis lazuli, called superior minerals and orpiment, alum. sulphur, realgar, tinstone or cassiterite, red-ochre. antimony and iron-sulphate. caIled subsidiary minerals. An interesting aspect relates to the purifications of these minerals with a view to importing to them the necessary qualities for alchemical operations leading to the preparation of "elixir"and such other medicinal compositions. Yet another aspect is concerned with the extraction of what is in alchemical literature as their "essence". the chemical details of which are not exactly clear. The other types of minerals are classed under the headinggems.They are: ruby, pearl. coral. emerald. topaz. diamond. sapphire. zircon and eat's eye. nine in number. Even these gems are subjected to various processes in order to obtain theiressences. Several apparatuses and contrivances were being designed and used for conducting necessary operations. Refreshingly. some of the alchemical text also mention the distribution and characteristics of various minerals including gems. thus revealing the technical knowledge of those involving the preparation of several mineral-based medicinal compositions. The paper attempts to discuss these and aIliedaspects pertaining inthe minerals and gems as embodied in the various Texts in Sanskrit. called the"Rasasastra".

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Alchemical Poetry The Holy Longing

Alchemical Poetry The Holy Longing Cover Tell a wise person, or else keep silent, Because the mass man will mock it right away, I praise what is truly alive, What longs to be burned to death. In the calm of the love-nights, Where you were begotten, where you have begotten, A strange feeling comes over you When you see the silent candle burning. Now you are no longer caught In the obsession with darkness, And a desire for higher love-making Sweeps you upward. Distance does not make you falter, Now, arriving in magic, flying, And, finally, insane for the Light, You are the butterfly and you are gone. And so long as you haven’t experienced This: to die and so to grow, You are only a troubled guest On the dark earth. by Goethe (1814); translated by Robert Bly

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Alchemy And Masonry

Alchemy And Masonry Cover Many of you may have familiarity with the term “Alchemist”. For most this term conjures images of early experimenters attempting to chemically convert lead or base metals into gold, and the search for the chemical elixir of life. These experimenters did indeed exist, their work being the forerunner of modern chemistry. As there were “operative” alchemists, so there were also “speculative” alchemists. Speculative alchemists are often associated with Hermetic philosophy, and employ symbols of metals, elements, the planets, and chemical processes to describe and understand the spiritual process of personal improvement. The founder of Hermetic philosophy was an Egyptian sage Hermes Trismegisus. To the Egyptians he was credited as the author of all the arts and sciences. Deified by different cultures, he was known as Thoth by the Egyptians, Mercury by the Romans and Hermes to the Greeks. While in all probability there actually existed a great sage by the name of Hermes, it is impossible to extricate the historical man from the mass of legendary accounts of him[1]. One of the famous writings of Hermes was the Emerald Table, which contains thirteen sentences summarizing Hermetic thought.

In the Sixteenth through Eighteenth century, Hermeticism became connected with Alchemy; and by what seemed mere chemical jargon and meaningless symbols, their true explanations were concealed from the masses and from the church, who would have likely pronounced many Alchemists as heretics.

Unbeknownst to most Masons, many of the symbols found in symbolic, or “Blue Lodge” Masonry came to us from Alchemy. In his book, “Symbolism of the Blue Degrees of Freemasonry” , Albert Pike describes these relationships and states that “By this and many other proofs we know that the symbols of Freemasonry were introduced into it by the Hermetic philosophers of England…”. Manly P. Hall in his work, The Secret Teachings of All Ages, states, “…he [Hermes] was the author of the Masonic initiatory rituals…Nearly all of the Masonic symbols are Hermetic in character”. In spite of this, I was surprised to find a dearth of research regarding the relationship between Alchemy and Masonry.

Since Albert Pike informs us of the strong connection in Blue Lodge Masonry with that of Alchemy, I wondered if that connection continued into the Scottish Rite Lodge of Perfection, which in many ways is a continuation and completion of the Blue Lodge degrees. In this paper we will survey the symbols of the Scottish Rite degrees from the 4th through the 14th to see if we can find any connection with the symbols of Alchemy. My goal is twofold in doing this: first, to expose the reader to the connection between Alchemy and Freemasonry, and second to encourage other Masonic researchers to explore this very interesting and largely untapped area of study. It should be noted that I am a Masonic researcher and not an Alchemist. This paper is written from the viewpoint of that of a Masonic researcher. Let us know explore the Lodge of Perfection in a hunt for Scottish Chemistry!

