Showing posts with label witch website. Show all posts
Showing posts with label witch website. Show all posts

Black Powder Or Blackpowder Or Gunpowder

Black Powder Or Blackpowder Or Gunpowder Cover What is the composition of black powder ? The French call it either poudre a canon (gunpowder) or poudre noire (blackpowder). The loose powder was called serpentine. The name black powder is of relatively recent origin, as it appeared only after other explosives were devised which lacked the black luster of free carbon. Obviously, the stuff wasn't called gunpowder before the gun was invented, around 1313. The invention of the gun is often credited to brother Berthold Schwarz (Schwartz), a Franciscan friar from Freiburg with a bogus last name ("Black" in German) indicating his interest in alchemy, the black art; the real name of "Black Bert" was most probably Constantine Anelzin. He "invented" gunpowder only in the sense that he found a new use for old serpentine and thus made the new name meaningful. Black powder was the first explosive ever devised, and it remained the only one for centuries. It is composed of the following three solid ingredients: * Saltpeter: KNO3 niter (or, more rarely, NaNO3 Chilean nitrate). * Sulphur: S. ["sulfur" and "sulphur" are equally acceptable spellings] * Carbon: C. Often in the impure form of charcoal from wood (willow). However, simply mixing the ingredients produces only inferior meal powder... To obtain what's now considered proper black powder, the ingedients must be "incorporated" in a damp state. This allows the application of great pressure to form a dense cake, ultimately broken down into dry grains. This process is called corning, and it was first introduced in France in 1429. Early forms of blackpowder may have existed in China around AD 700, using crude recipes calling for equal weights of the three components... Such mixtures would only burn violently without exploding... Also, explosion cannot occur if raw saltpeter is used, and the refining of saltpeter is not mentioned before 1240 in a book on military technology by the Syrian scholar Hassan Al-Rammah, entitled al-furusiyya wa al-manasib al-harbiyya. The first Chinese author to describe an explosive formula was apparently Huo Lung Ching, in 1412. In a six-page tract entitled Liber Ignium ("Book of Fires"), Marcus Graecus [an otherwise unknown author, possibly a fictitious one] describes 35 incendiary recipes, including a formula which was once standard for English blackpowder: [...] 1 lb of native sulfur, 2 lb of linden or willow charcoal, 6 lb of saltpeter, which three things are very finely powdered on a marble slab. The latin version of this pamphlet did not appear before 1280 or 1300 and may have originated around that time, although the claim has been made that it was an expanded translation by Spaniards of a more ancient Arabic text (dated AD 848) and/or a Greek version that did not include the last four formulas... Roger Bacon (c.1214-1292) investigated black powder before 1249, when he devised the recipe he communicated in 1268: 40% more saltpeter than either sulphur or carbon (7:5:5 formula by weight). However, the first unmistakable blackpowder explosive composition is the "German formula" (4:1:1) proposed by Albertus Magnus (c.1200-1280). The English standard formula around 1350 called for less sulphur and more charcoal (6:1:2). The most commonly quoted modern gunpowder composition seems to date from around 1800 and calls for 75% saltpeter (niter) oxidizer, with 10% sulfur (S) and 15% charcoal (C). The potassium sulphide solid residue forms a thick white smoke, capable of obscuring entire battlefields. Newer propellants leave little or no such residue when properly exploded. They are thus collectively known as smokeless powders. The simplest idea for a smokeless dark powder is called ammonpulver (AP) and involves ammonium nitrate (AN) with 10% to 20% charcoal, although the stoichiometry of the following reactions translates into only 7% to 13% carbon, by weight: 2 NH4NO3 + C-CO2 + 4 H2O + 2 N2 + 629.6 kJ (874.4 cal/g) NH4NO3 + C-CO + 2 H2O + N2 + 228.6 kJ (593.5 cal/g) Other smokeless powders of historical interest include the following propellants: * Guncotton, or nitrocellulose (also known as pyropowder, pyrocellulose, trinitrocellulose and cellulose nitrate) invented in 1845 by the Swiss chemist Christian Schonbein (1799-1869). * Poudre B (flakes of nitrocellulose gelatinized with ether and alcohol) invented in 1884 by Paul Vieille (1854-1934) for the 1886 Lebel rifle. * Ballistite (nitrocellulose and nitroglycerin, with diphenylamine stabilizer) invented by the Swedish industrialist Alfred Nobel (1833-1896) in 1887. Sir James Dewar (1842-1923) * Cordite N (nitroguanidine, nitrocellulose, and nitroglycerin) invented by Frederick Augustus Abel and James Dewar in 1889. Sulfurless powder (12.93% carbon) would yield 772.6 cal/g, with 60% smoke: 4 KNO3 + 5 C-2 K2CO3 + 3 CO2 + 2 N2 + 1501.4 kJ It takes 92.9 g of this mix to release a mole of gas, whereas only 67.6 g of black powder would suffice (as sulfur prevents the wasteful production of carbonate).

