Showing posts with label magic library. Show all posts
Showing posts with label magic library. Show all posts

Course Of Alchemy

Course Of Alchemy Cover

Book: Course Of Alchemy by Jose Luis Ramos

Dear student of Alchemy. The fact that you receive this unit it implies that you have assimilated the teachings of the previous one and overcome with success the test of corresponding evaluation. For it, I allow me to talk to you with the trust and the opening own among siblings of the sacred order of the Alchemy. Although you have not received the Initiation that, in an indelible way, it transforms you into a Philosopher by the Fire, when having discovered the Initial Matter (true key to accede to the Work), have you learned the philosophical principles that govern our Road and have you manifested your determination of continuing, you have reached a knowledge that it have been denied along the times to many investigators and erudites. On the other hand, Internet is, at the present time, the translation of the old medieval zoco, where there is of everything (good and bad) and anyone can enter and to expose its " goods ". The page of GAP is one more among so many others which it mix the Alchemy with the Magic, the Astrology and all type of esoterisms (there are serious pages, but they are few...) and the possible visitors don't have trial elements to be able to appreciate the seriousness of our offer. Also, the net is full with places " free " and all that you gets paid, still that it is moderate, it always sounds to suspect... For everything it, we reiterate our congratulation to you and we wish you a fortunate Road whose unavoidable difficulties have begun to overcome.

Buy Jose Luis Ramos's book: Course Of Alchemy

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Black Powder Or Blackpowder Or Gunpowder

Black Powder Or Blackpowder Or Gunpowder Cover What is the composition of black powder ? The French call it either poudre a canon (gunpowder) or poudre noire (blackpowder). The loose powder was called serpentine. The name black powder is of relatively recent origin, as it appeared only after other explosives were devised which lacked the black luster of free carbon. Obviously, the stuff wasn't called gunpowder before the gun was invented, around 1313. The invention of the gun is often credited to brother Berthold Schwarz (Schwartz), a Franciscan friar from Freiburg with a bogus last name ("Black" in German) indicating his interest in alchemy, the black art; the real name of "Black Bert" was most probably Constantine Anelzin. He "invented" gunpowder only in the sense that he found a new use for old serpentine and thus made the new name meaningful. Black powder was the first explosive ever devised, and it remained the only one for centuries. It is composed of the following three solid ingredients: * Saltpeter: KNO3 niter (or, more rarely, NaNO3 Chilean nitrate). * Sulphur: S. ["sulfur" and "sulphur" are equally acceptable spellings] * Carbon: C. Often in the impure form of charcoal from wood (willow). However, simply mixing the ingredients produces only inferior meal powder... To obtain what's now considered proper black powder, the ingedients must be "incorporated" in a damp state. This allows the application of great pressure to form a dense cake, ultimately broken down into dry grains. This process is called corning, and it was first introduced in France in 1429. Early forms of blackpowder may have existed in China around AD 700, using crude recipes calling for equal weights of the three components... Such mixtures would only burn violently without exploding... Also, explosion cannot occur if raw saltpeter is used, and the refining of saltpeter is not mentioned before 1240 in a book on military technology by the Syrian scholar Hassan Al-Rammah, entitled al-furusiyya wa al-manasib al-harbiyya. The first Chinese author to describe an explosive formula was apparently Huo Lung Ching, in 1412. In a six-page tract entitled Liber Ignium ("Book of Fires"), Marcus Graecus [an otherwise unknown author, possibly a fictitious one] describes 35 incendiary recipes, including a formula which was once standard for English blackpowder: [...] 1 lb of native sulfur, 2 lb of linden or willow charcoal, 6 lb of saltpeter, which three things are very finely powdered on a marble slab. The latin version of this pamphlet did not appear before 1280 or 1300 and may have originated around that time, although the claim has been made that it was an expanded translation by Spaniards of a more ancient Arabic text (dated AD 848) and/or a Greek version that did not include the last four formulas... Roger Bacon (c.1214-1292) investigated black powder before 1249, when he devised the recipe he communicated in 1268: 40% more saltpeter than either sulphur or carbon (7:5:5 formula by weight). However, the first unmistakable blackpowder explosive composition is the "German formula" (4:1:1) proposed by Albertus Magnus (c.1200-1280). The English standard formula around 1350 called for less sulphur and more charcoal (6:1:2). The most commonly quoted modern gunpowder composition seems to date from around 1800 and calls for 75% saltpeter (niter) oxidizer, with 10% sulfur (S) and 15% charcoal (C). The potassium sulphide solid residue forms a thick white smoke, capable of obscuring entire battlefields. Newer propellants leave little or no such residue when properly exploded. They are thus collectively known as smokeless powders. The simplest idea for a smokeless dark powder is called ammonpulver (AP) and involves ammonium nitrate (AN) with 10% to 20% charcoal, although the stoichiometry of the following reactions translates into only 7% to 13% carbon, by weight: 2 NH4NO3 + C-CO2 + 4 H2O + 2 N2 + 629.6 kJ (874.4 cal/g) NH4NO3 + C-CO + 2 H2O + N2 + 228.6 kJ (593.5 cal/g) Other smokeless powders of historical interest include the following propellants: * Guncotton, or nitrocellulose (also known as pyropowder, pyrocellulose, trinitrocellulose and cellulose nitrate) invented in 1845 by the Swiss chemist Christian Schonbein (1799-1869). * Poudre B (flakes of nitrocellulose gelatinized with ether and alcohol) invented in 1884 by Paul Vieille (1854-1934) for the 1886 Lebel rifle. * Ballistite (nitrocellulose and nitroglycerin, with diphenylamine stabilizer) invented by the Swedish industrialist Alfred Nobel (1833-1896) in 1887. Sir James Dewar (1842-1923) * Cordite N (nitroguanidine, nitrocellulose, and nitroglycerin) invented by Frederick Augustus Abel and James Dewar in 1889. Sulfurless powder (12.93% carbon) would yield 772.6 cal/g, with 60% smoke: 4 KNO3 + 5 C-2 K2CO3 + 3 CO2 + 2 N2 + 1501.4 kJ It takes 92.9 g of this mix to release a mole of gas, whereas only 67.6 g of black powder would suffice (as sulfur prevents the wasteful production of carbonate).