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Key 8 By Basil Valentine

Key 8 By Basil Valentine Cover Neither human nor animal bodies can be multiplied or propagated without decomposition; the grain and all vegetable seed, when cast into the ground, must decay before it can spring up again; moreover, putrefaction imparts life to many worms and other animalculae. The process of augmentation and quickening is mostly performed in [the] earth, while it is caused by spiritual seed through the other elements. The farmer's wife knows that she cannot hope to obtain chickens except through the decomposition of the egg. If bread is placed in honeys and suffered to decay, ants are generated; worms are bred in the putrefying bodies of men, horses, and other animals; maggots are also developed by the decay of nuts, apples, and pears. The same thing may be observed in regard to vegetable life. Nettles and other weeds spring up where no such seed has ever been sown. This occurs only by putrefaction. The reason is that the soil in such places is so disposed, and, as it were, impregnated, that it produces these fruits, which is a result of the properties of sidereal influence; consequently the seed is spiritually produced in the earth, and putrefies in the earth, and by the operation of the elements generates corporeal matter according to the species of Nature. Thus the stars and the elements may generate new spiritual, and, ultimately, new vegetable seed, by means of putrefaction. But man cannot create new seed; for it is not in his power to order the operation of the elements and the essential influences of the stars. By natural conditions, however, new plants are generated simply through putrefaction. This fact is not noticed by the farmer, simply because it is a thing that he has always been used to, and for which he is unable to find an explanation. But you who should know more than the vulgar herd, must search into the causes of things, and endeavor to understand how the process of generation and resuscitation is accomplished by means of decomposition, and how all life is produced out of decay. Each element is in its turn decomposed and regenerated by that which is contained in it. For you should know that every element contains the three others. In air, for instance, there is fire, water, and earth. This assertion may appear incredible, but it is nevertheless true. In like manner, fire includes air, water, and earth, since otherwise it could generate nothing. Water contains fire, air, and earth; for if it did not, there could be no growth. At the same time, each element is distinct, though each contains the others. All this is: found by distillation in the separation of the elements. In order to rationally prove this to you, who are investigating the separation of Nature. and purpose to understand the division of the elements, lest you should think my words inventions, and not true, I tell you that if you distil earth, you will find that, first of all, there is an escape of air, which, in its turn, always contains fire, as they are both of a spiritual essence, and exercise an irresistible mutual attraction. In the next place, there issues water from the earth, and the earth, in which is the precious salt, remains by itself at the bottom of the vessel. When water is distilled, air and fire issue from it, and the water and material earth remain at the bottom. Again, when the invisible part of elementary fire is extracted, you get water and earth by themselves. Nor can any of the three other elements exist without air. It is air that gives to earth its power of production, to fire its power of burning, to water its power of generating fruit. Again, air can consume nothing, nor dry up any moisture, without that natural heat which must be imparted to it by fire. For everything that is hot and dry contains fire. From these considerations we conclude that no element can exist without the others, and that in the generation of all things there is a mingling of the four elements. He who states the contrary in no wise understands the secrets of Nature, nor has he investigated the properties of the elements. For if anything is to be generated by putrefaction, the process must be as follows: The earth is first decomposed by the moisture which it contains; for without moisture, or water, there can be no true decay; thereupon the decomposed substance is kindled and quickened by the natural heat of fire: for without natural heat no generation can take place. Again, if that which has received the spark of life, is to be stirred up to motion and growth, it must be acted upon by air. For without air, the quickened substance would be choked and stifled in the germ. Hence it manifestly appears that no one element can work effectually without the aid of the others, and that all must contribute towards the generation of anything. Thus their quickening cooperation takes the form of putrefaction, without which there can be neither generation, life, nor growth. That there can be no perfect generation or resuscitation without the co-operation of the four elements, you may see from the fact that when Adam had been formed by the Creator out of earth, there was no life in him, until God breathed into him a living spirit. Then the earth was quickened into motion. In the earth was the salt that is, the Body; the air that was breathed into it was mercury or the Spirit, and this air imparted to him a genuine and temperate heat, which was sulphur, or fire. Then Adam moved and by his power of motion, shewed that there had been infused into him a life-giving spirit. For as there is no fire without air so neither is there any air without fire. Water was incorporated with the earth Thus living man is an harmonious mixture of the four elements; and Adam was generated out of earth, water, air, and fire, out of soul, spirit, and body, out of mercury, sulphur, and salt. In the same way, Eve, our common mother, was created; for her body was built up and formed out of Adam's body - a fact which I wish you particularly to notice. To return again to putrefaction, O seeker of the Magistery and devotee of philosophy, know that, in like manner, no metallic seed can develop, or multiply, unless the said seed, by itself alone, and without the introduction of any foreign substance, be reduced to a perfect putrefaction. The putrefaction of metallic seed must, like that of animal and vegetable seed, take place through the co-operation of the four elements. I have already explained that the elements themselves are not the seed. But it ought by this time to be clear to you that the metallic seed which was produced by the combined operation of heavenly, sidereal, and elementary essences, and reduced into bodily form, must, in due course, be corrupted and putrefied by means of the elements. Observe that this seed contains a living volatile spirit. For when it is distilled, there issues from it first a spirit, and then that which is less volatile. But when by continued gentle heat, it is reduced to an acid, the spirit is not so volatile as it was before. For in the distillation of the acid the water issues first, and then the spirit. And though the substance remains the same, its properties have become very different. It is no longer wine, but has been transmuted by the putrefaction of gentle heat into an acid. That which is extracted with wine or its spirit, has widely different properties and powers from that which is extracted with an acid. For if the crystal of antimony be extracted with wine or the spirit of wine, it causes vomiting and diarrhoea, because it is a poison, and its poisonous quality is not destroyed by the wine. But if it be extracted with a good distilled acid, it furnishes a beautiful extract of a rich colour. If the acid be removed by means of the St. Mary's Bath, and the residuum of yellow powder washed away, you obtain a sweet powder which causes no diarrhoea, but is justly regarded as a marvellously beneficial medicine. This excellent powder is dissolved in a moist place into a liquid which is profitably employed as a painless agent in surgery. Let me sum up in few words what I have to say. The substance is of heavenly birth, its life is preserved by the stars, and nourished by the four elements; then it must perish, and be putrefied; again, by the influence of the stars, which works through the elements, it is restored to life, and becomes once more a heavenly thing that has its habitation in the highest region of the firmament. Then you will find that the heavenly has assumed an earthly body, and that the earthly body has been reduced to a heavenly substance.