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The Benedictine Brother Basilius Valentinus

The Benedictine Brother Basilius Valentinus Cover The Benedictine brother Basilius Valentinus has become a legend in the history of science. But was there really a monk by that name, who lived and worked in a German monastery in the fifteenth century as the legend claims? The historians of science seem not to be able to agree. Here follows the opinion of Sylvain Matton who edited the French edition of the Triumphal Chariot of Antimony (Retz, Paris 1977): On the identity of Basilius Valentinus. "Thus, as they present themselves to us, the writings of Basil Valentine seem to have been edited by a Paracelcist at the end of the sixteenth century or the beginning of the seventeenth. We say 'as they present themselves to us', because one may not entirely exclude that more ancient writings, perhaps of the fifteenth century, have been revised, expounded upon, interpolated, even rewritten. But with this hypothesis, if one does not keep (sic) the legend of the fortuitous discovery of Valentines writings in the trunk of a pillar at the cathedral of Erfurt, it is hard to explain the absence of any manuscript, the oldest one dating from 1582."

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Alchemical Visualization In Tantric Buddhism

Alchemical Visualization In Tantric Buddhism Cover The visualized 'cauldron' or vessel of transformation is a skullcup, known as a kapala in Sanskrit. Impure substances symbolising mental afflictions are transmuted to pure nectar of enlightenment by the power of a fierce wind-blown fire, with the reaction being 'catalysed' by seed letters. In a typical visualisation, urine, feces, brain/marrow, semen, blood and the meats of five taboo animals are transmuted into nectar "When engaging in the generation stage practices one starts with the dissolution of everything into emptiness by reciting the mantra. This is done in order to eliminate self-grasping. From within emptiness the syllable YAM in a crescent moon arises, symbolizing wind. Then the syllable RAM in a triangle arises above it, symbolizing fire. Then from the syllable KAM arises a tripod of skulls. The skull which is the cauldron sits on the tripod. It is white on the outside and red on the inside. It is vast. In the center one pours urine in the form of the syllable HUNG. On the east one puts feces in the form of the syllable OM. In the North one puts brain in the form of the syllable KAM. In the west one puts semen in the syllable ANG. In the south one puts blood in the form of the syllable TRAM. Then one puts fire in the form of HUNG. In the center of the five nectars one places human flesh in the form of the syllable HUNG. In the southeast corner one puts cow meat in the form of the syllable LAM. In the southwest one places dog meat in the form of the syllable MAM. In the northwest one places elephant meat in the form of the syllable HAM. In the northeast one puts horse meat in the form of the syllable TAM. The wind swirls around, generating fire out of the syllable RAM. This boils the substances in the skull cup, melting the five meats and nectars. As they boil, their color becomes orange red like the rays of the rising sun. The mandala of the moon is placed as a lid on the skull. On top of it are a white OM, a red AH, and a blue HUNG. Light rays radiate from the three syllables in the ten directions, reaching the Buddhas and bodhisattvas whose wisdom nectars are drawn back and dissolve into the vessels. The wisdom and samaya nectars become one and become white in color, cool in temperature, sweet in taste, and abundant in power. This becomes the collection of wealth and riches." - Tsok Practice The urine, excrement, brain, sperm and blood represent the five contaminated aggregates to be purified. They are form, feeling, perception, karmic impulses and consciousness. The five meats symbolise the five delusions, which are confusion , miserliness, attachment, jealousy and self-grasping.

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Legality Of Alchemy

Legality Of Alchemy Cover Many types of alchemy are widely traded and trafficked throughout Dremlin. This is especially true of curative and protective alchemies such as Cure Wounds and Resist Toxin, which are often cheaper to produce and more readily available than magic potions, though specialized military units might also find certain kinds of contact gels or gas globes highly useful. There are, however, many types of alchemy which are either strictly controlled substances or else are banned altogether in certain realms. In Baron Gregorin's Lands, for instance, Poison, mind-affecting alchemies such as Charm and Euphoria, and explosive alchemies such as Oil of Impact, are illegal to own, create, or traffick without a permit. Alchemists would do well to familiarize themselves with local laws when travelling to ensure the legality of any wares they may have on them.

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Alchemy And Masonry

Alchemy And Masonry Cover Many of you may have familiarity with the term “Alchemist”. For most this term conjures images of early experimenters attempting to chemically convert lead or base metals into gold, and the search for the chemical elixir of life. These experimenters did indeed exist, their work being the forerunner of modern chemistry. As there were “operative” alchemists, so there were also “speculative” alchemists. Speculative alchemists are often associated with Hermetic philosophy, and employ symbols of metals, elements, the planets, and chemical processes to describe and understand the spiritual process of personal improvement. The founder of Hermetic philosophy was an Egyptian sage Hermes Trismegisus. To the Egyptians he was credited as the author of all the arts and sciences. Deified by different cultures, he was known as Thoth by the Egyptians, Mercury by the Romans and Hermes to the Greeks. While in all probability there actually existed a great sage by the name of Hermes, it is impossible to extricate the historical man from the mass of legendary accounts of him[1]. One of the famous writings of Hermes was the Emerald Table, which contains thirteen sentences summarizing Hermetic thought.

In the Sixteenth through Eighteenth century, Hermeticism became connected with Alchemy; and by what seemed mere chemical jargon and meaningless symbols, their true explanations were concealed from the masses and from the church, who would have likely pronounced many Alchemists as heretics.

Unbeknownst to most Masons, many of the symbols found in symbolic, or “Blue Lodge” Masonry came to us from Alchemy. In his book, “Symbolism of the Blue Degrees of Freemasonry” , Albert Pike describes these relationships and states that “By this and many other proofs we know that the symbols of Freemasonry were introduced into it by the Hermetic philosophers of England…”. Manly P. Hall in his work, The Secret Teachings of All Ages, states, “…he [Hermes] was the author of the Masonic initiatory rituals…Nearly all of the Masonic symbols are Hermetic in character”. In spite of this, I was surprised to find a dearth of research regarding the relationship between Alchemy and Masonry.