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Alchemical Poetry Alchemy By Sara Teasdale

Alchemical Poetry Alchemy By Sara Teasdale Cover I lift my heart as spring lifts up A yellow daisy to the rain; My heart will be a lovely cup Altho' it holds but pain. For I shall learn from flower and leaf That color every drop they hold, To change the lifeless wine of grief To living gold.

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Israel Regardie And The Philosophers Stone The Alchemical Arts Brought Down To Earth

Israel Regardie And The Philosophers Stone The Alchemical Arts Brought Down To Earth Cover

Book: Israel Regardie And The Philosophers Stone The Alchemical Arts Brought Down To Earth by Joseph Lisiewski

In this book, Dr. Lisiewski delves into the hitherto unknown role Israel Regardie played in the world of Practical Laboratory Alchemy: not the world of idle speculation and so-called inner alchemy, but the realm of the test tube and the Soxhlet Extractor. Revealed for the first time are Regardie's own private alchemical experiments, his intense interaction with Frater Albertus of the Paracelsus Research Society, and later, with the author himself. All is laid plain, taken from Dr. Lisiewski's extensive personal notes and recollections of his lengthy association with both men. Learn of the first meeting between Regardie and Frater Albertus; their involvement with the Rosicrucian Order and years of struggle in Alchemy; and alchemical work they and the author explored. Such work includes preparation of the Ancient Planetary and Antimony Tinctures; the Herbal Stone; as well as the darkly fantastic processes of miniature animals and the Homunculus. With an extensive Introduction by Mark Stavish, well-known author and Director of the Institute for Hermetic Studies, this book is destined to become the definitive work on Israel Regardie and his virtually unknown role in the practice of the Secret Art and Science that is Laboratory Alchemy, while revealing processes in the practical application of this occult work that has never appeared in print before! What an amazing book! In fact, it is truly unique in both its storyline and practical comprehensiveness. I had a hard time putting this one down once I had started reading it. Personally, I feel that for the occult reader, the price is an absolute steal as I would have easily paid double that and then some. This is truly an account of history intermeshed with practical alchemy (not the armchair alchemy that most waste their time pursuing). What I find most fascinating is not only the breadth of knowledge contained in the book (and within Lisiewski himself in many different areas of the occult), but also the way in which Regardie and Albertus are represented. It is human nature to place occult legends such as these on a glorious pedestal to be praised by all future generations of seekers. However, I have always respected Lisiewski's penchant for telling it like it is. He, in effect, represents them for what they truly are: Human Beings (nothing more, nothing less). Furthermore, he lifts the veil on exactly what true alchemy is all about. It is not simply for the purposes of turning lead into gold, as is so often stated by the mainstream. The fundamental basis is the spiritual unfoldment of the individual. In fact, this is absolutely necessary to achieve the alchemical results being sought in the material world. In the end, the intense, painstaking work that is inherent in the practice of alchemy leads one to something deeper. Hopefully, by reading this book one will begin to get a sense of exactly what this 'something deeper' truly is...

Buy Joseph Lisiewski's book: Israel Regardie And The Philosophers Stone The Alchemical Arts Brought Down To Earth

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India Ink Or Chinese Ink

India Ink Or Chinese Ink Cover As early as 2500 BC, writing inks were carbon inks consisting of fine grains of carbon black [from soot] suspended in a liquid. The Latin name for this was atramentum librarium and it's now called India ink or Chinese ink. On the famous Dead Sea Scrolls of Qumran (from the third century BC to AD 68), a red version of this ink is found which uses cinnabar (HgS) instead of carbon. The idea is simple: When the liquid dries out, the solid pigment (C or HgS) remains which leaves a permanent trace. Such inks are best used on semi-absorbent stuff, like paper or papyrus (not parchment). The problem was to keep the grains in suspension long enough to apply the ink. In plain water, fine grains of carbon black would aggregate under the action of Van der Waals forces and form flakes large enough to fall quickly to the bottom of the container. This flocculation process can be prevented with an hydrophilic additive which minimizes Van der Waals interactions between the grains by coating them (as was properly explained only in the 1980s). Early ink recipes may thus have called for various plant juices instead of plain water. It turns out that gum arabic acts this way to stabilize India ink into a colloidal suspension for days or weeks... This wonderful invention is at least 4500 years old. Traditional Chinese ink is not bottled. Instead, ink is produced as needed by grinding an inkstick on an inkstone after adding a little water (the inkstone also acts as an inkwell). Chinese ink-sticks consist of a pigment (usually soot from pine, oil or lacquer) and a soluble resin which holds the dry stick together and plays a critical part in the colloidal ink suspension produced by wet grinding.