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John Dee Biography

John Dee Biography Cover John Dee (July 13, 1527 - 1608 or 1609) was a noted British mathematician, astronomer, astrologer, geographer, occultist, and consultant to Queen Elizabeth I. He also devoted much of his life to alchemy, divination, and Hermetic philosophy. Dee straddled the worlds of science and magic just as they were becoming distinguishable. One of the most learned men of his time, he had lectured to crowded halls at the University of Paris when still in his early twenties. He was an ardent promoter of mathematics, a respected astronomer and a leading expert in navigation, having trained many of those who would conduct England's voyages of discovery. (He coined the term "British Empire.") At the same time, he immersed himself deeply in Judeo-Christian magic and Hermetic philosophy, devoting the last third of his life almost exclusively to these pursuits. For Dee, as with many of his contemporaries, these activities were not contradictory, but particular aspects of a consistent world-view. Biography Dee was born in Tower Ward, London to a Welsh family, whose surname derived from the Welsh du ("black"). His father Roland was a mercer and minor courtier. Dee attended the Chelmsford Chantry School (now King Edward VI Grammar School (Chelmsford), then - from 1543 to 1546 - St. John's College, Cambridge. His great abilities were recognized, and he was made a founding fellow of Trinity College. In the late 1540s and early 1550s, he travelled in Europe, studying at Leuven and Brussels and lecturing in Paris on Euclid. He studied with Gemma Frisius and became a close friend of the cartographer Gerardus Mercator, returning to England with an important collection of mathematical and astronomical instruments. In 1552, he met Gerolamo Cardano in London: during their acquaintance they investigated a perpetual motion machine as well as a gem purported to have magical properties. Dee was offered a readership in mathematics at Oxford in 1554, which he declined, citing English universities' emphasis on rhetoric and grammar (which, together with logic, formed the academic trivium) over philosophy and science (the more advanced quadrivium, comprised of arithmetic, geometry, music, and astronomy) as offensive. In 1555, Dee became a member of the Worshipful Company of Mercers, as his father had, through the company's system of patrimony. That year he was arrested and charged with "calculating" for having cast horoscopes of Queen Mary and Princess Elizabeth; the charges were expanded to treason against Mary. Dee appeared in the Star Chamber and exonerated himself, but was turned over to the reactionary Catholic Bishop Bonner for religious examination. His strong and lifelong penchant for secrecy perhaps worsening matters, this entire episode was only the most dramatic in a series of attacks and slanders that would dog Dee through his life. Clearing his name yet again, he soon became a close associate of Bonner. Dee presented Queen Mary with a visionary plan for the preservation of old books, manuscripts and records and the founding of a national library in 1556, but his proposal was not taken up. Instead, he expanded his personal library at his house in Mortlake, tirelessly acquiring books and manuscripts in England and on the Continent. Dee's library, a center of learning outside the universities, became the greatest in England and attracted many scholars. When Elizabeth took the throne in 1558, Dee became her trusted advisor on matters astrological and scientific, choosing Elizabeth's coronation date himself. From the 1550s through the 1570s, he served as an advisor to England's voyages of discovery, providing technical assistance in navigation and ideological backing in the creation of a "British Empire", and was the first to use that term. In 1577, Dee published General and Rare Memorials pertayning to the Perfect Arte of Navigation, a work that set out his vision of a maritime empire and asserted English territorial claims on the New World. Dee was acquainted with Humphrey Gilbert and was close to Sir Philip Sidney and his circle. In 1564, Dee wrote the Hermetic work Monas Hieroglyphica ("The Hieroglyphic Monad"), an exhaustive Cabalistic interpretation of a glyph of his own design, meant to express the mystical unity of all creation. This work was highly valued by many of Dee's contemporaries, but the loss of the secret oral tradition of Dee's milieu makes the work difficult to interpret today. He published a "Mathematical Preface" to Henry Billingsley's English translation of Euclid's Elements in 1570, arguing the central importance of mathematics and outlining mathematics' influence on the other arts and sciences. Intended for an audience outside the universities, it proved to be Dee's most widely influential and frequently reprinted work.