Since Albert Pike informs us of the strong connection in Blue Lodge Masonry with that of Alchemy, I wondered if that connection continued into the Scottish Rite Lodge of Perfection, which in many ways is a continuation and completion of the Blue Lodge degrees. In this paper we will survey the symbols of the Scottish Rite degrees from the 4th through the 14th to see if we can find any connection with the symbols of Alchemy. My goal is twofold in doing this: first, to expose the reader to the connection between Alchemy and Freemasonry, and second to encourage other Masonic researchers to explore this very interesting and largely untapped area of study. It should be noted that I am a Masonic researcher and not an Alchemist. This paper is written from the viewpoint of that of a Masonic researcher. Let us know explore the Lodge of Perfection in a hunt for Scottish Chemistry!

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Real Alchemy A Primer Of Practical Alchemy

Real Alchemy A Primer Of Practical Alchemy Cover

Book: Real Alchemy A Primer Of Practical Alchemy by Robert Allen Bartlett

A ground-breaking modern manual on an ancient art, Real Alchemy draws on both modern scientific technology and ancient methods. A laboratory scientist and chemist, Robert Allen Bartlett provides an overview of the history of alchemy, as well as an exploration of the theories behind the practice. Clean, clear, simple, and easy to read, Real Alchemy provides excellent directions regarding the production of plant products and transitions the reader-student into the basics of mineral work--what some consider the true domain of alchemy. New students to practical laboratory alchemy will enjoy reading Real Alchemy and hopefully find the encouragement needed to undertake their own alchemical journey. Bartlett also explains what the ancients really meant when they used the term "Philosopher's Stone" and describes several very real and practical methods for its achievement. Is the fabled Philosopher's Stone an elixir of long life or is it a method of transforming lead into gold? Judge for yourself. The 3 traditional pillars of the Hermetic arts are Alchemy, Astrology, and Qabalah. None of these are stagnant but are all living, growing and evolving arts which are completely compatible with both religion and science. This amazing tome, written by one of the foremost living authorites on Alchemy, combines practical modern science with the ancient Alchemical sciences and gives working students a firm fondation on which to build their temples. This book is truely a treasure which provides years of practicle work, and with it one could ascend to mastery in this both ancient and sacred art/scence/religion/philosophy (Magick.) For a deeper understanding of the philosophy I suggest "Sorcerer's Stone," by Hauck. And for a more guided introduction to the subject, especially for students with a background in other schools of magick, I suggest, "The Path of Alchemy," by Stavish. These three books I have called (semi jokingly but still in truth) the "Holy Trinity of Modern Alchemy." They compliment one another perfectly, each focuses in a slightly different manner and the combined information is a very nice place to start your journey in preparation for the actual process. Read all three, make sure you understand them well, and then slowley and with utmost care begin your Great Work!

Buy Robert Allen Bartlett's book: Real Alchemy A Primer Of Practical Alchemy

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The Hermetic Arcanum The Secret Work Of The Hermetic Philosophy

The Hermetic Arcanum The Secret Work Of The Hermetic Philosophy Cover

Book: The Hermetic Arcanum The Secret Work Of The Hermetic Philosophy by Jean Despagnet

This was a key work of 17th century alchemy. It was written in Latin by Jean d'Espagnet as 'Enchiridion physicae restitutae...' and the first edition was issued at Paris in 1623. A number of editions were issued over the next decades and it was included in a number of alchemical compendia. An English translation, translated by Elias Ashmole, was printed in 1650, in Arthur Dee's 'Fasciculus chemicus: or chymical collections'.

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Death Of Compte Saint Germain