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Legality Of Alchemy

Legality Of Alchemy Cover Many types of alchemy are widely traded and trafficked throughout Dremlin. This is especially true of curative and protective alchemies such as Cure Wounds and Resist Toxin, which are often cheaper to produce and more readily available than magic potions, though specialized military units might also find certain kinds of contact gels or gas globes highly useful. There are, however, many types of alchemy which are either strictly controlled substances or else are banned altogether in certain realms. In Baron Gregorin's Lands, for instance, Poison, mind-affecting alchemies such as Charm and Euphoria, and explosive alchemies such as Oil of Impact, are illegal to own, create, or traffick without a permit. Alchemists would do well to familiarize themselves with local laws when travelling to ensure the legality of any wares they may have on them.

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Michal Sedziwoj Biography

Michal Sedziwoj Biography Cover Michal Sedziwoj a Polish alchemist, philosopher, medical doctor. A pioneer of chemistry, he developed ways of purification and creation of various acids, metals and other chemical compounds. He discovered that air is not a single substance and contains a life-giving substance - later called oxygen - 170 years before Scheele and Priestley. He correctly identified this 'food of life' with the gas (also oxygen) given off by heating nitre (saltpetre). This substance, the 'central nitre', had a central position in Sendivogius' schema of the universe. A pioneer of chemistry, he also developed methods for isolating and purifying various acids, metals and other chemical compounds. In the 1590s Sendivogius was active in Prague, at the famously open-minded court of Rudolf II. In Poland he appeared at the court of King Sigismund III Vasa around 1600, and quickly achieved notoriety, as the Polish king was himself an alchemy enthusiast and even conducted experiments with Sedziwoj. In Krakow's Wawel castle, the chamber where his experiments were performed is still intact. The more conservative Polish nobles soon came to dislike him for encouraging the king to expend vast sums of money on chemical experimentation. The more practical aspects of his work in Poland involved the design of mines and metal foundries. His widespread international contacts led to him being employed as a diplomat from about 1600. His works and books, the most famous of which was 'A New Light of Alchemy' (Latin original published in 1605), were written in alchemical language, in effect a secret code which was understandable only by other alchemists. Besides a relatively clear exposition of Sendivogius's theory on the existence of a 'food of life' in air (ie Oxygen), his books contain various scientific, pseudo-scientific and philosophical theories, and were repeatedly translated and widely read among such worthies as Isaac Newton into the 18th century. In his later years, Sedziwoj spent more time in Bohemia and Moravia (now in the Czech Republic), where he had been granted lands by the Habsburg emperor. Near the end of his life, Sedziwoj settled in Prague, on court of Rudolf II, where he gained even more fame as a designer of metal mines and foundries. However the Thirty Years' War of 1618-48 had effectively ended the golden age of alchemy: the rich patrons now spent their money on financing war rather than chemical speculation, and Sendivogius died in relative obscurity.

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Count Cagliostro Biography

Count Cagliostro Biography Cover Count Alessandro di Cagliostro (June 2, 1743 ­ August 26, 1795) was a traveller, occultist and Freemason. "Cagliostro" is widely held to have been an alias for the charlatan Giuseppe Balsamo, born to a poor family in Palermo, Sicily. Balsamo was a petty criminal who, in his most famous crime, claimed aptitude in alchemy to swindle a man out of his gold. The identification of Cagliostro with Giuseppe is not certain, however, being based mainly upon the untrustworthy testimony of the French spy and blackmailer Theveneau de Morande, and later upon his confession to the Inquisition, obtained through torture. Cagliostro himself claimed to have been born of Christians of noble birth, but abandoned as an orphan upon the island of Malta. He claimed to have travelled as a child to Medina, Mecca, and Cairo, and upon return to Malta to have been initiated into the Sovereign Military Order of the Knights of Malta, with whom he studied alchemy, the Kabbalah and magic. He founded the Egyptian rite of Freemasonry in The Hague, which initiated men and women in separate lodges and had an influence on the foundation of the masonic rite of Misraim. Life and travels What is known about Cagliostro is that he became well-known in Naples and later Rome, where he met and married his wife Lorenza Feliciani. They traveled together to London, where he was initiated into Freemasonry, possibly by the Comte de Saint-Germain. He adopted as his secret sign the symbol of Ouroboros; the snake that bites its own tail. He soon founded the Egyptian Rite of Freemasonry in The Hague, which initiated men and women in separate lodges and had an influence on the foundation of the masonic Rite of Misraim. He traveled throughout Russia, Germany, and later France, spreading the influence of the Egyptian Rite and also claiming to be a magnetic healer of great power. His fame grew to the point that he was even recommended as a physician to Benjamin Franklin during a stay in Paris. He was an extraordinary forger. In his autobiography, Giacomo Casanova narrates an encounter with Cagliostro who was able to forge a letter of Casanova despite being unable to understand it. Occult historian Lewis Spence comments in his entry on Cagliostro that the swindler put his finagled wealth to good use by starting and funding a chain of maternity hospitals and orphanages around the continent. Affair of the diamond necklace He was prosecuted in the affair of the diamond necklace which involved Louis XVI of France and Marie Antoinette, and was imprisoned in France for fraud. He was held in the Bastille for nine months, but finally acquitted, when no evidence could be found connecting him to the affair. Nonetheless, he was asked to leave France, and left for England. This was where he was accused by Theveneau de Morande of being Giuseppe Balsamo, which he refuted in his Open letter to the English People, forcing a retraction and apology from Morande. Betrayal and Imprisonment Cagliostro left England to visit Rome, where he met two people who asked him to initiate them into the Egyptian Rite. However, they proved to be spies of the Inquisition. Some accounts hold that his wife was the one who initially betrayed him to the Inquisition. On December 27, 1789, he was arrested and imprisoned in the Castel Sant'Angelo. Soon afterwards he was sentenced to death on the charge of being a Mason. The Pope changed his sentence, however, to life imprisonment in the Castel Sant'Angelo. After attempting to escape he was relocated to the Fortress of San Leo. He died on August 26, 1795.

