Showing posts with label witchcraft. Show all posts
Showing posts with label witchcraft. Show all posts

Alchemical Poetry Lead From Metallic Verses

Alchemical Poetry Lead From Metallic Verses Cover Doubt is the alchemical substance out of which revelation is born. Lead from Metallic verses Gravity is more than some faceless stranger Tugging at my feet. It is a depth into which I sometime fall Surprising myself with words that well up From the ground. Gravity is the lead Of my heaviest thoughts. A pot hole in the road Into which I sometimes fall apart Laying at the bottom of a well Looking up to the day That is no bigger than a small hole At the top of my head.

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Iron Gall Ink Or Indelible Ink Or Encaustum

Iron Gall Ink Or Indelible Ink Or Encaustum Cover In the first century AD, Pliny the Elder described a basic chemical demonstration of the principle behind what would become the primary ink of the Middle Ages: Papyrus soaked in tannin turns black upon contact with a solution of iron salt. This was not used for actual ink at the time of Pliny, but "gallarum gummeosque commixtio" is already mentioned as an established writing ink around AD 420, in the encyclopedia of the 7 liberal arts by Martianus Capella. However, the latest analyses have disproved dubious reports that this type of ink might have already been used on the famous Dead Sea Scrolls of Qumran (before AD 68). Because of the secondary reaction discussed below, which makes it indelible, iron ink was once known as encaustum (Latin for "burned in", from the Greek enkauston, meaning painted in encaustic and fixed with heat). This is the origin of the English word "ink" itself, and of its counterparts in a number of other languages: encre (French), inchiostro (Italian), inkt (Dutch), inkoust (Czech)... Indelible iron-gall ink is considered the most important ink in the development of Western civilization, up until the 20th century. The best iron-gall inks were far superior to most modern inks, but the corrosiveness of some compositions (discussed below) regretfully led to the abandonment of all iron-gall inks in favor of more sophisticated recipes with lesser chemical aggressivity. Iron-gall ink normally includes what is effectively a "Chinese ink" component, which provides both body (from gum arabic) and some initial coloring upon application of the ink. Otherwise, the main pigmentation of iron-gall ink comes paradoxically from water-soluble ferrous chemicals with little color of their own: When the ink dries in air, an oxidation occurs which turns these ferrous salts into insoluble ferric dark pigments. In addition, iron-gall ink may react with parchment collagen or paper cellulose, in a totally indelible way. Some poorly balanced iron-gall inks have even been observed to burn holes through paper. It has been shown that an excess of ferrous salt in iron-gall ink leaves permanent traces of active soluble salts (not properly oxidized into inert pigments) which will catalyze the slow decomposition of cellulose, especially when acidity is present. This corrosion is reduced with a proper balance in the composition of the ink. To prevent deterioration of historical iron-gall ink documents, the Netherlands Institute of Cultural Heritage (ICN) has introduced an interesting treatment, which was first used on a large scale by the conservators of the Nationaal Archief of the Netherlands: First, a saturated solution is applied which contains a calcium salt and its acid, namely: * Calcium phytate: C6H6 (PO4Ca)6 (Phytic Acid Hexa Calcium Salt). * Phytic acid: (CHOPOOHOH)6 The salt is soluble up to twice the molar concentration of the acid. This is an oxidation inhibitor which binds the metal ions. Then, acidity is neutralized with calcium bicarbonate, which creates an alkaline buffer and also leaves a phytate precipitate in the fibers, for continued oxidation protection.

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Alchemical Visualization In Tantric Buddhism

Alchemical Visualization In Tantric Buddhism Cover The visualized 'cauldron' or vessel of transformation is a skullcup, known as a kapala in Sanskrit. Impure substances symbolising mental afflictions are transmuted to pure nectar of enlightenment by the power of a fierce wind-blown fire, with the reaction being 'catalysed' by seed letters. In a typical visualisation, urine, feces, brain/marrow, semen, blood and the meats of five taboo animals are transmuted into nectar "When engaging in the generation stage practices one starts with the dissolution of everything into emptiness by reciting the mantra. This is done in order to eliminate self-grasping. From within emptiness the syllable YAM in a crescent moon arises, symbolizing wind. Then the syllable RAM in a triangle arises above it, symbolizing fire. Then from the syllable KAM arises a tripod of skulls. The skull which is the cauldron sits on the tripod. It is white on the outside and red on the inside. It is vast. In the center one pours urine in the form of the syllable HUNG. On the east one puts feces in the form of the syllable OM. In the North one puts brain in the form of the syllable KAM. In the west one puts semen in the syllable ANG. In the south one puts blood in the form of the syllable TRAM. Then one puts fire in the form of HUNG. In the center of the five nectars one places human flesh in the form of the syllable HUNG. In the southeast corner one puts cow meat in the form of the syllable LAM. In the southwest one places dog meat in the form of the syllable MAM. In the northwest one places elephant meat in the form of the syllable HAM. In the northeast one puts horse meat in the form of the syllable TAM. The wind swirls around, generating fire out of the syllable RAM. This boils the substances in the skull cup, melting the five meats and nectars. As they boil, their color becomes orange red like the rays of the rising sun. The mandala of the moon is placed as a lid on the skull. On top of it are a white OM, a red AH, and a blue HUNG. Light rays radiate from the three syllables in the ten directions, reaching the Buddhas and bodhisattvas whose wisdom nectars are drawn back and dissolve into the vessels. The wisdom and samaya nectars become one and become white in color, cool in temperature, sweet in taste, and abundant in power. This becomes the collection of wealth and riches." - Tsok Practice The urine, excrement, brain, sperm and blood represent the five contaminated aggregates to be purified. They are form, feeling, perception, karmic impulses and consciousness. The five meats symbolise the five delusions, which are confusion , miserliness, attachment, jealousy and self-grasping.

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Alchemical Poetry The Magistry

Alchemical Poetry The Magistry Cover Through want of Skill and Reasons light Men stumble at Noone day; Whilst buisily our Stone they seeke, That lyeth in the way. Who thus do seeke they know not what Is't likely they should finde? Or hitt the Marke whereat they ayme Better then can the Blinde? No, Hermes Sonns for Wisdome aske Your footesteps shee'le direct: Shee'le Natures way and secret Cave And Tree of lyfe detect. Sun and Moone in Hermes Vessell Learne how the Collours shew, The nature of the Elements, And how the Daisies grow. Greate Python how Appollo flew, Cadmus his hollow-Oake: His new rais'd army, and Iason how The Fiery Steeres did yoke. The Eagle which aloft doth fly See that thou bring to ground; And give unto the snake some wings, Which in the Earth is found. Then in one Roome sure binde them both, To fight till they be dead; And that a Prince of Kingdomes three Of both them shalbe bred, Which from the Cradle to his Crowne, Is fed with his owne blood; And though to some it seemeth strange, He hath no other Foode. Into his Virgin-Mothers wombe, Againe he enter must; Soe shall the King by his new-byrth, Be ten times stronger just. And able is his foes to foile, The dead he will revive: Oh happy man that understands This Medicen to atchive! Hoc opus exigium nobis fert ire per altum. December, 1633.