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The Magus A Complete System Of Occult Philosophy

The Magus A Complete System Of Occult Philosophy Cover

Book: The Magus A Complete System Of Occult Philosophy by Francis Barrett

IN this Work, which we have written chiefly for the information of those who are curious and indefatigable in their enquiries into occult knowledge, we have, at a vast labour and expence, both of time and charges, collected whatsoever can be deemed curious and rare, in regard to the subject of our speculations in Natural Magic--the Cabala--Celestial and Ceremonial Magic--Alchymy--and Magnetism; and have divided it into two Books, subdivided into Parts: to which we have added a third Book, containing a biographical account of the lives of those great men who were famous and renowned for their knowledge; shewing upon whose authority this Science of magic is founded, and upon what principles. To which we have annexed a great variety of notes, wherein we have impartially examined the probability of the existence of Magic, both of the good and bad species, in the earliest, as well as in the latter, ages of the world. We have exhibited a vast number of rare experiments in the course of this Treatise, many of which, delivered in the beginning, are founded upon the simple application of actives to passives; the others are of a higher speculation. The First Book we have, fully explained what Natural Magic is; and have shewn that, by the application of actives to passives, many wonderful effects are produced that are merely natural, and done by manual operations. We have procured every thing that was valuable and scarce respecting this department of our work, which we have introduced under the title of Natural Magic; and a variety of our own experiments likewise. In the possession of this work, the laborious and diligent student will find a complete and delectable companion; so that he who has been searching for years, for this author and the other, will in this book find the marrow of them all. The Second Book forms a complete treatise on the mysteries of the Cabala and Ceremonial Magic; by the study of which, a man (who can separate himself from material objects, by the mortification of the sensual appetite - abstinence from drunkenness, gluttony, and other bestial passions, and who lives pure and temperate, free from those actions which degenerate a man to a brute) may become a recipient of divine light and knowledge; by which they may foresee things to come, whether to private families, or kingdoms, or states, empires, battles, victories, &c.; and likewise be capable of doing much good to their fellow-creatures: such as the healing of all disorders, and assisting with the comforts of life the unfortunate and distressed. The Third Book forms a complete Magical Biography, being collected from most antient authors, and some scarce and valuable manuscripts; and which has been. the result of much labour in acquiring. Therefore, those who wish to benefit in those studies, must shake off the drowsiness of worldly vanity, all idle levity, sloth, intemperance, and lust; so that they may be quiet, clean, pure, and free from every distraction and perturbation of mind, and worthily use the knowledge he obtains from his labours.

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How Should We View Alchemy

How Should We View Alchemy Cover Alchemy is a multifaceted subject. It is an early form of chemical technology exploring the nature of substances. It is also a philosophy of the cosmos and of mankind's place in the scheme of things. Alchemy developed an amazing language of emblematic symbolism which it used to explore the world. It had a strong philosophical basis, and many alchemists incorporated religious metaphor and spiritual matters into their alchemical ideas. About four thousand printed books were issued from the 16th through to the late 18th centuries, exploring alchemy from a multiplicity of different perspectives. Many thousands of manuscripts, hand written works, letters, notes and commentaries exist in the libraries of Europe and North America, some beautifully illustrated with coloured images. Alchemy was thus, through the sheer volume of writings, influential throughout the early modern period. Its influence can often be seen in the work of writers, poets, and artists of the time. In the 20th century, interest in alchemy was revived, following its decline and total eclipse in the 19th century. Today alchemy is often used as a catch word for obscure and enigmatic symbolism, or for the idea of spiritual transformation and inner change.

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Alchemical Poetry Why I Do Not Meditate From Things I Hate

Alchemical Poetry Why I Do Not Meditate From Things I Hate Cover Doubt is the alchemical substance out of which revelation is born. Why I Don't Meditate from Things I Hate I'm too busy receiving the love Of stars and planets Of demons and daimons Of dogs and zebras Of lilacs and daffodils Of rocks and stones Of amebas and viruses Of cells and molecules Of atoms and quarks Superstrings and black holes. Without me Their meditations would dissolve And the universe would collapse.