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Sympathy In Alchemy

Sympathy In Alchemy Cover The anthropomorphic perception of matter that assigned to the metal a human soul correlated with an occult system according to which the supposed affinity between substances expressed itself in a mutual attraction or rejection, that is, either “sympathy” or “antipathy.” Such a bond linked, in particular, our world “below” to the world “above,” the microcosm of man to the macrocosm of planetary divinities. The system of correspondences elaborated, for example, by the second-century astrologer Antiochus of Athens (Sheppard, Ambix 7, p. 46) embraced, in addition to “above” and “below,” also elements, metals, and colors. Already Maria Prophetissa (fl. early third century), also known as the “founding mother of alchemy,” heralded the principle of parallelism: “Just as man results [from the association] of liquids, of solids, and of spirit, so does copper.” Zosimos of Panopolis in Egypt (fl. c. 300), recognizing the identity between the behavior of matter and the events in his own (unconscious) psyche, condensed this complex insight into the formula “What is within is also without.”

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Alchemical Poetry An Alchemical Poem By Thomas Rawlin

Alchemical Poetry An Alchemical Poem By Thomas Rawlin Cover Transcribed from The British Library MS. Sloane 3643, at the end of 'A warning to the false Chymists or the Philosophical Alphabet by Thomas Rawlin' folios 14-55. This work was printed in Latin, Thomas Rawlin, Admonitio de Pseudochymicis, seu Alphabetarium Philosophicum in quo refutatur aurum potabile Antonii, 1611. All Things from One, and to One. In the Center Truth, in the Circumference Vanity. A Magicall ?nigma. The omnipotent God in the rotten Mass. (as it were in a Chaos) to be despised, To us Mortalls has left all things, Yet they in the nature of Things are but one. It is a Mass of Dust, a despicable Thing; A Fire, an Aquosity; a most amiable Fountain; It is neither a Stout Captain, nor invincible; When it is not drawn out of its Cradle. It is an old Man; it is an Infant; the Lord of all; It is the red Servant, contrary to the King; It is the green Lyon; something more sublime Than the King, or Subjects; but fugitive. It flys, and attracts; the Virgin obeyeth not, Unless the Father provoke her with Many Goads; Then she follows, and much demands A Husbands company, with whom she cohabits. She is covered and impregnated with the Embrace, A clear Water is evacuated out of her Heart With Blood, wherewith she is raised up Now dying as it were, and is recreated. Things bright and clear being so obtained The King and Queen being begot togeathere Being put presently in the Secret Prison, Feed them with heavenly Dew; not Watry things. Being Dead at length, the spirit flys away Washes and purifys the soul and the Body Then a more intense Fire allway perpetuats With a cold Fire; it volatilizes not. Now no Errour follows in the Work, Burn all with a very strong Fire, Bring out at length the Blood, the Soul After the White King: Then thrice imbibe. (The King being thus known) the Body is the Soul, And fixt, and permanent, although like Wax; The Colour is not an Accident; but a Substance Reigning in all, with the highest Glory. Glory to God alone, the three-one.

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Alchemical Poetry The Gold

Alchemical Poetry The Gold Cover Wilson's stave poorly saved for twenty years As it nears The sophistry and the mys'try of the gold I was told Was unjolly in its folly Every broom and every brolly Founded not the sophistry and the myst'ry of the gold Lovely gold Au contraire let me dare and say my vouch For some grouch In the lighting of his writing said to thee: "Alchemy Is not sorted nor aborted In those dialects distorted But the lighting of my writing says it be PURITY" So the dawning's ill-forewarnings one young day so to say Lit my cradle with some fable unbelieved As it weaved A spectre and reflector Of this primordial projector In my cradle making able image teethed Upon, heaved Then hologrammic monogrammic egg vessel Left nestle That it put at the foot of my bed For it fled Gave no utter nor a mutter But a hovered fly flutter And the graphic, oh the graphic, did I wrestle (With the vessel) When immersed yet unversed in such strange Did it change To a casket - no - a basket, holding flowers Pollumn showers Tried noses where roses Of white in red imposes Being sulphur (the engulfer) and merc'ry's change Roses arranged In myriad eyes mad and tranced Then glanced Vessel's sailing peacock tailing image flux One soon rucks The sheet from his feet To his mush quilt meets Scared and fraught the apport nigh advanced Hue enhanced Could my senses that intenses like the ignis Be the ignis? And the salt that exalts my chem'cal wedding Be my dredding? In vito of libido's Now-formed negredo Then at once that which blunts my guess distilled fuscous-killed Oh EUREKA! not one seeker saw the plight Of this sight 'Tis sophistry and the myst'ry of the gold Vivid, bold Discerning and turning To a sun-face burning Beguiling face smiling splendid gold Purest gold by Godo