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The Mercurial Bird

The Mercurial Bird Cover Emblem 9 (of 12) from the 1752 Hermaphrodite Child of the Sun and Moon by unknown alchemist L.C.S., reproduced by Adam McLean (p42). Translates Mike Brenner in McLean’s edition: “A soaring eagle with heart aflame, with the Sun and Moon at the threshold of its wings, bears tokens of dominion: the crown of influence, the sceptre of the king, and the globe of the empress. “Its buoyancy in flight and its flaming heart show the ethereal nature of this eagle: wet outside, fire inside. It is our Liquid Mercury. “The Sun and Moon seek solace under the shadow of these wings, basking in the pleasing radiation from the flaming heart. “To win the Crown of the Earth, fuse the power of the sceptre and the globe…” (p42). Comments Fabricius: In plate 7 “the deluge [cf. the biblical Flood] leaves only a small patch of land, on which the Hermes bird descends [beneath the symbol of Mercury]. The chaotic situation is emphasized by the emergence of the seven planets on the horizon, a symbol of universal disorder. As indicated by the sign of sulphur, the sinking island is set on fire by sulphurous flames from the hellish interior of the earth. Yet the alchemist’s sinking island is ‘supported’ by a sealed chest of drawers emerging from the sea and containing immense riches of silver and gold. Although the adept’s world has become a sinking island, it has been simultaneously transformed into a treasure island” (p18).

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Key 12 By Basil Valentine

Key 12 By Basil Valentine Cover If an athlete know not the use of his sword, he might as well be without it; and if another warrior that is skilled in the use of that weapon come against him, the first is like to fare badly. For he that has knowledge and experience on his side, must carry off the victory. In the same way, he that possesses this tincture, by the grace of Almighty God, and is unacquainted with its uses, might as well not have it at all. Therefore this twelfth and last Key must serve to open up to you the uses of this Stone. In dealing with this part of the Subject I will drop my parabolic and figurative style, and plainly set forth all that is to be known. When the Medicine and Stone of all the Sages has been perfectly prepared out of the true virgin's milk, take one part of it to three parts of the best gold purged and refined with antimony, the gold being previously beaten into plates of the greatest possible thinness. Put the whole into a smelting pot and subject it to the action of a gentle fire for twelve hours, then let it be melted for three days and three nights more. For without the ferment of gold no one can compose the Stone or develop the tinging virtue. For the same is very subtle and penetrating if it be fermented and joined with a ferment like unto itself: then the prepared tincture has the power of entering into other bodies, and operating therein. Take then one part of the prepared ferment for the tinging of a thousand parts of molten metal, and then you will learn in all faith and truth that it shall be changed into the only good and fixed gold. For one body takes possession of the other; even if it be unlike to it, nevertheless, through the strength and potency added to it, it is compelled to be assimilated to the same, since like derives origin from like. Whoever uses this as a medium shall find whither the vestibules of the palace lead, and there is nothing comparable to the subtlety thereof. He shall possess all in all, performing all things whatsoever which are possible under the sun. O principle of the prime principle, consider the end! O end of the final end, consider the beginning! And be this medium commended unto your faithful care, wherein also God the Father, Son, and Holy Ghost, shall give unto you whatsoever you need both in soul and body.

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Isaak Newton Alchemical Research And Writings

Isaak Newton Alchemical Research And Writings Cover Much of what are known as Isaac Newton's occult studies can largely be attributed to his study of alchemy. Newton was deeply interested in all forms of natural sciences and materials science, an interest that ultimately would lead to some of his better-known contributions to science. During Newton's lifetime the study of chemistry was still in its infancy, thereby leading many of his experimental studies to consist of the use of esoteric language and vague terminology more accurately associated with alchemy and occultism. It would be several decades after Newton's death that experiments of stoichiometry under the pioneering works of Antoine Lavoisier were conducted and analytical chemistry, with its associated nomenclature, would come to resemble modern chemistry as we know it today. Much of Newton's writing on alchemy may have been lost in a fire in his laboratory, so the true extent of his work in this area may have been larger than is currently known. Newton also suffered a nervous breakdown during his period of alchemical work, which is thought by some due to the psychological transformation that alchemy was originally designed to induce, though there is also speculation it may have been some form of chemical poisoning (possibly from mercury, lead, or some other substance). Newton's writings suggest that one of the main goals of his alchemy may have been the discovery of The Philosopher's Stone (a material believed to turn base metals into gold), and perhaps to a lesser extent, the discovery of the highly coveted Elixir of Life. Some practices of alchemy were banned in England during Newton's lifetime, due in part to unscrupulous practitioners who would often promise wealthy benefactors unrealistic results in an attempt to swindle them. The English Crown, also fearing the potential devaluation of gold, should The Philosopher's Stone actually be discovered, made penalties for alchemy very severe. In some cases the punishment for unsanctioned alchemy would include the public hanging of an offender on a gilded scaffold while adorned with tinsel and other items. It was for this reason, and the potential scrutiny that he feared from his peers within the scientific community, that Newton may have deliberately left his work on alchemical subjects unpublished. Newton was well known as being highly sensitive to criticism, such as the numerous instances when he was criticized by Robert Hooke, and his admitted reluctance to publish any substantial information regarding Calculus before 1693. A perfectionist by nature, Newton also refrained from publication of material that he felt was incomplete, as evident from a thirty-eight year gap in time from Newton's alleged conception of Calculus in 1666 and its final full publication in 1704, which would ultimately lead to the infamous Newton vs Leibniz Calculus Controversy. In 1936, a collection of Isaac Newton's unpublished works were auctioned by Sotheby's on behalf of Gerard Wallop, 9th Earl of Portsmouth, who had inherited them from Newton's great-niece. Known as the "Portsmouth Papers", this material consisted of three hundred twenty-nine lots of Newton's manuscripts, over a third of which were filled with content that appeared to be alchemical in nature. At the time of Newton's death this material was considered "unfit to publish" by Newton's estate, and consequently fell into obscurity until their somewhat sensational re-emergence in 1936. At the auction many of these documents were purchased by economist John Maynard Keynes, who throughout his life, collected many of Newton's alchemical writings. Much of the Keynes collection later passed to eccentric document collector Abraham Yahuda, who was himself a vigorous collector of Isaac Newton's original manuscripts. Many of the documents collected by Keynes and Yahuda are now in the Jewish National and University Library in Jerusalem. In recent years, several projects have begun to gather, catalogue, and transcribe the fragmented collection of Newton's work on alchemical subjects and make them freely available for on-line access. Two of these are The Chymistry of Isaac Newton Project supported by the U.S. National Science Foundation, and The Newton Project supported by the U.K. Arts and Humanities Research Board. In addition, The Jewish National and University Library has published a number of high-quality scanned images of various Newton documents