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Recipes For Immortality

Recipes For Immortality Cover

Book: Recipes For Immortality by Richard Weiss

Despite the global spread of Western medical practice, traditional doctors still thrive in the modern world. In Recipes for Immortality, Richard Weiss illuminates their continued success by examining the ways in which siddha medical practitioners in Tamil South India win the trust and patronage of patients. While biomedicine might alleviate a patient's physical distress, siddha doctors offer their clientele much more: affiliation to a timeless and pure community, the fantasy of a Tamil utopia, and even the prospect of immortality. They speak of a golden age of Tamil civilization and of traditional medicine, drawing on broader revivalist formulations of a pure and ancient Tamil community. Weiss analyzes the success of siddha doctors, focusing on how they have successfully garnered authority and credibility. While shedding light on their lives, vocations, and aspirations, Weiss also documents the challenges that siddha doctors face in the modern world, both from a biomedical system that claims universal efficacy, and also from the rival traditional medicine, ayurveda, which is promoted as the national medicine of an autonomous Indian state. Drawing on ethnographic data; premodern Tamil texts on medicine, alchemy, and yoga; government archival resources; college textbooks; and popular literature on siddha medicine and on the siddhar yogis, he presents an in-depth study of this traditional system of knowledge, which serves the medical needs of millions of Indians. Weiss concludes with a look at traditional medicine at large, and demonstrates that siddha doctors, despite resent trends toward globalization and biomedicine, reflect the wider political and religious dimensions of medical discourse in our modern world. Recipes for Immortality proves that medical authority is based not only on physical effectiveness, but also on imaginative processes that relate to personal and social identities, conceptions of history, secrecy, loss, and utopian

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Alchemical Poetry Calcination

Alchemical Poetry Calcination Cover Sewn unto Lucifer's flames, Usually reduced in crucibles And calcined into dust, A trophy To hereditary exile: Sulfuric and corrosive, Red and lachrymal, Calcinated under pressure And tribulations; To hereditary excess: Burning and surrendering everything Over flames. Through hellish emanations, Secreting power inside Negative energy. Intending to sacrifice For angels that have Eaten Righteousness, I have sacrificed These heavenly entities, Scorched underneath Nothingness. by Stuart Franklin

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The Book Concerning The Tincture Of The Philosophers

The Book Concerning The Tincture Of The Philosophers Cover

Book: The Book Concerning The Tincture Of The Philosophers by Paracelsus

The Book Concerning The Tincture Of The Philosophers by Paracelsus WRITTEN AGAINST THOSE SOPHISTS BORN SINCE THE DELUGE, IN THE AGE OF OUR Lord JESUS CHRIST, THE SON OF GOD; By PH. THEOPHRASTUS BOMBAST, of HOHENHEIM, Philosopher of the Monarchia, Prince of Spagyrists, Chief Astronomer, Surpassing Physician, and Trismegistus of Mechanical Arcana. SINCE you, O Sophist, everywhere abuse me with such fatuous and mendacious words, on the ground that being sprung from rude Helvetia I can understand and know nothing: and also because being a duly qualified physician I still wander from one district to another; therefore I have proposed by means of this treatise to disclose to the ignorant and inexperienced: what good arts existed in the first age; what my art avails against you and yours against me; what should be thought of each, and how my posterity in this age of grace will imitate me. Look at Hermes, Archelaus, and others in the first age: see what Spagyrists and what Philosophers then existed. By this they testify that their enemies, who are your patrons, O Sophist, at the present time are but mere empty forms and idols. Although this would not be attested by those who are falsely considered your authentic fathers and saints, yet the ancient Emerald Table shews more art and experience in Philosophy, Alchemy, Magic, and the like, than could ever be taught by you and your crowd of followers. If you do not yet understand, from the aforesaid facts, what and how great treasures these are, tell me why no prince or king was ever able to subdue the Egyptians. Then tell me why the Emperor Diocletian ordered all the Spagyric books to be burnt (so far as he could lay his hands upon them). Unless the contents of those books had been known, they would have been obliged to bear still his intolerable yoke, - a yoke, O Sophist, which shall one day be put upon the neck of yourself and your colleagues.