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The Enochian Language Of Edward Kelley

The Enochian Language Of Edward Kelley Cover Kelley's "angels" sometimes communicated in a special "angelic" or Enochian language. Dee and Kelley claimed the language was given to them by angels. Some modern cryptographers argue that Kelley invented it. See for example the work by Donald Laycock. It is not clear whether Dee was a victim or an accomplice of this farce. Because of this precedent, and of a dubious connection between the Voynich Manuscript and john dee through Roger Bacon, Kelley has been suspected of having fabricated that book too, in order to swindle Rudolf. The angelic language was supposedly dictated by angels that Kelley claimed to see within a crystal ball. The angels were said to tap out letters on a complicated table, something like a crossword puzzle but with all the cells filled in. The first third were tapped out with each angelic word backwards; the following two thirds with each word forwards. Interestingly, there are no significant errors or discrepancies in word usage between the first and following parts. The English translations were not tapped out but, according to Kelley, appeared on little strips of paper coming out of the angels' mouths.The reasoning that Kelley fabricated the language is based upon the claim that the angelic is just a word-for-word substitution for English translation. This is not entirely the case, however, and there is tantalizing evidence of some other linguistic source. For example, the angelic word "telocvovim" is glossed as "he who has fallen" but it is actually a Germanic-like combination of two other angelic words: "teloch" (glossed as "death") and "vovin" (glossed as "dragon"). Thus "he who has fallen" would be literally translated as "death dragon", both rather obvious references to Lucifer. Interestingly, though, neither Kelley nor Dee appears to have noticed or remarked on this. Another argument against Kelley's fabrication of angelic is that the english translations are in a very different style of writing to that of Kelley's own work, exhibiting an eldrich quality that seems beyond Kelley's own modest ability as a writer. This raises the possibility that Kelley might have plagiarized the material from a different source. However, no similar material has ever surfaced. Dee considered the dictation of the angelic material as highly important for three reasons. First, Dee believed the angelic represented a documentable case of true "glossalia" thereby proving that Kelley was actually speaking with angels and not from his imagination. Second, the angels claimed that angelic was actually the original prototype of Hebrew and the language with which God spoke with Adam, and thus the first human language. Third, the angelic material takes the form of a set of conjurations that are supposed to summon an extremely powerful set of angelic beings who, he believed, would be able to reveal many secrets, especially the key to the philosopher's stone.

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The Three States Of Alchemy

The Three States Of Alchemy Cover Ingested alchemies are those substances that can be imbibed through the mouth, either in their pure form or prepared in some form of food or drink. In their pure form, they are a non-viscous liquid, with a single dose being enough to fill a standard-sized vial. Depending on the ingredients used in the ingestion, they may or may not have colour or odour. As an ingestion merely requires consumption, anyone can use one, regardless of their experience with alchemy or herbs. Common ingestions include Cure Wounds and Minor Strength. Contact Gel Contact gels take the form of an extremely viscous paste that sticks to surfaces and augment the objects they coat. They are most commonly used on weapons in order to augment their effectiveness in some way. Generally speaking, violently disrupting the area on which the gel is spread will render the gel useless. A person with knowledge of the herbal arts can apply a contact gel safely. Common contact gels include Liquid Light and Vorpals. Gas Globe Gas globes are the most destructive form of alchemical solution, and are probably the most difficult of the three states to engineer. The ingredients for the effect sit dormant inside a breakable chamber until they are prepared for use via the proper shaking motion. This activates the ingredients. Upon striking some surface, the chamber releases its contents in a gaseous cloud which inflicts its effects upon the target. Only one who is trained in the herbal arts as well as rudimentary weapons can throw a gas globe, although gas globes are often used in the creation of alchemical traps. Common gas globes include Nausea and Acid.

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Recipes For Immortality

Recipes For Immortality Cover

Book: Recipes For Immortality by Richard Weiss

Despite the global spread of Western medical practice, traditional doctors still thrive in the modern world. In Recipes for Immortality, Richard Weiss illuminates their continued success by examining the ways in which siddha medical practitioners in Tamil South India win the trust and patronage of patients. While biomedicine might alleviate a patient's physical distress, siddha doctors offer their clientele much more: affiliation to a timeless and pure community, the fantasy of a Tamil utopia, and even the prospect of immortality. They speak of a golden age of Tamil civilization and of traditional medicine, drawing on broader revivalist formulations of a pure and ancient Tamil community. Weiss analyzes the success of siddha doctors, focusing on how they have successfully garnered authority and credibility. While shedding light on their lives, vocations, and aspirations, Weiss also documents the challenges that siddha doctors face in the modern world, both from a biomedical system that claims universal efficacy, and also from the rival traditional medicine, ayurveda, which is promoted as the national medicine of an autonomous Indian state. Drawing on ethnographic data; premodern Tamil texts on medicine, alchemy, and yoga; government archival resources; college textbooks; and popular literature on siddha medicine and on the siddhar yogis, he presents an in-depth study of this traditional system of knowledge, which serves the medical needs of millions of Indians. Weiss concludes with a look at traditional medicine at large, and demonstrates that siddha doctors, despite resent trends toward globalization and biomedicine, reflect the wider political and religious dimensions of medical discourse in our modern world. Recipes for Immortality proves that medical authority is based not only on physical effectiveness, but also on imaginative processes that relate to personal and social identities, conceptions of history, secrecy, loss, and utopian