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Real Alchemy A Primer Of Practical Alchemy

Real Alchemy A Primer Of Practical Alchemy Cover

Book: Real Alchemy A Primer Of Practical Alchemy by Robert Allen Bartlett

A ground-breaking modern manual on an ancient art, Real Alchemy draws on both modern scientific technology and ancient methods. A laboratory scientist and chemist, Robert Allen Bartlett provides an overview of the history of alchemy, as well as an exploration of the theories behind the practice. Clean, clear, simple, and easy to read, Real Alchemy provides excellent directions regarding the production of plant products and transitions the reader-student into the basics of mineral work--what some consider the true domain of alchemy. New students to practical laboratory alchemy will enjoy reading Real Alchemy and hopefully find the encouragement needed to undertake their own alchemical journey. Bartlett also explains what the ancients really meant when they used the term "Philosopher's Stone" and describes several very real and practical methods for its achievement. Is the fabled Philosopher's Stone an elixir of long life or is it a method of transforming lead into gold? Judge for yourself. The 3 traditional pillars of the Hermetic arts are Alchemy, Astrology, and Qabalah. None of these are stagnant but are all living, growing and evolving arts which are completely compatible with both religion and science. This amazing tome, written by one of the foremost living authorites on Alchemy, combines practical modern science with the ancient Alchemical sciences and gives working students a firm fondation on which to build their temples. This book is truely a treasure which provides years of practicle work, and with it one could ascend to mastery in this both ancient and sacred art/scence/religion/philosophy (Magick.) For a deeper understanding of the philosophy I suggest "Sorcerer's Stone," by Hauck. And for a more guided introduction to the subject, especially for students with a background in other schools of magick, I suggest, "The Path of Alchemy," by Stavish. These three books I have called (semi jokingly but still in truth) the "Holy Trinity of Modern Alchemy." They compliment one another perfectly, each focuses in a slightly different manner and the combined information is a very nice place to start your journey in preparation for the actual process. Read all three, make sure you understand them well, and then slowley and with utmost care begin your Great Work!

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Count Cagliostro Biography

Count Cagliostro Biography Cover Count Alessandro di Cagliostro (June 2, 1743 ­ August 26, 1795) was a traveller, occultist and Freemason. "Cagliostro" is widely held to have been an alias for the charlatan Giuseppe Balsamo, born to a poor family in Palermo, Sicily. Balsamo was a petty criminal who, in his most famous crime, claimed aptitude in alchemy to swindle a man out of his gold. The identification of Cagliostro with Giuseppe is not certain, however, being based mainly upon the untrustworthy testimony of the French spy and blackmailer Theveneau de Morande, and later upon his confession to the Inquisition, obtained through torture. Cagliostro himself claimed to have been born of Christians of noble birth, but abandoned as an orphan upon the island of Malta. He claimed to have travelled as a child to Medina, Mecca, and Cairo, and upon return to Malta to have been initiated into the Sovereign Military Order of the Knights of Malta, with whom he studied alchemy, the Kabbalah and magic. He founded the Egyptian rite of Freemasonry in The Hague, which initiated men and women in separate lodges and had an influence on the foundation of the masonic rite of Misraim. Life and travels What is known about Cagliostro is that he became well-known in Naples and later Rome, where he met and married his wife Lorenza Feliciani. They traveled together to London, where he was initiated into Freemasonry, possibly by the Comte de Saint-Germain. He adopted as his secret sign the symbol of Ouroboros; the snake that bites its own tail. He soon founded the Egyptian Rite of Freemasonry in The Hague, which initiated men and women in separate lodges and had an influence on the foundation of the masonic Rite of Misraim. He traveled throughout Russia, Germany, and later France, spreading the influence of the Egyptian Rite and also claiming to be a magnetic healer of great power. His fame grew to the point that he was even recommended as a physician to Benjamin Franklin during a stay in Paris. He was an extraordinary forger. In his autobiography, Giacomo Casanova narrates an encounter with Cagliostro who was able to forge a letter of Casanova despite being unable to understand it. Occult historian Lewis Spence comments in his entry on Cagliostro that the swindler put his finagled wealth to good use by starting and funding a chain of maternity hospitals and orphanages around the continent. Affair of the diamond necklace He was prosecuted in the affair of the diamond necklace which involved Louis XVI of France and Marie Antoinette, and was imprisoned in France for fraud. He was held in the Bastille for nine months, but finally acquitted, when no evidence could be found connecting him to the affair. Nonetheless, he was asked to leave France, and left for England. This was where he was accused by Theveneau de Morande of being Giuseppe Balsamo, which he refuted in his Open letter to the English People, forcing a retraction and apology from Morande. Betrayal and Imprisonment Cagliostro left England to visit Rome, where he met two people who asked him to initiate them into the Egyptian Rite. However, they proved to be spies of the Inquisition. Some accounts hold that his wife was the one who initially betrayed him to the Inquisition. On December 27, 1789, he was arrested and imprisoned in the Castel Sant'Angelo. Soon afterwards he was sentenced to death on the charge of being a Mason. The Pope changed his sentence, however, to life imprisonment in the Castel Sant'Angelo. After attempting to escape he was relocated to the Fortress of San Leo. He died on August 26, 1795.