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Medieval Medical Manuscripts In The Harleian Collection P3

Medieval Medical Manuscripts In The Harleian Collection P3 Cover Harley 2372, THE MYROUR OF RECLUSES WITH ADDED MEDICAL RECIPE; mid 15th cent. Middle English. Harley 2374, MEDICAL MISCELLANY; 15th cent. Latin and Middle English. Harley 2375, COMPILATION OF MEDICAL AND ASTROLOGICAL Texts AND RECIPES; 15th cent. Latin and Middle English. Harley 2378, COMPOSITE MISCELLANY OF MEDICAL, CULINARY AND ALCHEMICAL TEXTS AND RECIPES; late 14th-15th cent. Latin, Middle English and Anglo-Norman. Harley 2380, MEDICAL RECIPES AND CHARMS; 15th cent. Middle English and Latin. Harley 2381, COMPENDIUM OF MEDICAL RECIPES; mid 15th cent. Middle English and Latin. Harley 2389, A COMMONPLACE BOOK INCLUDING MEDICAL, CULINARY, ARBORICULTURAL AND FISHING RECIPES, CHARMS AND INSTRUCTIONS; 16th cent. Middle English. Harley 2390, MEDICAL COMPENDIUM; 15th cent. Latin and Middle English. Harley 2398, COLLECTION OF DEVOTIONAL TREATISES AND SERMONS; late 14th cent. Middle English. Harley 2399, COMPOSITE MISCELLANY RELATING TO PHILOSOPHY, THEOLOGY, MEDICINE AND POETRY; late 12th-early 17th cent. Latin and Middle English. Harley 2488, VALERIUS MAXIMUS, MEMORABILIA, AND TEXTS RELATING TO MEDICINE AND ROMANCES; early 15th cent. Latin. Harley 2558, THOMAS FAYREFORD'S MEDICAL MISCELLANY AND COMMONPLACE BOOKS; 13th-15th cent. Latin, Middle English and Anglo-Norman. Harley 2579, HUMANISTIC MISCELLANY INCLUDING MACER FLORIDUS, DE VIRIBUS HERBARUM, AND CATO, DE RE RUSTICA; mid 15th cent. Latin. Harley 2651, MACER FLORIDUS (ODO OF MEUNG), DE VIRIBUS HERBARUM; 1448. Latin. Harley 2660, ST. ISIDORE OF SEVILLE, 'ETYMOLOGIAE' and 'DE NATURA RERUM'; 1136. Latin. Harley 2686 ST. ISIDORE OF SEVILLE, 'ETYMOLOGIAE'; 9th cent. Latin. Harley 3035, ST. ISIDORE OF SEVILLE, 'ETYMOLOGIAE' and 'DE NATURA RERUM'; 1496. Latin. Harley 3059, THEOLOGICAL MISCELLANY INCLUDING WORKS BY ST ANSELM OF CANTERBURY AND ST BERNARD AND A TREATISE ON THE PLAGUE; 14th cent. Latin. Harley 3091, COMPUTATIONAL AND THEOLOGICAL TEXTS MAINLY BY BEDE AND PAOLINUS OF AQUILEIA , WITH THE ADDITION OF MEDICAL RECIPES; 9th cent., 2nd half, with 10th cent. additions. Latin. Harley 3093, COLLECTION OF LATE ANTIQUE TEXTS IN VERSE; late 11th-early 12th cent. Latin. Harley 3099, ST. ISIDORE OF SEVILLE, 'ETYMOLOGIAE' and 'DE NATURA RERUM'; mid 12th cent. Latin. Harley 3140, ARS MEDICINE; circa 1300. Latin. Harley 3247, MISCELLANY RELATING TO THEOLOGY, CANON LAW AND MEDICINE; 13th cent. Latin. Harley 3334, ROLANDUS CAPELLUTUS PARMENSIS, DE CHIRURGIA; 14th cent. Latin. Harley 3353, COMPOSITE MISCELLANY RELATING TO MEDICINE, ALCHEMY AND MATHEMATICS; late 13th-14th cent. Latin and Old French. Harley 3371, COLLECTION OF MEDICAL TEXTS AND RECIPES, INCLUDING WORKS BY JOHN OF ARDERNE; late 15th-early 16th cent. Latin and Middle English. Harley 3372, MEDICAL MISCELLANY; mid 15th cent. Latin. Harley 3383, COLLECTION OF MEDICAL TEXTS AND RECIPES; late 15th cent. Middle English and Latin. Harley 3388, COMPOSITE MEDICAL MISCELLANY; 15th cent., 1st half. Latin and Middle English. Harley 3407, COLLECTION OF MEDICAL TEXTS AND RECIPIES; late 12th cent. - 15th cent. Latin, Middle English and French. Harley 3527, FRANCESCO RINUCCIO ARETINO, TRANSLATION OF A COLLECTION OF Greek LETTERS; mid 15th cent. Latin. Harley 3542, COLLECTION OF ALCHEMICAL AND MEDICAL TREATISES AND RECIPES; 15th cent. Latin and Middle English. Harley 3594, COLLECTION OF MEDICAL TEXTS AND NOTES; late 15th - early 16th cent. Latin. Harley 3665, COMPENDIUM OF MEDICAL TEXTS; late 15th cent. Latin. Harley 3698, BERNARDUS DE GORDONIO, PRACTICA DICTA LILIUM MEDICINE; 14th cent., first half. Latin. Harley 3703, ALCHEMICAL MISCELLANY WITH ADDITIONAL TEXTS RELATING TO PHLEBOTOMY AND OTHER MEDICAL MATTERS; 15th cent., 2nd half. Latin. Harley 3706, REGIMEN SANITATIS SALERNITANUM WITH COMMENTARY; 15th cent. Latin. Harley 3719, COLLECTION OF ASTRONOMICAL, CALENDRICAL, MEDICAL, AND PHILOSOPHICAL TEXTS; 14th-15th cent. Latin and Middle English. Harley 3744, AVICENNA, CANON MEDICINE, BOOKS I, II, V, AND IV; 14th cent., 1st half. Latin translation.