Death Of Compte Saint Germain Cover Secluded at Eckenforn in the count's castle, Saint-Germain announced that he was tired of fife. He seemed careworn and melancholy. He said he felt feeble, but he refused to see a doctor and was tended only by women. No details exist of his death, or rather of his supposed death. No tombstone at Eckenforn bore his name. It was known that he had left all his papers and certain documents relating to Freemasonry to the Count of Hesse Cassel. The count for his part asserted that he had lost a very dear friend. But his attitude was highly equivocal. He refused to give any information about his friend or his last moments, and turned the conversation if anyone spoke of him. His whole behavior gives color to the supposition that he was the accomplice of a pretended death. Although, on the evidence of reliable witnesses, he must have been at least a hundred years old in 1784, his death in that year cannot have been genuine. The official documents of Freemasonry say that in 1785 the French masons chose him as their representative at the great convention that took place in that year, with Mesmer, Saint-Martin, and Cagliostro present. In the following year Saint-Germain was received by the Empress of Russia. Finally, the Comtesse d'Adhemar reports at great length a conversation she had with him in 1789 in the Church of the Recollets, after the taking of the Bastille. His face looked no older than it had looked thirty years earlier. He said he had come from China and Japan. "There is nothing so strange out there," he said, "as that which is happening here. But I can do nothing. My hands are tied by someone who is stronger than I. There are times when it is possible to draw back; others at which the decree must be carried out as soon as he has pronounced it." And he told her in broad outlines all the events, not excepting the death of the queen, that were to take place in the years that followed. "The French will play with titles and honors and ribbons like children. They will regard everything as a plaything, even the equipment of the Garde Nationale. There is today a deficit of some forty millions, which is the nominal cause of the Revolution. Well, under the dictatorship of philanthropists and orators the national debt will reach thousands of millions." "I have seen Saint-Germain again," wrote Comtesse d'Adhemar in 1821, "each time to my amazement. I saw him when the queen was murdered, on the 18th of Brumaire, on the day following the death of the Duke d'Enghien, in January, 1815, and on the eve of the murder of the Duke de Berry." Mademoiselle de Genlis asserts that she met the Comte de Saint-Germain in 1821 during the negotiations for the Treaty of Vienna; and the Comte de Chalons, who was ambassador in Venice, said he spoke to him there soon afterwards in the Piazza di San Marco. There is other evidence, though less conclusive, of his survival. The Englishman Grosley said he saw him in 1798 in a revolutionary prison; and someone else wrote that he was one of the crowd surrounding the tribunal at which the Princess de Lamballe appeared before her execution. It seems quite certain that the Comte de Saint-Germain did not die at the place and on the date that history has fixed. He continued an unknown career, of whose end we are ignorant and whose duration seems so long that one's imagination hesitates to admit it. What happened to the Comte de Saint-Germain after 1821, in which year there is evidence that he was still alive? An Englishman, Albert Vandam, in his memoirs, which he calls An Englishman in Paris, speaks of a certain person whom he knew towards the end of Louis Philippe's reign and whose way of life bore a curious resemblance to that of the Comte de Saint-Germain. "He called himself Major Fraser, wrote Vandam, "lived alone and never alluded to his family. Moreover he was lavish with money, though the source of his fortune remained a mystery to everyone. He possessed a marvelous knowledge of all the countries in Europe at all periods. His memory was absolutely incredible and, curiously enough, he often gave his hearers to understand that he had acquired his learning elsewhere than from books. Many is the time he has told me, with a strange smile, that he was certain he had known Nero, had spoken with Dante, and so on." Like Saint-Germain, Major Fraser had the appearance of a man of between forty and fifty, of middle height and strongly built. The rumor was current that he was the illegitimate son of a Spanish prince. After having been, also like Saint-Germain, a cause of astonishment to Parisian society for a considerable time, he disappeared without leaving a trace. Was it the same Major Fraser who, in 1820, published an account of his journey in the Himalayas, in which he said he had reached Gangotri, the source of the most sacred branch of the Ganges River, and bathed in the source of the Jumna River? It was at the end of the nineteenth century that the legend of Saint-Germain grew so inordinately. By reason of his knowledge, of the integrity of his life, of his wealth and of the mystery that surrounded him, he might reasonably have been taken for an heir of the first Rosicrucians, for a possessor of the Philosopher's Stone. But the theosophists and a great many occultists regarded him as a master of the great White Lodge of the Himalayas. The legend of these masters is well known. According to it there live in inaccessible lamaseries in Tibet certain wise men who possess the ancient secrets of the lost civilization of Atlantis. Sometimes they send to their imperfect brothers, who are blinded by passions and ignorance, sublime messengers to teach and guide them. Krishna, the Buddha, and Jesus were the greatest of these. But there were many other more obscure messengers, of whom Saint-Germain has been considered to be one. "This pupil of Hindu and Egyptian hierophants, this holder of the secret knowledge of the East," theosophist Madam Blavatsky says of him, "was not appreciated for who he was. The stupid world has always treated in this way men who, like Saint-Germain, have returned to it after long years of seclusion devoted to study with their hands full of the treasure of esoteric wisdom and with the hope of making the world better, wiser and happier." Between 1880 and 1900 it was admitted among all theosophists, who at that time had become very numerous, particularly in England and America, that the Comte de Saint-Germain was still alive, that he was still engaged in the spiritual development of the West, and that those who sincerely took part in this development had the possibility of meeting him. The brotherhood of Khe-lan was famous throughout Tibet, and one of their most famous brothers was an Englishman who had arrived one day during the early part of the twentieth century from the West. He spoke every language, including the Tibetan, and knew every art and science, says the tradition. His sanctity and the phenomena produced by him caused him to be proclaimed a Shaberon Master after a residence of but a few years. His memory lives to the present day among the Tibetans, but his real name is a secret with the Shaberons alone. Might not this mysterious traveler be the Comte de Saint-Germain? But even if he has never come back, even if he is no longer alive and we must relegate to legend the idea that the great Hermetic nobleman is still wandering about the world with his sparkling jewels, his senna tea, and his taste for princesses and queens even so it can be said that he has gained the immortality he sought. For a great number of imaginative and sincere men the Comte de Saint-Germain is more alive than he has ever been. There are men who, when they hear a step on the staircase, think it may perhaps be he, coming to give them advice, to bring them some unexpected philosophical idea. They do not jump up to open the door to their guest, for material barriers do not exist for him. There are men who, when they go to sleep, are pervaded by genuine happiness because they are certain that their spirit, when freed from the body, will be able to hold converse with the master in the luminous haze of the astral world.