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Geber Aka Abu Musa Jabir Ibn Hayyan

Geber Aka Abu Musa Jabir Ibn Hayyan Cover Geber, aka Abu Musa Jabir ibn Hayyan, was a prominent Islamic alchemist, pharmacist, philosopher, astronomer, and physicist. He has also been referred to as "the father of Arab chemistry" by Europeans. His ethnic background is not clear; although most sources state he was an Arab, some describe him as Persian. Jabir was born in Tus, Khorasan, in Iran, which was at the time ruled by the Umayyad Caliphate; the date of his birth is disputed, but most sources give 721 or 722. He was the son of Hayyan al-Azdi, a pharmacist of the Arabian Azd tribe who emigrated from Yemen to Kufa (in present-day Iraq) during the Umayyad Caliphate. Hayyan had supported the revolting Abbasids against the Umayyads, and was sent by them to the province of Khorasan (in present Iran) to gather support for their cause. He was eventually caught by the Ummayads and executed. His family fled back to Yemen, where Jabir grew up and studied the Koran, mathematics and other subjects under a scholar named Harbi al-Himyari. After the Abbasids took power, Jabir went back to Kufa, where he spent most of his career. Jabir's father's profession may have contributed greatly to his interest to chemistry. In Kufa he became a student of the celebrated Islamic teacher and sixth Imam Ja'far al-Sadiq. It is said that he also studied with the Umayyad prince Khalid Ibn Yazid. He began his career practising medicine, under the patronage of the Barmakid Vizir of Caliph Haroun al-Rashid. It is known that in 776 he was engaged in alchemy in Kufa.His connections to the Barmakid cost him dearly in the end. When that family fell from grace in 803, Jabir was placed under house arrest in Kufa, where he remained until his death. The date of his death is given as c.815 by the Encyclop?dia Britannica, but as 808 by other sources. Contributions to chemistry Jabir is mostly known for his contributions to chemistry. He emphasised systematic experimentation, and did much to free alchemy from superstition and turn it into a science. He is credited with the invention of many types of now-basic chemical laboratory equipment, and with the discovery and description of many now-commonplace chemical substances and processes - such as the hydrochloric and nitric acids, distillation, and crystalization ­ that have become the foundation of today's chemistry and chemical engineering. He also paved the way for most of the later Islamic alchemists, including al-Razi, al-Tughrai and al-Iraqi, who lived in the 9th, 12th and 13th centuries respectively. His books strongly influenced the medieval European alchemists and justified their search for the philosopher's stone.In spite of his leanings toward mysticism (he was considered a Sufi) and superstition, he more clearly recognised and proclaimed the importance of experimentation. "The first essential in chemistry", he declared, "is that you should perform practical work and conduct experiments, for he who performs not practical work nor makes experiments will never attain the least degree of mastery."Jabir is also credited with the invention and development of several chemical instruments that are still used today, such as the alembic, which made distillation easy, safe, and efficient. By distilling various salts together with sulfuric acid, Jabir discovered hydrochloric acid (from salt) and nitric acid (from saltpeter). By combining the two, he invented aqua regia, one of the few substances that can dissolve gold. Besides its obvious applications to gold extraction and purification, this discovery would fuel the dreams and despair of alchemists for the next thousand years. He is also credited with the discovery of citric acid (the sour component of lemons and other unripe fruits), acetic acid (from vinegar), and tartaric acid (from wine-making residues). Jabir applied his chemical knowledge to the improvement of many manufacturing processes, such as making steel and other metals, preventing rust, engraving gold, dyeing and waterproofing cloth, tanning leather, and the chemical analysis of pigments and other substances. He developed the use of manganese dioxide in glassmaking, to counteract the green tinge produced by iron - a process that is still used today. He noted that boiling wine released a flammable vapor, thus paving the way to Al-Razi's discovery of ethanol. The seeds of the modern classification of elements into metals and non-metals could be seen in his chemical nomenclature. He proposed three categories: "spirits" which vaporise on heating, like camphor, arsenic, and ammonium chloride; "metals", like gold, silver, lead, copper, and iron; and "stones" that can be converted into powders.In the Middle Ages, Jabir's treatises on chemistry were translated into Latin and became standard texts for European alchemists. These include the Kitab al-Kimya (titled Book of the Composition of Alchemy in Europe), translated by Robert of Chester (1144); and the Kitab al-Sab'een by Gerard Of Cremona (before 1187). Marcelin Berthelot translated some of his books under the fanciful titles Book of the Kingdom, Book of the Balances, and Book of Eastern Mercury. Several technical terms introduced by Jabir, such as alkali, have found their way into various European languages and have become part of scientific vocabulary. Contributions to alchemy Jabir became an alchemist at the court of Caliph Harun al-Rashid, for whom he wrote the Kitab al-Zuhra ("The Book of Venus", on "the noble art of alchemy"). Jabir's alchemical investigations revolved around the ultimate goal of takwin - the artificial creation of life. Alchemy had a long relationship with Shi'ite mysticism; according to the first Imam, Ali ibn Abi Talib, "alchemy is the sister of prophecy". Jabir's interest in alchemy was probably inspired by his teacher Ja'far al-Sadiq, and he was himself called "the Sufi", indicating that he followed the ascetic form of mysticism within Islam.In his writings, Jabir pays tribute to Egyptian and Greek alchemists Hermes Trismegistus, Agathodaimon, Pythagoras, and Socrates. He emphasises the long history of alchemy, "whose origin is Arius ... the first man who applied the first experiment on the [philosopher's] stone... and he declares that man possesses the ability to imitate the workings of Nature" (Nasr, Seyyed Hossein, Science and Civilization of Islam). Jabir states in his Book of Stones (4:12) that "The purpose is to baffle and lead into error everyone except those whom God loves and provides for". His works seem to have been deliberately written in highly esoteric code, so that only those who had been initiated into his alchemical school could understand them. It is therefore difficult at best for the modern reader to discern which aspects of Jabir's work are to be read as symbols (and what those symbols mean), and what is to be taken literally. Because his works rarely made overt sense, the term gibberish is believed to have originally referred to his writings (Hauck, p. 19). Jabir's alchemical investigations were theoretically grounded in an elaborate numerology related to Pythagorean and Neoplatonic systems. The nature and properties of elements was defined through numeric values assigned the Arabic consonants present in their name, ultimately culminating in the number 17. To Aristotelian physics, Jabir added the four properties of hotness, coldness, dryness, and moistness (Burkhardt, p. 29). Each Aristotelian element was characterised by these qualities: Fire was both hot and dry, earth cold and dry, water cold and moist, and air hot and moist. This came from the elementary qualities which are theoretical in nature plus substance. In metals two of these qualities were interior and two were exterior. For example, lead was cold and dry and gold was hot and moist. Thus, Jabir theorised, by rearranging the qualities of one metal, based on their sulfur/mercury content, a different metal would result. (Burckhardt, p. 29) This theory appears to have originated the search for al-iksir, the elusive elixir that would make this transformation possible - which in European alchemy became known as the philosopher's stone. Jabir also made important contributions to medicine, astronomy, and other sciences. Only a few of his books have been edited and published, and fewer still are available in translation. The Geber crater, located on the Moon, is named after him. Writings by Jabir The writings of Jabir Ibn Hayyan can be divided into four categories: * The 112 Books dedicated to the Barmakids, viziers of Caliph Harun al-Rashid. This group includes the Arabic version of the Emerald Tablet, an ancient work that is the foundation of the Hermetic or "spiritual" alchemy. In the Middle Ages it was translated into Latin (Tabula Smaragdina) and widely diffused among European alchemists. * The Seventy Books, most of which were translated into Latin during the Middle Ages. This group includes the Kitab al-Zuhra ("Book of Venus") and the Kitab Al-Ahjar ("Book of Stones"). * The Ten Books on Rectification, containing descriptions of "alchemists" such as Pythagoras, Socrates, Plato and Aristotle. * The Books on Balance; this group includes his most famous 'Theory of the balance in Nature'.Some scholars suspect that some of these works were not written by Jabir himself, but are instead commentaries and additions by his followers. In any case, they all can be considered works of the 'Jabir' school of alchemy.