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Saint Thomas Aquinas Writings

Saint Thomas Aquinas Writings Cover The writings of Thomas may be classified as, (1) exegetical, homiletical, and liturgical; (2) dogmatic, apologetic, and ethical; and (3) philosophical. Among the genuine works of the first class were: Commentaries on Job (1261-65); on Psalms, according to some a reportatum, or report of oral deliverances furnished by his companion Raynaldus; on Isaiah; the Catena aurea, which is a running commentary on the four Gospels, constructed on numerous citations from the Fathers; probably a Commentary on Canticles, and on Jeremiah; and wholly or partly reportata, on John, on Matthew, and on the epistles of Paul, including, according to one authority, Hebrews i.-x. Thomas prepared for Urban IV., Officium de corpore Christi (1264); and the following works may be either genuine or reportata: Expositio angelicce salutationis; Tractatus de decem praeceptis; Orationis dominico expositio; Sermones pro dominicis diebus et pro sanctorum solemnitatibus; Sermones de angelis, and Sermones de quadragesima. Of his sermons only manipulated copies are extant. In the second division were: In quatitor sententiarum libros, of his first Paris sojourn; Questiones disputatce, written at Paris and Rome; Questiones quodlibetales duodecini; Summa catholicce fidei contra gentiles (1261-C,4); and the Summa theologioe. To the dogmatic works belong also certain commentaries, as follows: Expositio in librum beati Dionysii de divinis nominibits; Expositiones primoe et secundce; In Boethii libros de hebdomadibus; and Proeclare quoestiones super librum Boethii de trinitate. A large number of opuscitla also belonged to this group. Of philosophical writings there are cataloged thirteen commentaries on Aristotle, besides numerous philosophical opuscula of which fourteen are classed as genuine. SUMMA PART I: GOD. The greatest work of Thomas was the Summa and it is the fullest presentation of his views. He worked on it from the time of Clement IV. (after 1265) until the end of his life. When he died he had reached question ninety of part iii., on the subject of penance. What was lacking, was afterward added from the fourth book of his commentary on the "Sentences" of Peter Lombard as a supplementum, which is not found in manuscripts of the thirteenth and fourteenth centuries. The Summa consists of three parts. Part i. treats of God, who is the " first cause, himself uncaused " (primum movens immobile) and as such existent only in act (actu), that is pure actuality without potentiality and, therefore, without corporeality. His essence is actus purus et perfectus. This follows from the fivefold proof for the existence of God; namely, there must be a first mover, unmoved, a first cause in the chain of causes, an absolutely necessary being, an absolutely perfect being, and a rational designer. In this connection the thoughts of the unity, infinity, unchangeableness, and goodness of the highest being are deduced. The spiritual being of God is further defined as thinking and willing. His knowledge is absolutely perfect since he knows himself and all things as appointed by him. Since every knowing being strives after the thing known as end, will is implied in knowing. Inasmuch as God knows himself as the perfect good, he wills himself as end. But in that everything is willed by God, everything is brought by the divine will to himself in the relation of means to end. Therein God wills good to every being which exists, that is he loves it; and, therefore, love is the fundamental relation of God to the world. If the divine love be thought of simply as act of will, it exists for every creature in like measure: but if the good assured by love to the individual be thought of, it exists for different beings in various degrees. In so far as the loving God gives to every being what it needs in relation practical reason," affording the idea of the moral law of nature, so important in medieval ethics. SUMMA PART II.: ETHICS. The first part of the Summa is summed up in the thought that God governs the world as the universal first cause. God sways the intellect in that he gives the power to know aid impresses the species intelligibiles on the mind, and he ways the will in that he holds the good before it as aim, and creates the virtus volendi. To will is nothing else than a certain inclination toward the object of the volition which is the universal good. God works all in all, but so that things also themselves exert their proper efficiency. Here the Areopagitic ideas of the graduated effects of created things play their part in Thomas's thought. The second part of the Summa (two parts, prima secundae and secundae, secunda) follows this complex of ideas. Its theme is man's striving after the highest end, which is the blessedness of the visio beata. Here Thomas develops his system of ethics, which has its root in Aristotle. In a chain of acts of will man strives for the highest end. They are free acts in so far as man has in himself the knowledge of their end and therein the principle of action. In that the will wills the end, it wills also the appropriate means, chooses freely and completes the consensus. THE SUMMA PART III: CHRIST. The way which leads to God is Christ: and Christ is the theme of part iii. It can not be asserted that the incarnation was absolutely necessary, "since God in his omnipotent power could have repaired human nature in many other ways": but it was the most suitable way both for the purpose of instruction and of satisfaction. The Unio between the Logos and the human nature is a " relation " between the divine and the human nature which comes about by both natures being brought together in the one person of the Logos. An incarnation can be spoken of only in the sense that the human nature began to be in the eternal hypostasis of the divine nature. So Christ is unum since his human nature lacks the hypostasis. The person of the Logos, accordingly, has assumed the impersonal human nature, and in such way that the assumption of the soul became the means for the assumption of the body. This union with the human soul is the gratia unionis which leads to the impartation of the gratia habitualis from the Logos to the human nature. Thereby all human potentialities are made perfect in Jesus. Besides the perfections given by the vision of God, which Jesus enjoyed from the beginning, he receives all others by the gratia habitualis. In so far, however, as it is the limited human nature which receives these perfections, they are finite.