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Plant Alchemy

Plant Alchemy Cover Plant alchemy, or spagyrics, was the practice of extracting the essences of plants and herbs through alchemical methods, and then using said essences to create medicines, potions, and/or healing ointments. This tied in very closely with astrology, so far as that every plant, to the Medieval alchemist, corresponded to a specific planet in the solar system. Therefore, if an alchemist wished to make a potion to say, help attract love, he would use herbs such as foxglove, mugwort or vervain, since those herbs were considered "sacred to (i.e. corresponding to) the planet Venus." Mineral alchemy would also fall neatly into the astrological fold, with metals such as iron and lead being considered sacred to the planets Mars and Saturn, respectively.

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Newton And Alchemy

Newton And Alchemy Cover In 1936, the world of Isaac Newton scholarship received a rude shock. In that year the venerable auction house of Sotheby's released a catalogue describing three hundred twenty-nine lots of Newton's manuscripts, mostly in his own handwriting, of which over a third were filled with content that was undeniably alchemical. These manuscripts, which had been labeled "not fit to be printed" upon Newton's death in 1727, raised a host of interesting questions in 1936 as they do even today. Was the founder of classical physics an alchemist? And if so, what does this mean? Did he pursue his alchemical interests for scientific reasons, or simply because he was swept up by the old dream of transmuting base metals into gold? Did Newton discover a secret theological meaning in alchemical texts, which often describe the transmutational secret as a special gift revealed by God to his chosen sons? Or was Newton perhaps attracted to the graphic and mysterious imagery of alchemy, with its illustrations of hermaphrodites, couples copulating within flasks, poisonous dragons, green lions, and dying toads? None of these questions are made easier by the fact that Newton's laboratory notebooks, even the one containing the first full description of his brilliant discovery that white light is really a mixture of immutable spectral colors, are filled with recipes patently elaborated from the very alchemical sources that overflow the manuscripts sold by Sotheby's in 1936. Here too, alongside sober explanations of optical and physical phenomena such as freezing and boiling, we find "Neptune's Trident," "Mercury's Caducean Rod," and of course the "Green Lyon," all symbolizing substances derived from Newton's alchemical readings. Whatever the ultimate purpose of Newton's alchemical investigations may have been, it is clear that we cannot erect a watertight dam separating them from his other scientific endeavors. We have adopted the seventeenth-century term "chymistry" to describe the sum of alchemical pursuits as they existed in Newton's day. In the early modern world, chymistry included three basic domains. First, chymists laid claim to a large group of technologies ranging from the making of pigments and dyes and the manufacture of mineral acids to the distillation of "strong waters" for drink. While often supporting themselves by making these items of commerce, however, chymical practitioners were also at the forefront of early modern pharmacology, having placed a radically new emphasis on mineral-based drugs and an equally important stress on the use of laboratory technologies such as distillation and sublimation in their production. Chymical medicine, or iatrochemistry, was one of the important new fields of early modern science, and the second basic division of the discipline. Third and finally, the attempt to make gold from less precious materials, often referred to by the Greek term chrysopoeia, remained a seemingly viable research project for many seventeenth century chymists. Newton was involved in all three of chymistry's major branches in varying degrees, and we make no attempt to impose an anachronistic division of the discipline into modern categories. It is important, rather, to see how chemical technology and medicine were connected to Newton's involvement to the "Great Work," just as it is important to see how his chymistry was related to his other intellectual and technical pursuits.

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Arthur Edward Waite - What Is Alchemy

Why Alchemy

Why Alchemy Cover We have been taught that Alchemy is about the transmutation of energy. What does this mean though and what is the use of such an exercise? I searched for many years for the answers. Some of them I found in Chinese philosophy/alchemy and some of them in Western alchemy. But the whole purpose and idea of it all came clearest when I started to read about the works of Gurdjieff. A magician and philosopher, and a Sufi master who was very prominent in the Western world between the two World Wars. In short he greatly questioned the purpose of human life on earth. Normally we tend to see ourselves as the summit of creation. We take it for granted that the whole earth, indeed the solar system was created to finally produce us and for us to make use of. If we start to question this and we start to sense that something is not quite right in the belief that the purpose of life on earth is man-made, then we come up against a new way of looking at the world and life. And it is this way of looking that makes Gurdjieff's contribution so distinctive. If there is a sense and purpose in human life that can be understood, then we have to play a part in the fulfilment of it. All life depends on other life. Or as Trismegistus says in the Emerald Tablet: as all things were produced from One by the mediation of the One, so all things are produced from this One thing by adaption. This meens we have to adapt to the prevailing energies of the time and consciously nourish and maintain them. In a way we have adapted to the prevailing energy of the element of Air of the Aquarian age. We have built aeroplanes and have built sky scrapers. So we have moved up into the Air. But do we consciously nourish and maintain this energy? So far we have only taken from this energy and not given anything back. According to Gurdjieff, something is required of the human race, a finer subtle energy that is needed for the maintenance of our solar system. It is an idea or principle that was prominent in older times. Zoroaster spoke about it 2,500 years ago and it was implicit in the older Jewish scriptures. I do suspect that old structures like the Pyramids and Stonehenge were built for just such a purpose. Gurdjieff calls it the doctrine of Reciprocal Maintenance. The doctrine of Reciprocal Maintenance is everything that exists in the universe depends on other things for its maintenance and must in turn maintain the existence of others. At the same time a great process of sensitization or spiritualization is proceeding on this earth and throughout the solar system and we have to make our contribution to it. We know that we take a great deal from this earth. We are beginning to see that we are taking more than we are entitled to, that we are running heavily into debt to the earth and to life. This makes it even more important for us to know how to repay, how to square our account with the earth and with life. We can interpret this as exhaustion of resources and pollution of the environment, etc. but deep down we feel intensely uneasy about the significance of it all. Gurdjieff assures us that certain subtle energies to be consciously produced by mankind are needed to maintain a proper balance in the solar system. It is only when the human race realises these responsibilities and falls into line with the prevalent cosmic energies (Archetypes) that we see the heights and flowering of civilizations. When this is not the case, great catastrophes and sudden changes in the solar system can be expected. The maintenance of our solar system is in part dependent on human understanding. It is here that the study of alchemy comes in. It teaches us about the transmutation of energies and increases our understanding of the how and why of the universe. By the study of the different cycles, astrology and above all the study of that ancient glyph "The Tree of Life" we increase our cosmic awareness. But that by itself is not enough. According to Gurdjieff we should also increase our sense of responsibility on a cosmic scale. By doing that we then also strengthen our souls, our "sulphur" becomes more fixed. It is only then that our human potential starts to become more fulfilled. To break through our conditioned mind and reflexes he suggested a series of unusual exercises, which we nowadays try to do with Tai Chi and other martial arts. For further help in this process he mentioned the use of what he so beautifully called an "enabling substance". This no doubt would have been an alchemical substance of a very high order. In the olden days it was believed that any situation in life may be represented as a dynamic pattern for which there exists a precedent in nature. Cosmology was therefore the reigning science, for by knowledge of the laws of growth and celestial motion it was found possible to divine the appropriate response to any circumstances, to harmonise the conflicting interests, to predict and thus to influence the course of events.