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The Book Concerning The Tincture Of The Philosophers

The Book Concerning The Tincture Of The Philosophers Cover

Book: The Book Concerning The Tincture Of The Philosophers by Paracelsus

The Book Concerning The Tincture Of The Philosophers by Paracelsus WRITTEN AGAINST THOSE SOPHISTS BORN SINCE THE DELUGE, IN THE AGE OF OUR Lord JESUS CHRIST, THE SON OF GOD; By PH. THEOPHRASTUS BOMBAST, of HOHENHEIM, Philosopher of the Monarchia, Prince of Spagyrists, Chief Astronomer, Surpassing Physician, and Trismegistus of Mechanical Arcana. SINCE you, O Sophist, everywhere abuse me with such fatuous and mendacious words, on the ground that being sprung from rude Helvetia I can understand and know nothing: and also because being a duly qualified physician I still wander from one district to another; therefore I have proposed by means of this treatise to disclose to the ignorant and inexperienced: what good arts existed in the first age; what my art avails against you and yours against me; what should be thought of each, and how my posterity in this age of grace will imitate me. Look at Hermes, Archelaus, and others in the first age: see what Spagyrists and what Philosophers then existed. By this they testify that their enemies, who are your patrons, O Sophist, at the present time are but mere empty forms and idols. Although this would not be attested by those who are falsely considered your authentic fathers and saints, yet the ancient Emerald Table shews more art and experience in Philosophy, Alchemy, Magic, and the like, than could ever be taught by you and your crowd of followers. If you do not yet understand, from the aforesaid facts, what and how great treasures these are, tell me why no prince or king was ever able to subdue the Egyptians. Then tell me why the Emperor Diocletian ordered all the Spagyric books to be burnt (so far as he could lay his hands upon them). Unless the contents of those books had been known, they would have been obliged to bear still his intolerable yoke, - a yoke, O Sophist, which shall one day be put upon the neck of yourself and your colleagues.

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Portrait Of The Alchemist

Portrait Of The Alchemist Cover Just as Revelation strikes the priest, so the divine mystery overwhelms the alchemist and shapes his way of life. His opus is not so much determined by technical knowledge and manual skill but, rather, by its true goal, redemption. His soul is to be saved. He has to strive for detachment from matter, for liberation from his passions, and for suppression of his body. He is spiritual man, alone, in search of himself, on a silent quest for God. THE LANGUAGE OF ALCHEMY. Alchemy, like every other movement in the history of civilization, found its own forms of expression. Their pseudoscientific orientation imparted to the Alchemical writings the stamp of mystery, and by displaying the “jargon of mysteries” (Festugiere, 1950, p. 82) these texts produced the effect of liturgy and secured a screen against the profane.

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Emblema Xxi Of Michael Maier 1618 Atalanta Fugiens

Emblema Xxi Of Michael Maier 1618 Atalanta Fugiens Cover Emblema XXI of Michael Maier’s 1618 Atalanta fugiens. ‘Here followeth the Figure conteyning all the secrets of the Treatise both great & small’. “Above, the alchemist performs the squaring the circle [see earlier post], thereby turning the two sexes into one. The motto repeats a saying of the ‘Rosarium’: ‘Make a circle out of a man and woman, derive from it a square, and from the square a triangle: make a circle and you will have the philosopher’s stone.’ As informed by the text, the triangle denotes the unity of body, soul and spirit. Of this operation Petrus Bonus says: ‘In this conjunction of resurrection, the body becomes wholly spiritual, like the soul herself, and they are made one as water is mixed with water, and henceforth they are not separated for ever, since there is no diversity in them, but unity and identity of all three, that is, spirit, soul and body, without separation for ever’” (p198).