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Medieval Grimoires - Picatrix Krakau Manuscript In Latin

Alchemical Poetry The Gold

Alchemical Poetry The Gold Cover Wilson's stave poorly saved for twenty years As it nears The sophistry and the mys'try of the gold I was told Was unjolly in its folly Every broom and every brolly Founded not the sophistry and the myst'ry of the gold Lovely gold Au contraire let me dare and say my vouch For some grouch In the lighting of his writing said to thee: "Alchemy Is not sorted nor aborted In those dialects distorted But the lighting of my writing says it be PURITY" So the dawning's ill-forewarnings one young day so to say Lit my cradle with some fable unbelieved As it weaved A spectre and reflector Of this primordial projector In my cradle making able image teethed Upon, heaved Then hologrammic monogrammic egg vessel Left nestle That it put at the foot of my bed For it fled Gave no utter nor a mutter But a hovered fly flutter And the graphic, oh the graphic, did I wrestle (With the vessel) When immersed yet unversed in such strange Did it change To a casket - no - a basket, holding flowers Pollumn showers Tried noses where roses Of white in red imposes Being sulphur (the engulfer) and merc'ry's change Roses arranged In myriad eyes mad and tranced Then glanced Vessel's sailing peacock tailing image flux One soon rucks The sheet from his feet To his mush quilt meets Scared and fraught the apport nigh advanced Hue enhanced Could my senses that intenses like the ignis Be the ignis? And the salt that exalts my chem'cal wedding Be my dredding? In vito of libido's Now-formed negredo Then at once that which blunts my guess distilled fuscous-killed Oh EUREKA! not one seeker saw the plight Of this sight 'Tis sophistry and the myst'ry of the gold Vivid, bold Discerning and turning To a sun-face burning Beguiling face smiling splendid gold Purest gold by Godo

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Alchemical Poetry Aenigma Philosophicum

Alchemical Poetry Aenigma Philosophicum Cover There is no light, but what lives in the Sunne; There is no Sunne, but which is twice begott; Nature and Arte the Parents first begonne: By nature ‘twas, but nature perfects not. Arte then what nature left in hand doth take, And out of One a Twofold worke doth make. A Twofold worke doth make, but such a worke As doth admitt Division none at all (See here wherein the Secret most doth lurke) Unlesse it be a Mathematicall. It must be Two, yet make it One and One, And you do take the way to make it None. Lo here the Primar Secret of this Arte, Contemne it not but understand it right, Who faileth to attaine this formost part, Shall never know Artes force nor Natures might. Nor yet have power of One and One so mixt, To make by One fixt, One unfixid fixt. D.D. W. Bedman.

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The Three States Of Alchemy

The Three States Of Alchemy Cover Ingested alchemies are those substances that can be imbibed through the mouth, either in their pure form or prepared in some form of food or drink. In their pure form, they are a non-viscous liquid, with a single dose being enough to fill a standard-sized vial. Depending on the ingredients used in the ingestion, they may or may not have colour or odour. As an ingestion merely requires consumption, anyone can use one, regardless of their experience with alchemy or herbs. Common ingestions include Cure Wounds and Minor Strength. Contact Gel Contact gels take the form of an extremely viscous paste that sticks to surfaces and augment the objects they coat. They are most commonly used on weapons in order to augment their effectiveness in some way. Generally speaking, violently disrupting the area on which the gel is spread will render the gel useless. A person with knowledge of the herbal arts can apply a contact gel safely. Common contact gels include Liquid Light and Vorpals. Gas Globe Gas globes are the most destructive form of alchemical solution, and are probably the most difficult of the three states to engineer. The ingredients for the effect sit dormant inside a breakable chamber until they are prepared for use via the proper shaking motion. This activates the ingredients. Upon striking some surface, the chamber releases its contents in a gaseous cloud which inflicts its effects upon the target. Only one who is trained in the herbal arts as well as rudimentary weapons can throw a gas globe, although gas globes are often used in the creation of alchemical traps. Common gas globes include Nausea and Acid.

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Alchemical Symbols

Alchemical Symbols Cover The alchemist, in the formulation of Wayne Shuhmaker, “did not analyze but analogized,” and his own universe, metallurgy, provided the mythical imagery and stimulated new meanings. The alchemical opus centered on the change of matter, and transmutation of matter turned into the recurrent theme of the alchemist’s cult. To him, the soul imprisoned in matter symbolized the spirit striving to purify itself from the roughage of the flesh. Matter was represented above all by metal and symbolized life and man, its growth comparable to the growth of the fetus. “The achievement of metallic transmutation became symbolic of the religious regeneration of the human soul” (Sheppard, Ambix 17, p. 77). With technical alchemy providing the similes that expressed Gnostic religiousity, the two-tiered semantic construct evolved that was characteristic of Hellenistic and medieval mystic language: the worldly, exoteric lexicon furnished the “surface,” the sensus litteralis, but when applied to esoteric experience it yielded the hidden meaning, the sensus allegoricus. Many lexical items were drawn into the process: thus, in the Valentinian system of Gnosticism (deriving from the second-century Egyptian Valentinus), metallurgical terms such as the following symbolized spiritual concepts. Pneuma signified, first, the product of natural sublimation, then, “divine spirit”; ebullient (“boiling up”), referring to the alchemical process of “separating the pure from the impure,” was applied to wisdom; sperma (the “embryonic germ”) yielded the “seed” of gnosis; in a similar way, such terms as refine, filter, and purify acquired spiritualized meanings. The transfer, through alchemy, from the literal to the symbolic realm contributed richly to the language of religion and, generally, abstraction. It indicates a conscious effort of the alchemist to frame his views in the terms of his craft.