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What Is Alchemy

What Is Alchemy Cover

Book: What Is Alchemy by Arthur Edward Waite

In his earlier writings on alchemy Waite maintained that the spiritual interpretation of alchemy was first systematically presented by Mrs. Atwood in her Suggestive Inquiry into the Hermetic Mystery -a point of view that he was later to reject completely, to the extent of saying that the book 'is not, however, final or satisfactory as a critical study, indeed, in some respects it is a morass rather than a pathway' (The Secret Tradition in Freemasonry, 1911, Vol.2, p. 414). For this he was taken to task, in the pages of the Occult Review, by Isabelle de Steiger; but he justified himself by stating that 'What I said of the Suggestive Enquiry in 1888 and 1893 was in the light of my knowledge at those dates; that which I have recorded since has been under a fuller and clearer light' (Occult Review, Vol. 15, No.1. January 1912, p. 50). Nonetheless, his early essays on alchemy retain their value for the obscure information they contain and for their critical comments on Madame Blavatsky's dubious manipulation of her source material on alchemy. First printed in the monthly journal The Unknown World from August to December 1894 and in April, 1895. It was reprinted in The Alchemical Papers of Arthur Edward Waite, ed. J. Ray Shute, Monroe, N.C., 1939, a privately printed collection limited to seventy copies.

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The Book Concerning The Tincture Of The Philosophers

The Book Concerning The Tincture Of The Philosophers Cover

Book: The Book Concerning The Tincture Of The Philosophers by Paracelsus

The Book Concerning The Tincture Of The Philosophers by Paracelsus WRITTEN AGAINST THOSE SOPHISTS BORN SINCE THE DELUGE, IN THE AGE OF OUR Lord JESUS CHRIST, THE SON OF GOD; By PH. THEOPHRASTUS BOMBAST, of HOHENHEIM, Philosopher of the Monarchia, Prince of Spagyrists, Chief Astronomer, Surpassing Physician, and Trismegistus of Mechanical Arcana. SINCE you, O Sophist, everywhere abuse me with such fatuous and mendacious words, on the ground that being sprung from rude Helvetia I can understand and know nothing: and also because being a duly qualified physician I still wander from one district to another; therefore I have proposed by means of this treatise to disclose to the ignorant and inexperienced: what good arts existed in the first age; what my art avails against you and yours against me; what should be thought of each, and how my posterity in this age of grace will imitate me. Look at Hermes, Archelaus, and others in the first age: see what Spagyrists and what Philosophers then existed. By this they testify that their enemies, who are your patrons, O Sophist, at the present time are but mere empty forms and idols. Although this would not be attested by those who are falsely considered your authentic fathers and saints, yet the ancient Emerald Table shews more art and experience in Philosophy, Alchemy, Magic, and the like, than could ever be taught by you and your crowd of followers. If you do not yet understand, from the aforesaid facts, what and how great treasures these are, tell me why no prince or king was ever able to subdue the Egyptians. Then tell me why the Emperor Diocletian ordered all the Spagyric books to be burnt (so far as he could lay his hands upon them). Unless the contents of those books had been known, they would have been obliged to bear still his intolerable yoke, - a yoke, O Sophist, which shall one day be put upon the neck of yourself and your colleagues.

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Alchemical Poetry Between

Alchemical Poetry Between Cover In describing the interaction Between mind and matter, Jung discussed the nature of the psychoid realm. Spiritually, this is the place where we can contact spirit. Between Between the memories and the plans Is there room for this moment to simply be? Between the thoughts and impulses Is there any pause for me? Between the rules and declarations Is there space for spontaneity? Between the echo and the heartbeats Is there Silence enough for serenity?