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Tycho Brahe Biography

Tycho Brahe Biography Cover Tycho Brahe (December 14, 1546 ­ October 24, 1601), was a Danish (Scanian) nobleman astronomer as well as an astrologer and alchemist. He was granted an estate on the island of Hven and the funding to build the Uraniborg, an early research institute, where he built large astronomical instruments and took many careful measurements. As an astronomer, Tycho worked to combine what he saw as the geometrical benefits of the Copernican system with the philosophical benefits of the Ptolemaic system into his own model of the universe, the Tychonic system. From 1600 until his death in 1601, he was assisted by Johannes Kepler, who would later use Tycho's astronomical information to develop his own theories of astronomy. He is universally referred to as "Tycho" rather than by his surname "Brahe", as was common in Scandinavia. He is credited with the most accurate astronomical observations of his time, and the data were used by his assistant Kepler to derive the laws of planetary motion. No one before Tycho had attempted to make so many redundant observations, and the mathematical tools to take advantage of them had not yet been developed. He did what others before him were unable or unwilling to do - to catalogue the planets and stars with enough accuracy so as to determine whether the Ptolemaic or Copernican system was more valid in describing the heavens. On April 19, 1559, Tycho began his studies at the University of Copenhagen. There, following the wishes of his uncle, he studied law but also studied a variety of other subjects and became interested in astronomy. It was, however, the eclipse which occurred on August 21, 1560, particularly the fact that it had been predicted, that so impressed him that he began to make his own studies of astronomy helped by some of the professors. He purchased an ephemeris and books such as Sacrobosco's Tractatus de Sphaera, Apianus's Cosmographia seu descriptio totius orbis and Regiomontanus' De triangulis Omnimodis. Tycho realized that progress in the science of astronomy could be achieved not by occasional haphazard observations, but only by systematic and rigorous observation, night after night, and by using instruments of the highest accuracy obtainable. He was able to improve and enlarge the existing instruments, and construct entirely new ones. Tycho's naked eye measurements of planetary parallax were accurate to the arcminute. His sister, Sophia, assisted Tycho in many of his measurements. These jealously guarded measurements became the possessions of Kepler following his death. Tycho was the last major astronomer to work without the aid of a telescope, soon to be turned toward the sky by Galileo. While a student, Tycho lost part of his nose in a duel with rapiers with Manderup Parsbjerg, a fellow Danish nobleman. This occurred in the Christmas season of 1566, after a fair amount of drinking, while the just turned 20-year-old Tycho was studying at the University of Rostock in Germany. Attending a dance at a professor's house, he quarrelled with Parsbjerg. A subsequent duel (in the dark) resulted in Tycho losing the bridge of his nose. A consequence of this was that Tycho developed an interest in medicine and alchemy. For the rest of his life, he was said to have worn a replacement made of silver and gold blended into a flesh tone, and used an adhesive balm to keep it attached. In 1901, though, Tycho's tomb was reopened and his remains were examined by medical experts. The nasal opening of the skull was rimmed with green, a sign of exposure to copper, not silver or gold. Some historians have speculated that he wore a number of different prosthetics for different occasions, noting that a copper nose would have been more comfortable and less heavy than one of precious metals. Tycho was the preeminent observational astronomer of the pre-telescopic period, and his observations of stellar and planetary positions achieved unparalleled accuracy for their time. For example, Tycho measured Earth's axial tilt as 23 degrees and 31.5 minutes, which he claimed to be more accurate than Copernicus by 3.5 minutes. After his death, his records of the motion of the planet Mars enabled Kepler to discover the laws of planetary motion, which provided powerful support for the Copernican heliocentric theory of the solar system. Tycho himself was not a Copernican, but proposed a system in which the Sun orbited the Earth while the other planets orbited the Sun. His system provided a safe position for astronomers who were dissatisfied with older models but were reluctant to accept the Earth's motion. It gained a considerable following after 1616 when Rome decided officially that the heliocentric model was contrary to both philosophy and Scripture, and could be discussed only as a computational convenience that had no connection to fact. His system also offered a major innovation: while both the geocentric model and the heliocentric model as set forth by Copernicus relied on the idea of transparent rotating crystalline spheres to carry the planets in their orbits, Tycho eliminated the spheres entirely. He was aware that a star observed near the horizon appears with a greater altitude than the real one, due to atmospheric refraction, and he worked out tables for the correction of this source of error.To perform the huge number of products needed to produce much of his astronomical data, Tycho relied heavily on the then-new technique of prosthaphaeresis, an algorithm for approximating products based on trigonometric identities that predated logarithms. Like the fifteenth century astronomer Regiomontanus, Tycho Brahe appears to have accepted astrological prognostications on the principle that the heavenly bodies undoubtedly influenced (yet did not determine) terrestrial events, but expressed skepticism about the multiplicity of interpretative schemes, and increasingly preferred to work on establishing a sound mathematical astronomy. Two early tracts, one entitled Against Astrologers for Astrology, and one on a new method of dividing the sky into astrological houses, were never published and are unfortunately now lost. Tycho also worked in the area of weather prediction, produced astrological Interpretations of the supernova of 1572 and the comet of 1577, and furnished his patrons Frederick II and Rudolph II with nativities and other predictions (thereby strengthening the ties between patron and client by demonstrating value). An astrological worldview was fundamental to Tycho's entire philosophy of nature. His interest in alchemy, particularly the medical alchemy associated with Paracelsus, was almost as long-standing as his study of astrology and astronomy simultaneously, and Uraniborg was constructed as both observatory and laboratory.In an introductory oration to the course of lectures he gave in Copenhagen in 1574, Tycho defended astrology on the grounds of Correspondences between the heavenly bodies, terrestrial substances (metals, stones etc.) and bodily organs (medical astrology). He was later to emphasise the importance of studying alchemy and astrology Together With a pair of emblems bearing the mottos: Despiciendo suspicio ("By looking down I see upward") and Suspiciendo despicio ("By looking up I see downward"). As several scholars have now argued, Tycho's commitment to a relationship between macrocosm and microcosm even played a role in his rejection of Copernicanism and his construction of a third world-system.