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Medieval Medical Manuscripts In The Harleian Collection P5

Medieval Medical Manuscripts In The Harleian Collection P5 Cover Harley 5679, DIOSCORIDES PEDANIUS, DE MATERIA MEDICA, BOOKS 1-5; 15th cent., 3rd quarter. Greek. Harley 5680, AVICENNA, CANON OF MEDICINE, BOOKS 3 AND 5; second half of 15th cent, partly 1479 (colophon f. 177). Hebrew translation. Harley 5707, AVICENNA, CANON OF MEDICINE, BOOK 3; 15th cent. Hebrew translation. Harley 5792, PS.-CYRIL, GREEK-LATIN GLOSSARY, PSEUDO-HIPPOCRATES, DYNAMIDIA (EXCERPTS) AND ADDITIONAL RECIPES; 8th cent. Greek and Latin. Harley 6258B, MISCELLANY INCLUDING ANGLO-SAXON MEDICAL TEXTS, TRANSLATIONS AND RECIPES; late 12th cent. or early 13th cent. Old English, early Middle English (possibly), and Latin. Harley 6295, COLLECTION OF MEDICAL WRITINGS BY ALEXANDER OF APHRODISIAS, ABBATIAN, HIPPOCRATES, AND PALLADIUS; 15th cent. Greek. Harley 6308, COLLECTION OF PHARMACOPEIAL AND SCIENTIC TEXTS; 16th cent., 1st half. French.

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Medieval Medical Manuscripts In The Harleian Collection P3

Medieval Medical Manuscripts In The Harleian Collection P3 Cover Harley 2372, THE MYROUR OF RECLUSES WITH ADDED MEDICAL RECIPE; mid 15th cent. Middle English. Harley 2374, MEDICAL MISCELLANY; 15th cent. Latin and Middle English. Harley 2375, COMPILATION OF MEDICAL AND ASTROLOGICAL Texts AND RECIPES; 15th cent. Latin and Middle English. Harley 2378, COMPOSITE MISCELLANY OF MEDICAL, CULINARY AND ALCHEMICAL TEXTS AND RECIPES; late 14th-15th cent. Latin, Middle English and Anglo-Norman. Harley 2380, MEDICAL RECIPES AND CHARMS; 15th cent. Middle English and Latin. Harley 2381, COMPENDIUM OF MEDICAL RECIPES; mid 15th cent. Middle English and Latin. Harley 2389, A COMMONPLACE BOOK INCLUDING MEDICAL, CULINARY, ARBORICULTURAL AND FISHING RECIPES, CHARMS AND INSTRUCTIONS; 16th cent. Middle English. Harley 2390, MEDICAL COMPENDIUM; 15th cent. Latin and Middle English. Harley 2398, COLLECTION OF DEVOTIONAL TREATISES AND SERMONS; late 14th cent. Middle English. Harley 2399, COMPOSITE MISCELLANY RELATING TO PHILOSOPHY, THEOLOGY, MEDICINE AND POETRY; late 12th-early 17th cent. Latin and Middle English. Harley 2488, VALERIUS MAXIMUS, MEMORABILIA, AND TEXTS RELATING TO MEDICINE AND ROMANCES; early 15th cent. Latin. Harley 2558, THOMAS FAYREFORD'S MEDICAL MISCELLANY AND COMMONPLACE BOOKS; 13th-15th cent. Latin, Middle English and Anglo-Norman. Harley 2579, HUMANISTIC MISCELLANY INCLUDING MACER FLORIDUS, DE VIRIBUS HERBARUM, AND CATO, DE RE RUSTICA; mid 15th cent. Latin. Harley 2651, MACER FLORIDUS (ODO OF MEUNG), DE VIRIBUS HERBARUM; 1448. Latin. Harley 2660, ST. ISIDORE OF SEVILLE, 'ETYMOLOGIAE' and 'DE NATURA RERUM'; 1136. Latin. Harley 2686 ST. ISIDORE OF SEVILLE, 'ETYMOLOGIAE'; 9th cent. Latin. Harley 3035, ST. ISIDORE OF SEVILLE, 'ETYMOLOGIAE' and 'DE NATURA RERUM'; 1496. Latin. Harley 3059, THEOLOGICAL MISCELLANY INCLUDING WORKS BY ST ANSELM OF CANTERBURY AND ST BERNARD AND A TREATISE ON THE PLAGUE; 14th cent. Latin. Harley 3091, COMPUTATIONAL AND THEOLOGICAL TEXTS MAINLY BY BEDE AND PAOLINUS OF AQUILEIA , WITH THE ADDITION OF MEDICAL RECIPES; 9th cent., 2nd half, with 10th cent. additions. Latin. Harley 3093, COLLECTION OF LATE ANTIQUE TEXTS IN VERSE; late 11th-early 12th cent. Latin. Harley 3099, ST. ISIDORE OF SEVILLE, 'ETYMOLOGIAE' and 'DE NATURA RERUM'; mid 12th cent. Latin. Harley 3140, ARS MEDICINE; circa 1300. Latin. Harley 3247, MISCELLANY RELATING TO THEOLOGY, CANON LAW AND MEDICINE; 13th cent. Latin. Harley 3334, ROLANDUS CAPELLUTUS PARMENSIS, DE CHIRURGIA; 14th cent. Latin. Harley 3353, COMPOSITE MISCELLANY RELATING TO MEDICINE, ALCHEMY AND MATHEMATICS; late 13th-14th cent. Latin and Old French. Harley 3371, COLLECTION OF MEDICAL TEXTS AND RECIPES, INCLUDING WORKS BY JOHN OF ARDERNE; late 15th-early 16th cent. Latin and Middle English. Harley 3372, MEDICAL MISCELLANY; mid 15th cent. Latin. Harley 3383, COLLECTION OF MEDICAL TEXTS AND RECIPES; late 15th cent. Middle English and Latin. Harley 3388, COMPOSITE MEDICAL MISCELLANY; 15th cent., 1st half. Latin and Middle English. Harley 3407, COLLECTION OF MEDICAL TEXTS AND RECIPIES; late 12th cent. - 15th cent. Latin, Middle English and French. Harley 3527, FRANCESCO RINUCCIO ARETINO, TRANSLATION OF A COLLECTION OF Greek LETTERS; mid 15th cent. Latin. Harley 3542, COLLECTION OF ALCHEMICAL AND MEDICAL TREATISES AND RECIPES; 15th cent. Latin and Middle English. Harley 3594, COLLECTION OF MEDICAL TEXTS AND NOTES; late 15th - early 16th cent. Latin. Harley 3665, COMPENDIUM OF MEDICAL TEXTS; late 15th cent. Latin. Harley 3698, BERNARDUS DE GORDONIO, PRACTICA DICTA LILIUM MEDICINE; 14th cent., first half. Latin. Harley 3703, ALCHEMICAL MISCELLANY WITH ADDITIONAL TEXTS RELATING TO PHLEBOTOMY AND OTHER MEDICAL MATTERS; 15th cent., 2nd half. Latin. Harley 3706, REGIMEN SANITATIS SALERNITANUM WITH COMMENTARY; 15th cent. Latin. Harley 3719, COLLECTION OF ASTRONOMICAL, CALENDRICAL, MEDICAL, AND PHILOSOPHICAL TEXTS; 14th-15th cent. Latin and Middle English. Harley 3744, AVICENNA, CANON MEDICINE, BOOKS I, II, V, AND IV; 14th cent., 1st half. Latin translation.