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Portrait Of The Alchemist

Portrait Of The Alchemist Cover Just as Revelation strikes the priest, so the divine mystery overwhelms the alchemist and shapes his way of life. His opus is not so much determined by technical knowledge and manual skill but, rather, by its true goal, redemption. His soul is to be saved. He has to strive for detachment from matter, for liberation from his passions, and for suppression of his body. He is spiritual man, alone, in search of himself, on a silent quest for God. THE LANGUAGE OF ALCHEMY. Alchemy, like every other movement in the history of civilization, found its own forms of expression. Their pseudoscientific orientation imparted to the Alchemical writings the stamp of mystery, and by displaying the “jargon of mysteries” (Festugiere, 1950, p. 82) these texts produced the effect of liturgy and secured a screen against the profane.

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Emblema Xxi Of Michael Maier 1618 Atalanta Fugiens

Emblema Xxi Of Michael Maier 1618 Atalanta Fugiens Cover Emblema XXI of Michael Maier’s 1618 Atalanta fugiens. ‘Here followeth the Figure conteyning all the secrets of the Treatise both great & small’. “Above, the alchemist performs the squaring the circle [see earlier post], thereby turning the two sexes into one. The motto repeats a saying of the ‘Rosarium’: ‘Make a circle out of a man and woman, derive from it a square, and from the square a triangle: make a circle and you will have the philosopher’s stone.’ As informed by the text, the triangle denotes the unity of body, soul and spirit. Of this operation Petrus Bonus says: ‘In this conjunction of resurrection, the body becomes wholly spiritual, like the soul herself, and they are made one as water is mixed with water, and henceforth they are not separated for ever, since there is no diversity in them, but unity and identity of all three, that is, spirit, soul and body, without separation for ever’” (p198).

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Benu Bird Egyptian Legend The Creation Myth Of Heliopolis

Benu Bird Egyptian Legend The Creation Myth Of Heliopolis Cover One of the creation myths of Heliopolis tells of the Benu Bird. IT gives an account of the first dawn and a heron skimming over the waters of the Nun until it comes to rest on a rock. As it did so, it opened its beak and a cry echoed over the water of the Nun. The world was filled with ‘that which it had not known’; the cry of the Benu Bird ‘determined what is and is not to be’. Thus, the Benu Bird, as an aspect of Atum, brought life and light to the world. The Benu Bird was said to have created itself from a fire which burned at the top of the sacred persea tree in Heliopolis and it rested on the Benben Stone, a pillar topped by a pyramid shaped stone (an obelisk), which became the most sacred fetish worshipped in the city. On the Metternich Stele, Isis says to her son, Horus: ‘Thou are the Great Benu who was born on the incense tree in the House of the Great Prince of Heliopolis”. The capstones of the pyramids and the pyramids themselves were thought to be a representation of the Benben Stone and the Kings buried beneath were under the direct protection of the Sun God. The Benu’s cry had begun the cycle of time, which the Egyptians believed to be divinely appointed. Divided as such: the twenty four hour day with twelve hours for both daytime and nighttimes, the ten days that comprised the Egyptian week, the thirty day month, the year of twelve months (365 days) and periods of 1460 years in which the civil and astronomical calendars diverged and then coincided again. The Temple of the Benu Bird at Heliopolis was primarily concerned with the regulation of the calendar and the Benu Bird itself became the deity concerned with the division of time.

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