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Emblema Xxi Of Michael Maier 1618 Atalanta Fugiens

Emblema Xxi Of Michael Maier 1618 Atalanta Fugiens Cover Emblema XXI of Michael Maier’s 1618 Atalanta fugiens. ‘Here followeth the Figure conteyning all the secrets of the Treatise both great & small’. “Above, the alchemist performs the squaring the circle [see earlier post], thereby turning the two sexes into one. The motto repeats a saying of the ‘Rosarium’: ‘Make a circle out of a man and woman, derive from it a square, and from the square a triangle: make a circle and you will have the philosopher’s stone.’ As informed by the text, the triangle denotes the unity of body, soul and spirit. Of this operation Petrus Bonus says: ‘In this conjunction of resurrection, the body becomes wholly spiritual, like the soul herself, and they are made one as water is mixed with water, and henceforth they are not separated for ever, since there is no diversity in them, but unity and identity of all three, that is, spirit, soul and body, without separation for ever’” (p198).

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Doctrines Of Taoist Alchemy

Doctrines Of Taoist Alchemy Cover In order to transcend space and time -- the two main features of the cosmos -- the alchemist should take care of their Correspondences to the work he performs. Space is delimited and protected by talismans (fu), and the laboratory (danwu, lit. "chamber of the elixirs") and instruments are properly oriented. According to some texts, the heating of the elixir must conform to minutely defined time cycles. This system, known as "fire times" (huohou), allows an adept to perform in a relatively short time the same work that Nature would achieve in thousands of years -- in other words, to accelerate the rhythms of Nature. Bringing time to its end, or tracing it back to its beginning, is equivalent. In either case time is transcended, and the alchemist gains access to timelessness. The same is with space: its centre, where the alchemist places himself and his work, is a point devoid of dimension. From this spaceless and timeless point he is able to move along the axis that connects the higher and lower levels of being. Among a variety of procedures that the sources describe in an often allusive way, and in a language rich in metaphors and secret names, two stand out for their recurrence and importance. The first is based on lead (Yin) and mercury (Yang). In external alchemy, these two substances are refined and joined in a compound whose properties are compared to the condition of original Oneness. In internal alchemy, lead refers to the knowledge of the Dao (Pure Yang, chunyang) with which each being is fundamentally endowed, but is obscured (i.e., transmuted into Yin) in the conditioned state. Mercury, on the other hand, represents the individual mind. The second most important method, which is proper only to external alchemy, is centered on cinnabar (Yang). The mercury contained within cinnabar (representing the Yin principle contained within Yang) is extracted and newly added to sulphur (Yang). This process, typically performed nine times, finally yields an elixir embodying the luminous qualities of Pure Yang. This Yang is not the complementary opposite of Yin, but, again, represents the One before its separation into the two complementary principles. The final object of external and internal alchemy is represented as the preparation of an elixir often defined as huandan (lit., "Reverted Elixir"). This expression, recurring in the whole literature, originally denotes an elixir obtained by bringing the ingredients back to their original condition through repeated cyclical operations -- an Operation comparable to the process that the adept performs within himself with the support of the Alchemical practice. The word dan ("elixir") also denotes cinnabar, suggesting that the process begins and ends on two corresponding points along an ascensional spiral. This synonymy also shows the role of cinnabar as a central symbol in external alchemy. In internal alchemy, the central role of cinnabar is taken up by lead, which represents original Oneness, and in this sense is a synonym of "gold" (jin).

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Transmutation In Alchemy

Transmutation In Alchemy Cover The third facet of alchemical religiosity was also linked to the alchemist’s practice. A basic alchemical tenet stated that all substances could be derived through transmutation from primal matter. The technique of change consisted essentially in “coloring”: the Egyptian alchemists did not intend to “make” gold but to color (baptein) metals and textiles through tinctures and elixirs so that they would “appear” like gold (or silver or some other metal). A “changed” metal, then, was a “new” metal. The technique of coloring evolved, in the end, into a powerful symbol of alchemical doctrine; for just as the alchemist transformed lead into silver, and silver into gold, so too he posited for matter, in his anthropomorphic view of it, a similar change, from body to spirit to soul. And in the frame of his doctrine, he identified this escalation with the renewal of man, to which he assigned the same chain of transmutations to reach the goal of redemption.

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A Dictionary Of Alchemical Imagery

A Dictionary Of Alchemical Imagery Cover

Book: A Dictionary Of Alchemical Imagery by Lyndy Abraham

This dictionary documents alchemical symbolism from the early centuries AD to the late-twentieth century, for use by historians of literary culture, philosophy, science and the visual arts, and readers interested in alchemy and hermeticism. Each entry includes a definition of the symbol, giving the literal (physical) and figurative (spiritual) meanings, an example of the symbol used in alchemical writing, and a quotation from a literary source. There are fifty visual images of graphic woodcuts, copperplate engravings and hand-painted emblems, some reproduced here for the first time. This is a superb book for anyone interested in alchemy. For those interested in alchemy and its connections to literature-- it's even better. The Articles are bursting with relevant information and insight into this often perplexing subject matter in an accessible, readable style. A "must have" for anyone interested in alchemy. The only thing I don't like is the price, which may prove prohibitive for some. Each entry has been made sufficiently complete and independent of the others, with detailed cross referencing. Entires on key concepts - the prima materia, the chemical wedding, the philosophers stone, Mercurius, and the stages known as the nigredo, albedo and rebedo - provide basic information about the main ideas of the alchemical opus for those unfamiliar with alchemical theory. Recommended as a general introduction to the subject.