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The Hermetic And Alchemical Writings Of Paracelsus

The Hermetic And Alchemical Writings Of Paracelsus Cover

Book: The Hermetic And Alchemical Writings Of Paracelsus by Paracelsus

This is a collection of five alchemical tracts written by one of the most famous alchemists who was said to have discovered the Philosopher's Stone. In these writings Paracelsus attempts to educate the reader about the nature of the Philosopher's Stone and the scientific Principles from which we can be assured of its existence and Understand how it works. Like all alchemical tracts, the language is very cryptic and allegorical so as to be unintelligible to the unworthy. Paracelus is my personal favorite of the "famous alchemists." He took an approach that diverged greatly from his contemporaries: "harmony of the man is the microcosm and Nature the macrocosm." He veered from soul purification and concentrated on how bodies got out of natural balance and how he could cure them. He summarized his own views by saying: "Many have said of Alchemy, that is for making of gold and silver. For me such is not the aim, but to consider only what virtue and power may lie in medicines." And I am sure that many of the pharmaceutical giants today wholeheartedly agree with him! The work is fascinating as well as the man. This book as well as Part 2 bring him fully to light for all of us to appreciate! Waite usually does a good job of translations. He generally seems to be the most objective of 19th Century esotericists and occultists. Paracelsus was and is a huge influence on the subject of alchemy. Anyone who is interested in alchemy or the philosophy of the Renaissance would get much from this book. The edition I have is the paperback reprint from Kessinger. In my experience, their reprints are of decent quality, clear, and readable. They make difficult-to-find texts affordable. I have several books published by them, and they are all of decent quality.

Buy Paracelsus's book: The Hermetic And Alchemical Writings Of Paracelsus

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Doctrines Of Taoist Alchemy

Doctrines Of Taoist Alchemy Cover In order to transcend space and time -- the two main features of the cosmos -- the alchemist should take care of their Correspondences to the work he performs. Space is delimited and protected by talismans (fu), and the laboratory (danwu, lit. "chamber of the elixirs") and instruments are properly oriented. According to some texts, the heating of the elixir must conform to minutely defined time cycles. This system, known as "fire times" (huohou), allows an adept to perform in a relatively short time the same work that Nature would achieve in thousands of years -- in other words, to accelerate the rhythms of Nature. Bringing time to its end, or tracing it back to its beginning, is equivalent. In either case time is transcended, and the alchemist gains access to timelessness. The same is with space: its centre, where the alchemist places himself and his work, is a point devoid of dimension. From this spaceless and timeless point he is able to move along the axis that connects the higher and lower levels of being. Among a variety of procedures that the sources describe in an often allusive way, and in a language rich in metaphors and secret names, two stand out for their recurrence and importance. The first is based on lead (Yin) and mercury (Yang). In external alchemy, these two substances are refined and joined in a compound whose properties are compared to the condition of original Oneness. In internal alchemy, lead refers to the knowledge of the Dao (Pure Yang, chunyang) with which each being is fundamentally endowed, but is obscured (i.e., transmuted into Yin) in the conditioned state. Mercury, on the other hand, represents the individual mind. The second most important method, which is proper only to external alchemy, is centered on cinnabar (Yang). The mercury contained within cinnabar (representing the Yin principle contained within Yang) is extracted and newly added to sulphur (Yang). This process, typically performed nine times, finally yields an elixir embodying the luminous qualities of Pure Yang. This Yang is not the complementary opposite of Yin, but, again, represents the One before its separation into the two complementary principles. The final object of external and internal alchemy is represented as the preparation of an elixir often defined as huandan (lit., "Reverted Elixir"). This expression, recurring in the whole literature, originally denotes an elixir obtained by bringing the ingredients back to their original condition through repeated cyclical operations -- an Operation comparable to the process that the adept performs within himself with the support of the Alchemical practice. The word dan ("elixir") also denotes cinnabar, suggesting that the process begins and ends on two corresponding points along an ascensional spiral. This synonymy also shows the role of cinnabar as a central symbol in external alchemy. In internal alchemy, the central role of cinnabar is taken up by lead, which represents original Oneness, and in this sense is a synonym of "gold" (jin).