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Alchemical Poetry From The Dark Skies From The Dark Moon

Alchemical Poetry From The Dark Skies From The Dark Moon Cover “Naked the Goddess mother lies in hell; naked. Ninazu’s mother lies exposed, the holy garment fallen from her shoulders, bare are the breasts of the mother, Ereshkigal.” – Cry of the Dead, from Gilgamesh “There is no death of anyone, save in appearance, just as there is no birth of any, save only in seeming.” – Apollonius of Tyana dog or sometimes cat assailed he claws at legs or clothes his horns & bells the end of moon of lotus seat the love of clouds & death-like sounds like wheels a sea of jewels all kinds of bones her noose & skull in red & feeding wolves her tears on beating wings all snaky-tressed & wordless / book of birds at dawn a falling dew from too dark skies & forests earth & dust the light (in beauty cheeks the forehead bright & high the neck like shell the heart at times eats stones & lastly thunder cuckoos flutes & bees the tree as food a house or road & coiled for certain worms or one she blinks & rips & hooked in hair her fingers rent the bloody head her face & breasts she shrieks & swathed in glitter tries to crawl his corpse-light eyes & lower (dead) she cries the skins of beasts & set but made not known the day she lost or hides as dark or maybe emptied / missed with dread

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Interpretation Of Azoth Of The Philosophers

Interpretation Of Azoth Of The Philosophers Cover This meditative emblem first published in 1659 as an illustration for the book Azoth of the Philosophers by the legendary German alchemist Basil Valentine. The word "Azoth" in the title is one of the more arcane names for the One Thing. The "A" and "Z" in the word relate to the Greek alpha and omega, the beginning and end of all things. The word is meant to embrace the full meaning of the One Thing, which is both the chaotic First Matter at the beginning of the Work and the perfected Stone at its conclusion. At the center of this striking drawing is the face of a bearded alchemist at the beginning of the Work. Like looking into a mirror, this is where the adept fixes his or her attention to meditate on the mandala. Within the downward-pointing triangle superimposed over the face of the alchemist is the goal of the Work, the divine man in which the forces from Above and Below have come together. Each of the sequentially numbered points on the star emanating from the alchemist stands for an operation in the Emerald Formula (Calcination, Dissolution, Separation, Conjunction, Fermentation, Distillation, and Coagulation) and contains the cipher for the corresponding metal. To see an explanation of these operations, click on the appropriate point on the star. Table of Operations = Metals The alchemist’s schematized body is the offspring of the marriage between Sol, the archetypal Sun King seated on a lion on a hill to his right, and Luna, the archetypal Moon Queen seated on a great fish to his left. "Its father is the Sun," says the tablet, "its mother the Moon." The laughing, extroverted Sun King holds a scepter and a shield indicating his authority and strength over the rational, visible world, but the fiery dragon of his rejected unconscious waits in a cave beneath him ready to attack should he grow too arrogant. The melancholy, introverted Moon Queen holds the reins to a great fish, symbolizing her control of those same hidden forces that threaten the King, and behind her is a chaff of wheat, which stands for her connection to fertility and growth. The bow and arrow she cradles in her left arm symbolize the wounds of the heart and body she accepts as part of her existence. In simplest terms, the King and Queen represent the raw materials of our experience -- our thoughts and feelings -- with which the alchemist works. The King symbolizes the power of thought, ultimately the One Mind of the highest spirit. The Queen stands for the influence of feelings and emotions, which are ultimately the chaotic One Thing of the greater soul. The much anticipated Marriage of the King and Queen produces a state of Consciousness best described as a feeling intellect, which can be raised and purified to produce a state of perfect intuition, a direct gnosis of reality. "All Obscurity will be clear to you," says the tablet of this state of mind; it is "the Glory of the Whole Universe." The goal of alchemy is to make this golden moment permanent in a state of consciousness called the Philosopher’s Stone, and it all starts with the marriage of opposites within us. In our drawing, the body of the alchemist is composed of the Four Elements. His feet protrude from behind the central emblem; one is on Earth and the other in Water. In his right hand is a torch of Fire and in his left a feather, symbolizing Air. Between his legs dangles the Cubic Stone labeled with the word Corpus, meaning body. The five stars surrounding it indicate that it also contains the hidden Fifth Element, the invisible Quintessence whose "inherent strength is perfected if it is turned into Earth." Where the head of the alchemist should be, there is a strange winged caricature that is variously interpreted as a heart, a helmet, or even the pineal gland at the center of the brain. The symbol evolved from the Winged Disk of Akhenaten and became the top of the Caduceus, the magical wand of Hermes where opposing energies merge to produce miracles. This knob represents the Ascended Essence, the essence of our souls raised to the highest level in the body, to the brain, where it becomes a mobile center of consciousness able to leave the body and travel to other dimensions. Touching the wings of the caduceus are a salamander engulfed in flames on the left side of the drawing and a standing bird on the right. Below the salamander is the inscription Anima (Soul); below the bird is the inscription Spiritus (Spirit). The salamander, as a symbol of soul, is attracted to and exposed in the blazing fire of the Sun. Likewise, the bird of spirit is attracted to the coolness of the Moon and is reflected in it. This is a subtle statement of the fundamental bipolar energies that drive the alchemy of transformation. Spiritus, Anima, and Corpus form a large inverted triangle that stands behind the central emblem. Together they symbolize the three archetypal celestial forces that the alchemists termed Sulfur, Mercury, and Salt. Again, these chemicals are not chemicals at all, but our feelings, thoughts, and body.

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