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Three Books Of Occult Philosophy Book Ii

Three Books Of Occult Philosophy Book Ii Cover

Book: Three Books Of Occult Philosophy Book Ii by Henry Cornelius Agrippa

Book II of The Three Book of Occult Philosphy by Henry Cornelius Agrippa The Three Book of Occult Philosphy purports to be the work of Henry Agrippa, the 16th century author of "Three Books of Occult Philosophy". But the 4th Book was obviously not written by Agrippa and bears no resemblance to his style of writing. Although it can be traced back to the 16th century as it is mentioned by Agrippa's student, Johann Weyer in his "De Praestigiis Daemonum", the work remains of uncertain provencance. In part a partial summary of some of Agrippa's writings, this facsimile of the English translation by the 17th century Cambridge scholar Robert Turner, comprises spurious essays on Geomancy and Magick under the name of Agrippa, The Heptameron of Peter of Abano, and books on Astrology and Demonolgy, concluding with the Arbatel, a largely Judeo-Christian outlook on the dangers of magic. It is a very quick and easy read, despite the portions dealing with Geomancy and Astrology that even those serious about such subjects would find largely frustrating and incomprehensible. The work largely remains of pure historical interest with not much of serious substance to an undertanding of Magic and Occult Philiosphy. This volume is a facsimile of Robert Turner's English translation (1654); the original volume first appeared (in Latin) in Marburg around 1554. The original volume included a large number of short texts of varying interest, but Robert Turner's (1654) (for unclear reasons) decided only to translate a few of them. This edition includes 6 short texts: Of Geomancy (H.C. Agrippa); Of Occult philosophy the Three Book (pseudo-Agrippa); Heptameron or Magical Elements (pseudo-Peter de Abano); Isagoge: An Introductory Discourse on the nature of ... Spirits... (Georg Pictorius Villinganus); Of Astronomical Geomancy (Gerard of Cremona); and the Anonymous Arbatel of Magic. Only the Geomancy is actually by Agrippa, and it doesn't fit well with the other texts. The Three Book is, as another reviewer noted, certainly spurious; it purports to be Agrippa's "secret key" to the Occult Philosophy, of which he spoke in a letter to a friend. The Heptameron and the Arbatel are grimoires of some interest for those interested in black magic, as indeed is the Three Book itself; the Isagoge is a rather dull dialogue about spirits; and the Astronomical Geomancy is more or less impenetrable but perhaps interesting in a peculiar way. There have been a number of reprints of this volume, some now surprisingly valuable despite their modernity; all, however, have trimmed out one or more of the already few texts. As such, this is probably the best edition available. It is, like all Kessinger products, a cheaply-bound xerox facsimile of the original 17th-century text, but it's readable and includes everything. If you collect grimoires or magical texts, this is a very famous one, and you ought to have it; copies of the various Latin printings turn up with some regularity, and those with access to Latin would do better with those, although they are of course quite expensive. If you're looking for works by Agrippa, the Geomancy is all you'll find here, but it's interesting in a number of respects. If you want to know about Agrippa's ceremonial magic, however, you need to read book 3 of the Occult Philosophy, available in a nice Llewellyn edition.

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Henry Cornelius Agrippa - Three Books Of Occult Philosophy Book Ii

The Preparation Of The Fiery Wine Spirit

The Preparation Of The Fiery Wine Spirit Cover "A copper vessel has to be constructed that can be taken apart in the middle, as well as above and below the holes, that are located about halfway up the retort. Onto this an alembic is mounted with a tube, everything made of copper except for the recipient which must be made of glass and be of a large size. The latter is put into a wooden vessel filled with cold water. The top of the recipient must also be cooled by means of wet cloths, and these must be Frequently replaced by fresh ones in order to enhance the cooling effect. Also the wooden vessel must have a Cock, so that the water may be removed and fresh water poured in again. When everything is ready, the prepared spiritus vini is introduced into the vessel through the lowest series of holes. When the level is just below these small holes, it is lit and the alcohol starts to burn. The air holes then force the mercury upward and the cold water causes it to liquify, so that it ascends from the alembic into the recipient. This then is the preparation of the true spiritus vini, but you must not neglect any detail in the work of cooling, and take care to replenish the aquam vitam so that its level does not burn too low, etc." The partial oxidation of the alcohol takes place in the horizontal tube where the copper mesh acts as a catalyst for the reaction; 2C2 H5OH + 02 ---- > 2CH3CHO + 2H20 ethanol oxygen --------> ethanal water From this it will be seen that Basilius' fiery wine-spirit consisted of a mixture of alcohol, water and acetaldehyde or ethanal. Acetaldehyde is a very volatile liquid with a boiling point of 21 deg.C. For further Information see eg. Linus & Peter Pauling, Chemistry, Freeman 1975, page 424. It may be suggested that the modern spagyricist may produce their fiery wine-spirit by; 1/. buying acetaldehyde and 96% alcohol 2/. mixing them in a certain proportion 3/. bringing them over the helm together. We wish the experimenting spagyricist great success with this potent mixture, and are very interested in hearing of his or her Experiences in using this spirit to extract the metallic tinctures.

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