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Roger Bacon Biography

Roger Bacon Biography Cover Roger Bacon (c. 1214 ­ 1294), also known as Doctor Mirabilis (Latin: "astounding teacher"), was one of the most famous Franciscan friars of his time. He was an English philosopher who placed considerable emphasis on empiricism, and has been presented as one of the earliest advocates of the modern scientific method in the West; though later studies have emphasized his reliance on occult and alchemical traditions. He was intimately acquainted with the Philosophical and scientific insights of the Arab world, one of the most advanced civilizations at the time. Early life Bacon is thought to have been born near Ilchester in Somerset, though he has also been claimed by Bisley in Gloucestershire. His date of birth is equally uncertain. The only source is his statement in the Opus Tertium, written in 1267, that forty years have passed since I first learned the alphabet. The 1214 birth date assumes he was not being literal, and meant 40 years had passed since he matriculated at Oxford at the age of 13. If he had been literal, his birth date was more likely around 1220. Bacon's family appears to have been well-off, but, during the stormy reign of Henry III of England, their property was despoiled and several members of the family were driven into exile. Roger Bacon studied and later became a Master at Oxford, lecturing on Aristotle. There is no evidence he was ever awarded a doctorate - the title Doctor Mirabilis was posthumous and figurative. He crossed over to France in 1241 to teach at the university of Paris, then the center of intellectual life in Europe, where the teaching of Aristotle, till that time forbidden because Aristotle was only available via Islamic commentators, had recently been resumed. As an Oxford Master, Bacon was a natural choice for the post. He returned to Oxford in 1247 and studied intensively for many years, forgoing much of social and academic life, ordering expensive books (which had to be hand-copied at the time) and instruments. He later became a Franciscan friar. He probably took orders in 1253, after 10 years of study which had left him physically and mentally exhausted. The two great orders, Franciscans and Dominicans, were not long-established, and had begun to take the lead in theological discussion. Alexander of Hales led the Franciscans, while the rival order rejoiced in Albertus Magnus and Thomas Aquinas. Bacon's abilities were soon recognised, and he enjoyed the friendship of such eminent men as Adam de Marisco and Robert Grosseteste, bishop of Lincoln. In the course of his teaching and research, he performed and described various experiments. Life and Works The scientific training Bacon had received showed him the defects in existing academic debate. Aristotle was known only through poor translations, as none of the professors would learn Greek. The same was true of Scripture. Physical science was not carried out by experiment in the Aristotelian way, but by arguments based on tradition. Bacon withdrew from the scholastic routine and devoted himself to languages and experimental research. The only teacher whom he respected was a certain Petrus de Maharncuria Picardus, or "of Picardie", probably identical with a certain mathematician, Petrus Peregrinus of Picardie, who is perhaps the author of a manuscript treatise, De Magnete, contained in the Bibliotheque Imperiale at Paris. The contrast between the obscurity of such a man and the fame enjoyed by the fluent young doctors roused Bacon's indignation. In the Opus Minus and Opus Tertium he pours forth a violent tirade against Alexander of Hales, and another professor, who, he says, acquired his learning by teaching others, and adopted a dogmatic tone, which caused him to be received at Paris with applause as the equal of Aristotle, Avicenna, or Averroes. Bacon was always an outspoken man who stated what he believed to be true and attacked those with whom he disagreed, which repeatedly caused him great trouble. In 1256 a new head of the scientific branch of the Franciscan order in England was appointed: Richard of Cornwall, with whom Bacon had strongly disagreed in the past. Before long, Bacon was transferred to a monastery in France, where for about 10 years he could communicate with his intellectual peers only in writing. Bacon wrote to the Cardinal Guy le Gros de Foulques, who became interested in his ideas and asked him to produce a comprehensive treatise. Bacon, being constrained by a rule of the Franciscan order against publishing works out of the order without special permission, initially hesitated. The cardinal became Pope Clement IV and urged Bacon to ignore the prohibition and write the book in secret. Bacon complied and sent his work, the Opus Majus, a treatise on the sciences (grammar, logic, mathematics, physics, and philosophy), to the pope in 1267. It was followed in the same year by the Opus Minus (also known as Opus Secundum), a summary of the main thoughts from the first work. In 1268, he sent a third work, the Opus Tertium to the pope, who died the same year, apparently before even seeing the Opus Majus although it is known that the work reached Rome. Some claim that Bacon fell out of favor, and was later imprisoned by the Franciscan order in 1278 in Ancona as his dissemination of Arab alchemy, and his protests against the ignorance and immorality of the clergy, roused accusations of witchcraft. He supposedly stayed imprisoned for over ten years, until intercession of English noblemen secured his release. About this episode, the historian of science David C. Lindberg, quoted by James Hannam, says that "his imprisonment, if it occurred at all probably resulted with his sympathies for the radical 'poverty' wing of the Franciscans (a wholly theological matter) rather than from any scientific novelties which he may have proposed." Bacon died without important followers, was quickly forgotten, and remained so for a long time. In his writings, Bacon calls for a reform of theological study. Less emphasis should be placed on minor philosophical distinctions as in scholasticism, but instead the Bible itself should return to the center of attention and theologians should thoroughly study the languages in which their original sources were composed. He was fluent in several languages and lamented the corruption of the holy texts and the works of the Greek Philosophers by numerous mistranslations and misinterpretations. Furthermore, he urged all theologians to study all sciences closely, and to add them to the normal university curriculum. He possessed one of the most commanding intellects of his age, or perhaps of any, and, notwithstanding all the disadvantages and discouragements to which he was subjected, made many discoveries, and came near to many others. He rejected the blind following of prior authorities, both in theological and scientific study. His Opus Majus contains treatments of mathematics and optics, alchemy and the manufacture of gunpowder, the positions and sizes of the celestial bodies, and anticipates later inventions such as microscopes, telescopes, spectacles, flying machines and steam ships. Bacon studied astrology and believed that the celestial bodies had an influence on the fate and mind of humans. He also wrote a criticism of the Julian calendar which was then still in use. He first recognized the visible spectrum in a glass of water, centuries before Sir Isaac Newton discovered that prisms could disassemble and reassemble white light. Roger Bacon is considered by some to be the author of the Voynich Manuscript, because of his studies in the fields of alchemy, astrology, and languages. Bacon is also the ascribed author of the alchemical manual Speculum Alchemiae, which was translated into English as The Mirror of Alchemy in 1597. He was an enthusiastic proponent and practitioner of the experimental method of acquiring knowledge about the world. He planned to publish a comprehensive encyclopedia, but only fragments ever appeared.

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Benu Bird Egyptian Legend The Creation Myth Of Heliopolis

Benu Bird Egyptian Legend The Creation Myth Of Heliopolis Cover One of the creation myths of Heliopolis tells of the Benu Bird. IT gives an account of the first dawn and a heron skimming over the waters of the Nun until it comes to rest on a rock. As it did so, it opened its beak and a cry echoed over the water of the Nun. The world was filled with ‘that which it had not known’; the cry of the Benu Bird ‘determined what is and is not to be’. Thus, the Benu Bird, as an aspect of Atum, brought life and light to the world. The Benu Bird was said to have created itself from a fire which burned at the top of the sacred persea tree in Heliopolis and it rested on the Benben Stone, a pillar topped by a pyramid shaped stone (an obelisk), which became the most sacred fetish worshipped in the city. On the Metternich Stele, Isis says to her son, Horus: ‘Thou are the Great Benu who was born on the incense tree in the House of the Great Prince of Heliopolis”. The capstones of the pyramids and the pyramids themselves were thought to be a representation of the Benben Stone and the Kings buried beneath were under the direct protection of the Sun God. The Benu’s cry had begun the cycle of time, which the Egyptians believed to be divinely appointed. Divided as such: the twenty four hour day with twelve hours for both daytime and nighttimes, the ten days that comprised the Egyptian week, the thirty day month, the year of twelve months (365 days) and periods of 1460 years in which the civil and astronomical calendars diverged and then coincided again. The Temple of the Benu Bird at Heliopolis was primarily concerned with the regulation of the calendar and the Benu Bird itself became the deity concerned with the division of time.

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